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J Cole has abandoned his first solo solo since 2013: "Middle Child".
The rapper from North Carolina is currently finishing work on his sixth album, The revenge of the dreamers III. The new title sees him contemplating how he is opposed to other artists, reflecting recent conversations with Jay-Z, Kodak Black and Savage.
Cole's reference to "middle child" has been interpreted either as a reference to how he thinks to sit between the generations represented by Kodak and Jay-Z, either in his place in the trio rappers often quoted that includes himself, Drake and Kendrick Lamar.
He also says that rap fans want Cole to reinforce his relationship with Drake: "They act as if two legends can not coexist." Some fans think it also alludes to Kanye West's controversial activity on Twitter, which includes throwing Drake into reproach over perceived slights. he and his family.
1/40 40. Thom Yorke – Suspiria
The very first Thom Yorke soundtrack invokes the darkness of horror and the terror of blood and evil on more than 25 titles.
A handful of them are some of Yorke's best solo works. The first piece of the Radiohead singer written for the film 007 Specter was a sparse ballad led by a piano, and "Suspirium", the first single released from this soundtrack, takes the same intimate approach with desolate depths.
2/40 39. Interpol – Marauder
The Marauder is the most experimental of Interpol to date. He mixes everything from brutal garage rock to Motown rhythms. The group seems invigorated, brimming with energy and insurance.
3/40 38. Brent Cobb – Providence Canyon
Brent Cobb's music is built around people and places. The country artist returns after the release of his renowned 2016 album Shine On Rainy Day with Providence Canyon; a slice of blue-collar countries offering new stories of southern life
4/40 37. Black Peaks – All that divides
The sublime second album of the Brighton metal band is their most ambitious yet. Engaging Adrian Bushby (Foo Fighters, Muse) in the production was a master stroke – with his help, they offer vast soundscapes reminiscent of the drama of Darion Malakian's record, Broadway Healing, Dictator
5/40 36. Miya Folick – Premonitions
At a time when you will notice the joys of leaving an evening to tear your eyebrows, the next rage on the bursting of the survivors of aggression, the first album of Miya Folick continues to crack under the nail polish and disturb the exceptions imposed on a female voice.
6/40 35) Sweden – The Blue Hour
Although their themes remain in the gutter, Sweden is yearning for monuments and The Blue Hour will remain as another squalid masterpiece
7/40 34. Cat Power – Wanderer
Six years after the release of his latest album Sun, Cat Power – whose struggles against alcoholism, drug addiction and mental health have been widely publicized – demonstrates "both a new sense of calm and strength" on his new album
8/40 33. Architects – Holy Hell
Holy Hell features some of the best pieces of the band's career, with a full line that keeps the role of Tom Searle as an integral part of the Architects, especially the 'Doomsday', while 'Herfter' sounds like the song which launches the momentum of the album. . Listening to singer Sam Carter shouting "I was not prepared for these fallout" is extremely cathartic – even non-metal fans will find it hard to be impressed by the group's sincerity. (RO)
9/40 32. Robyn – Honey
Even by getting rid of basic things like melody, Robyn managed to create a masterpiece. With her debut album in seven years, the Swedish singer delivers nine songs that shine and pulsate with bittersweet sensuality, sung with a voice that goes above synths like icing sugar.
10/40 31. Florence and the machine – Hope
On the latest album of Florence & The Machine, High As Hope, her voice is just as powerful when she restrains herself. She seems to attribute much of this calm to her newfound sobriety – she stopped alcohol a few years ago and remembers her twenty years with a mix of tenderness and regret.
11/40 30. Teyana Taylor – Keep the same energy
It is not limited by gender constraints and K.T.S.E. (Keep That Same Energy) is a good surprise. Embellished with producer Kanye West's ear for samples, he mixes the nostalgia of the '80s with fresh rap and R & B. At the heart of the project is Taylor's love for pleasure, his relationship with her husband and his role as mother
12/40 29. The 1975 – A brief survey of online relations
On their third and best album, A Brief Survey of Online Relations, The 1975 created what many post-radio groups could not create: a consistent pop declaration with enough hope, radical honesty and diversity genres to make sense of divided generations.
