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When Hayley Williams hand delivered a CD to a fan on January 28, asking her to divulge the only song, “My Limb,” as part of Wolf Moon, her silky smooth voice fulfilled everyone’s desires.
No one expected a full 14 track album, however, especially since his debut solo album, Petals for armor, just fell nine months ago. And no one expected it to be as vulnerable and downcast as that, even for someone like Williams, who consistently puts her in everything she writes, but here * FLOWERS for VASES / descansos is in all its melancholy glory.
Monitoring Petals for armor, although Williams says he acts more like a “prequel“That anything else, was written and produced by the icon entirely itself in the mid-40s. Basically the child in love with Boygenius and Taylor Swift’s Folklore, FLOWERS for VASES / descansos is steeped in catharsis, manifesting a folk reverie through Williams’ damaged yet beautiful psyche that encompasses her richest storytelling to date.
FLOWERS for VASES / descansos It’s not just a bunch of songs that Williams wrote to pass the time. It’s the release of pent-up feelings that she’s held on for who knows how long, finding their form mostly in acoustic guitars, ethereal keys and synths. It’s what humanity has been feeling for a year now – alone, as if there is no ending – but Williams just has a special way of presenting it in an infectious, digestible, and calming form. While each track has its own breathtaking beauty that deserves to be recognized – enter 30 seconds into Game 1, “First Thing To Go” and listen to these tracks for yourself – here are the five that particularly stand out:
5. “Wait”
It’s easier to say you’re on someone than it is to actually experience it. “Wait On,” slapped right in the middle of the album, is Williams’ ode to better days, in the hopes that he could possibly get through one without thinking about this anonymous person – possibly her ex-husband – which always seems to infiltrate it. thoughts. A smooth, steady acoustic guitar alongside scattered uplifting keys accentuates Williams’ airy voice as she tries to convince herself that all the pain she is currently feeling will be worth it one day.
4. “My member”
Since “My Limb” was the first track heard from the album due to the leak, many believed that once the full album was announced it would be a direct continuation of Petals for armor, since the vocal performance and the progression of the drums in the choir resemble his first single, “Simmer”. “My Limb” is the only track of its kind on the album, however. Williams knows she has to move on from what is no longer there, but she keeps moving from “letting go” to “not letting go” as her brain longs to continue torturing her. It may say the track title over 50 times within 2 minutes and 53 seconds of the track, but it’s absurdly eye-catching.
3. “Triggering”
This track is as spellbinding as it gets, but imagine remixing it with Phoebe bridgers on supporting voices. Just imagine. “Trigger,” guided by a whirling acoustic guitar, finds Williams in retrospect. All she has ever looked for is genuine, unconditional love, and whenever she finally feels like she has found it, the person takes advantage of it. It ends with her asking the same questions about why her significant other has always felt the need to assert dominance, hinting that she’ll likely never find an answer.
2. “KYRH”
Two carbon copy verses, separated by the most dreamy instrument of 2021 to date, make up “KYRH”, an acronym for “Keep you right here”. Although she knows her ex hasn’t treated her well, she also longs for them out of loneliness and the need for familiarity. The instrumental, which is a splash of mesmerizing touches and gasping vocals, has the ability to continue the conversation without words, forcing Williams’ feelings of lust for intimacy on her.
1. “I do not use”
After you’ve been in a toxic relationship, it’s easy to fear falling for someone again. Williams begins to feel the love forming in this new relationship consuming all of her thoughts and she realizes that she can’t stop – because love is something you can’t control no matter what your feelings are. efforts. What feels like a fade in string, humanizing Williams’ confused and frustrated emotions, as she inevitably thinks about the future, when those feelings return to haunt her. The track is too relatable, and it’s the best on FLOWERS for VASES / descansos.
Rating: 4.5 / 5
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