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Since the ridiculous, extremely entertaining Fast Five, each new Fast furious pouring was an absurd climbing exercise – parachuting cars in Furious 7, Rock throwing a torpedo with his bare hands in The fate of the furiousand everything in between. Far from the simple times of the series being a Point Break tribute to beautiful street racers stimulating DVD players, each more Fast furious film amplifies the absurd action, tinged with testosterone, by removing these boring laws of physics.
Hobbs & Shaw The trajectory of the series leading to 'Fast & Furious … In Space' (as suggested by screenwriter Chris Morgan), opposes two special agents to a cult that believes the future of humanity lies in the cyber-increase . It's a different flavor of Fast furious movie; Although there is still a lot of carnage of vehicles, the film focuses on espionage, fist fights and wacky comedy. Dwayne's The Rock & # 39; Johnson and Jason Statham do wonders, but Vanessa Kirby steals the show with an ironic spirit and a relaxed lethality. While the attention of the film falls mainly on this trio of head, Idris Elba savor the time that it pbades on the screen, staging an entertaining fanfaron for a character who would also have a note.
Statham and Johnson even hold the faltering moments under absolute spell.
David Leitch's management brings familiar nuances of John Wick and Atomic Blonde to the action. Finely choreographed battles are splashed with neon, harmless objects become deadly weapons (Statham brandishes a toaster at one point), and Leitch gives each fight a flair and clarity, playing on the different mentality of each performer . The camera moves quickly with Statham 's agile and precise movements, slows to clearly show Kirby' s brutal dexterity and grace, and stays at bay for Johnson sequences in order to capture the intimidating strength and size of the camera. actor. With regard to cars, Hobbs & Shaw is just as creative as its predecessors in the franchise, an exceptional sequence featuring a chain of cars helping Hobbs lbado a helicopter.
In agreement with Fast furious Tradition, this action is counterbalanced by sincere and sincere speeches about the importance of the family. This time, however, it's about connecting with your roots and maintaining that contact, rather than finding family among those who are in your orbit. The strongest moment comes from Hobbs' interaction with his Samoan parents (Johnson himself being Samoan). This return trip brings more warmth to a character known primarily for his absurd demonstrations of strength and his even more stupid one-liners, as well as a fun twist of a third-act confrontation. The weapons are exchanged for traditional weapons of war, the usual speech before the battle being replaced by the Siva Tau (Haka Samoan), a charming and unique show in a Hollywood action franchise.
Hobbs & Shaw his comedy is more nuanced, with a broader tone and more self-conscious than the usual frank sincerity of the franchise. The vulgar insults arrive quickly and well (especially during strange cameos), but do not always fall. Nevertheless, Statham and Johnson even hold the faltering moments under the spell of unbridled charm, their chemistry has never been better than when the film allows them to rely on the slip of two macho machinists to work together.
In spite of some jokes, Hobbs & Shaw is still an exhilarating machine with nerve power, with Johnson and Statham having a great drive behind.
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