13/40 28. Kamasi Washington – Sky and Earth
For the new generation, Kamasi Washington is largely responsible for the renewed interest in jazz in modern music, particularly with his work on Kendrick Lamar's masterpiece To Pimp a Butterfly. On Heaven and Earth, the Los Angeles saxophonist and leader of the group divides his second record into two halves: the pressing side of the Earth explores reality while Heaven deals with a dreamlike opulence
14/40 27. Novelist – Novelist Guy
The 21-year-old MC Novelist's debut album in South London offers a clear and concise look at the current social and political landscape of the UK and offers clever observations about black masculinity and the industry of the music.
15/40 26. Nils Frahm – All Melody
The tenth solo album of the German composer is a complex and appealing work that builds on the concept of connection. a fluidity in the functioning of the universe
16/40 25. Camila Cabello – Camila
Camila Cabello's first solo album is the first time fans have seen it clearly
17/40 24. Mitski – Be the cowboy
On the brilliant fifth album of Mitski, she is desperate and only one minute, hardened and removed the next. His music, which lies in a space between threatening sound walls led by a guitar and a soft and delicate ballad, looks like an open wound – and Be The Cowboy is no different. (AP)
18/40 23. years and years – Palo Santo
The singer Olly Alexander offers fans their own generational pop icon: a young man who has the courage to stage this dynamic and dynamic character.
19/40 22. Courtney Barnett – Tell me how you really feel
Tell me what you really feel, Courtney Barnett turns her eyes inward, exploring anxiety and depression while mastering her own emotional life. Written as his burgeoning stature and busy tour schedule began to wreak havoc, these 10 songs are an attempt by Barnett to overcome his vulnerability and sadness.
20/40 21. Blood Orange – Black Swan
The multi-instrumentalist imagined for Negro Swan, the fourth album of Blood Orange, a sequel of 16 songs combining impressionist psycho-pop impressionist and interstellar funk, Marvin Gaye of the late 70s and Prince in the early 80s, with tangled ballads and insomniac blues. recalls Elliott Smith and King Krule thrown into the pot
"Brother, we've seen it all and we're tired," Hynes sings on A $ AP Rocky's "Chewing Gum." In the company of his friends, music and traditions, he has created a kind of spiritual headquarters, where the discouraged can take shelter and, the next day, regroup. (JM)
21/40 20. Cardi B – Invasion of privacy
When she sings off the hook, it's another time when Cardi B runs at her own pace because nothing in Invasion of Privacy is a formula.
22/40 19. Let's eat grandmother – I'm all ears
With producer SOPHIE on board (whose own album, also published this year, is well worth your time), they explore the worries and frustrations of being a teenage girl through jerking rhythms and samples from Nokia. The result is exceptional
23/40 18. Ghetts – Gospel of Ghetto: The New Testament
Ghetts reevaluates much of what he said about Ghetto Gospel, when he was frustrated and angry with the world. Now, he is turning more towards the future, whether it be "Next of Kin", where he speaks from the point of view of a mother carrying the coffin of his child, or "Black Rose," who approaches the fears of his daughter in a society that imposes two weights, two measures Black woman. It reminds us that dirt is much more than violence and threats. (RO)
24/40 17. Cypress Hill – Elephants on Acid
Elephants on Acid is a 21-track monster full of twists that will take you to Egypt, where Muggs recorded much of "Band of Gypsies" – teaming up with artists on oud, sitar, keyboard and guitar, as well as some of his street musicians. Its main hook recalls the glitch howls of "How I could kill a man" since their eponymous debut in 1991.
25/40 16. John Grant – The love is magic
His brilliant fourth album, Love Is Magic, immerses listeners in a similar adventure, dominated by swirling curls of grandiose romantic melodies, sardonic undertones of sardonic wit and drops of unprecedented honesty.
26/40 15. Pusha T – Daytona
His third album, produced entirely by Kanye West, could have been an EP, with only seven songs and 21 minutes. While many fans have been disappointed by the erratic and complacent nature of some of West's other releases, including his own album ye, Daytona's beats are heavy and samples; instrumentation is rare but all the more percussive
27/40 14. Nao – Saturn
Since the release of his first single – "So Good" – on AK Paul – in 2014, the London-based singer / songwriter NAO evolves around an almost perfect brand of sensual R & B and neo-souls. Four years later, and she seems to have mastered it
28/40 13. Travis Scott – Astroworld
The third solo album of the American artist features an overwhelming number of feature films (uncredited producers), producers and co-authors, but it's ultimately his own work, the one that defines his career the most so far.
29/40 12. Troye Sivan – Bloom
Bloom captures modern queer love from A to Z with unmatched precision
30/40 11. Ben Howard – The Midday Dream
Howard's music has always, above all, reflected the changes and moods of nature, while he sings poetic lyrics in his low, warm signature. In Noonday Dream, he develops the landscape of Cornwall that marked his previous work and introduces sounds and instruments that awaken the imagination for more distant places, in the most exquisite way.
31/40 10. Shame – Songs of Praise
Distinguishing hordes of other groups of white and independent guitars appeared in the summer of 2017, Shame, a native of South London, manages to create a raw and bloody anger on the sound of his first album.
32/40 9. Gaika – Basic Volume
Gaika has pioneered the British music scene and has affirmed himself as one of the most challenging and versatile young artists of this generation with his debut album, Basic Volume.
33/40 8. Tamino – Amir
Tamino's early music, Amir, is inspired by the old world romance of her grandfather, a famous Arabian musician and actor, but she also embodies the genre-free quality of modern pop. The musical legacy that is so essential to the 22-year-old sound comes alive in the dramatic and fast instrumentation of a song like "So It Goes"; graceful, bewitching violins, daring drum beats and shimmering of a tambourine completely carry the listener.
34/40 7. Mac Miller – Swimming
Mac Miller turned his anguish into one of the most disarming records of the year.
35/40 6. Colter Wall – The song of the plains
The writing of Wall's song is as cruel as it comes: his manner of speaking is clear and melancholy and describes him as a solitary cowboy – the last man in the West, as he describes it in the terms more factual, how a bullet touched the "poor wild Bill". The instrumentation does not make any noise, whether it's mostly sweet picking or vivid and deep thrums on Wall's acoustic guitar, which are enhanced by ice-cold steel pedal turns and occasional harmonica . It is effective in the simplest way and lets the listener's imagination do the rest.
36/40 5. Black Panther's soundtrack (various artists)
Kendrick Lamar co-directed the Black Panther soundtrack, wrote credits on 14 tracks, and appeared in various sketches and feature films. But his most essential work on this album is that of curator, because it brings an impressive number of talents – from Anderson .Paak, SZA and Future to South African Gqom artist (EDM), Babes Wodumo, and from alternative rapper Yungen Blakrok.
Not all of the songs are among the most important moments in the film, but Lamar successfully tackles his most important themes – responsibility, darkness, heroism, family dynamics and loyalty – and integrates them with music. It's an exciting and deeply immersive journey. (RO)
37/40 4. Kacey Musgraves – Time of Gold
Kacey Musgraves' third album switches between wide-eyed pop country and disco-electronica. Aided by co-authors and producers Daniel Tashian and Ian Fitchuk – both loyal to Nashville – Musgraves evokes a sense of lightness as it combines tradition and futurism.
At a time when mainstream artists seem compelled to linger over the gloomy news we hear, Golden Hour reminds us that sometimes – often, if you look at the right places – life is beautiful. And you have the feeling that Musgraves could find beauty in any way. (RO)
38/40 3. Janelle Monae – dirty computer
Dirty Computer is Monáe's gift to the LGBT + community, non-binary, black men and women … to all those who face stigma and abuse just for kissing. It is a message of love and hope for all who fear what is different but who have the ability to learn and to know better. And it's apparently a gift for her too. (RO)
39/40 2. Arctic Monkeys – Tranquility Base Hotel & Casino
Tranquility Base Hotel & Casino looks more like an interlude between AM and a seventh album from Arctic Monkeys – a dive into the weird, where even the Steinway piano has its own character. On "The Ultracheese", the descending piano chords symbolize a kind of final bow. last soliloquy of the night preceding the closing of the curtain. Few groups today are as brave as that.
40/40 1. Christine and the queens – Chris
Letissier makes his vintage synths snap, crack, pop, fizz, freeze, squelch, shimmer and soar. There is even a broken glbad effect (on "Stranger") that complements the Old Skool Electronica bingo card. The high notes resound on the air cushion soles. The bbad lines lbado your hips. Layers of rags from Letissier's Anglo-French voice glide around your neck and shoulders and roll them backwards. It's ridiculously dancing.
The unusual lyric calls to understand the first hits like "Tilted" were replaced by the empowered seduction of "Girlfriend", on which "Do not feel like a girlfriend / But you are a lover / God, I would be your love Simmer on the flickering flames of the funk guitar.
In the wonderful world of Christine and queens, linguistic boundaries are as porous as those between gender, time and gender. Long live the fluidity!
1/40 40. Thom Yorke – Suspiria
The very first Thom Yorke soundtrack invokes the darkness of horror and the terror of blood and evil on more than 25 titles.
A handful of them are some of Yorke's best solo works. The first piece of the Radiohead singer written for the film 007 Specter was a sparse ballad led by a piano, and "Suspirium", the first single released from this soundtrack, takes the same intimate approach with desolate depths.
2/40 39. Interpol – Marauder
The Marauder is the most experimental of Interpol to date. He mixes everything from brutal garage rock to Motown rhythms. The group seems invigorated, brimming with energy and insurance.
3/40 38. Brent Cobb – Providence Canyon
Brent Cobb's music is built around people and places. The country artist returns after the release of his renowned 2016 album Shine On Rainy Day with Providence Canyon; a slice of blue-collar countries offering new stories of southern life
4/40 37. Black Peaks – All that divides
The sublime second album of the Brighton metal band is their most ambitious yet. Engaging Adrian Bushby (Foo Fighters, Muse) in the production was a master stroke – with his help, they offer vast soundscapes reminiscent of the drama of Darion Malakian's record, Broadway Healing, Dictator
5/40 36. Miya Folick – Premonitions
At a time when you will notice the joys of leaving an evening to tear your eyebrows, the next rage on the bursting of the survivors of aggression, the first album of Miya Folick continues to crack under the nail polish and disturb the exceptions imposed on a female voice.
6/40 35) Sweden – The Blue Hour
Although their themes remain in the gutter, Sweden is yearning for monuments and The Blue Hour will remain as another squalid masterpiece
7/40 34. Cat Power – Wanderer
Six years after the release of his latest album Sun, Cat Power – whose struggles against alcoholism, drug addiction and mental health have been widely publicized – demonstrates "both a new sense of calm and strength" on his new album
8/40 33. Architects – Sacred Hell
Holy Hell features some of the best pieces of the band's career, with a full line that keeps the role of Tom Searle as an integral part of the Architects, especially the 'Doomsday', while 'Herfter' sounds like the song which launches the momentum of the album. . Listening to singer Sam Carter shouting "I was not prepared for these fallout" is extremely cathartic – even non-metal fans will find it hard to be impressed by the group's sincerity. (RO)
9/40 32. Robyn – Honey
Even by getting rid of basic things like melody, Robyn managed to create a masterpiece. With her debut album in seven years, the Swedish singer delivers nine songs that shine and pulsate with bittersweet sensuality, sung with a voice that goes above synths like icing sugar.
10/40 31. Florence and the machine – Hope
On the latest album of Florence & The Machine, High As Hope, her voice is just as powerful when she restrains herself. She seems to attribute much of this calm to her newfound sobriety – she stopped alcohol a few years ago and remembers her twenty years with a mix of tenderness and regret.
11/40 30. Teyana Taylor – Keep the same energy
It is not limited by gender constraints and K.T.S.E. (Keep That Same Energy) is a good surprise. Embellished with producer Kanye West's ear for samples, he mixes the nostalgia of the '80s with fresh rap and R & B. At the heart of the project is Taylor's love for pleasure, his relationship with her husband and his role as mother
12/40 29. The 1975 – A brief survey of online relations
On their third and best album, A Brief Survey of Online Relations, The 1975 created what many post-radio groups could not create: a consistent pop declaration with enough hope, radical honesty and diversity genres to make sense of divided generations.
13/40 28. Kamasi Washington – Sky and Earth
For the new generation, Kamasi Washington is largely responsible for the renewed interest in jazz in modern music, particularly with his work on Kendrick Lamar's masterpiece To Pimp a Butterfly. On Heaven and Earth, the Los Angeles saxophonist and leader of the group divides his second record into two halves: the pressing side of the Earth explores reality while Heaven deals with a dreamlike opulence
14/40 27. Novelist – Novelist Guy
The 21-year-old MC Novelist's debut album in South London offers a clear and concise look at the current social and political landscape of the UK and offers clever observations about black masculinity and the industry of the music.
15/40 26. Nils Frahm – All Melody
The tenth solo album of the German composer is a complex and appealing work that builds on the concept of connection. a fluidity in the functioning of the universe
16/40 25. Camila Cabello – Camila
Camila Cabello's first solo album is the first time fans have seen it clearly
17/40 24. Mitski – Be the cowboy
On the brilliant fifth album of Mitski, she is desperate and only one minute, hardened and removed the next. His music, which lies in a space between threatening sound walls led by a guitar and a soft and delicate ballad, looks like an open wound – and Be The Cowboy is no different. (AP)
18/40 23. years and years – Palo Santo
The singer Olly Alexander offers fans their own generational pop icon: a young man who has the courage to stage this dynamic and dynamic character.
19/40 22. Courtney Barnett – Tell me how you really feel
Tell me what you really feel, Courtney Barnett turns her eyes inward, exploring anxiety and depression while mastering her own emotional life. Written as his burgeoning stature and busy tour schedule began to wreak havoc, these 10 songs are an attempt by Barnett to overcome his vulnerability and sadness.
20/40 21. Blood Orange – Black Swan
The multi-instrumentalist imagined for Negro Swan, the fourth album of Blood Orange, a sequel of 16 songs combining impressionist psycho-pop impressionist and interstellar funk, Marvin Gaye of the late 70s and Prince in the early 80s, with tangled ballads and insomniac blues. recalls Elliott Smith and King Krule thrown into the pot
"Brother, we've seen it all and we're tired," Hynes sings on A $ AP Rocky's "Chewing Gum." In the company of his friends, music and traditions, he has created a kind of spiritual headquarters, where the discouraged can take shelter and, the next day, regroup. (JM)
21/40 20. Cardi B – Invasion of privacy
When she sings off the hook, it's another time when Cardi B runs at her own pace because nothing in Invasion of Privacy is a formula.
22/40 19. Let's eat grandmother – I'm all ears
With producer SOPHIE on board (whose own album, also published this year, is well worth your time), they explore the worries and frustrations of being a teenage girl through jerking rhythms and samples from Nokia. The result is exceptional
23/40 18. Ghetts – Gospel of Ghetto: The New Testament
Ghetts reevaluates much of what he said about Ghetto Gospel, when he was frustrated and angry with the world. Now, he is turning more towards the future, whether it be "Next of Kin", where he speaks from the point of view of a mother carrying the coffin of his child, or "Black Rose," who approaches the fears of his daughter in a society that imposes two weights, two measures Black woman. It reminds us that dirt is much more than violence and threats. (RO)
24/40 17. Cypress Hill – Elephants on Acid
Elephants on Acid is a 21-track monster full of twists that will take you to Egypt, where Muggs recorded much of "Band of Gypsies" – teaming up with artists on oud, sitar, keyboard and guitar, as well as some of his street musicians. Its main hook recalls the glitch howls of "How I could kill a man" since their eponymous debut in 1991.
25/40 16. John Grant – The love is magic
His brilliant fourth album, Love Is Magic, immerses listeners in a similar adventure, dominated by swirling curls of grandiose romantic melodies, sardonic undertones of sardonic wit and drops of unprecedented honesty.
26/40 15. Pusha T – Daytona
His third album, produced entirely by Kanye West, could have been an EP, with only seven songs and 21 minutes. While many fans have been disappointed by the erratic and complacent nature of some of West's other releases, including his own album ye, Daytona's beats are heavy and samples; instrumentation is rare but all the more percussive
27/40 14. Nao – Saturn
Since the release of his first single – "So Good" – on AK Paul – in 2014, the London-based singer / songwriter NAO evolves around an almost perfect brand of sensual R & B and neo-souls. Four years later, and she seems to have mastered it
28/40 13. Travis Scott – Astroworld
The third solo album of the American artist features an overwhelming number of feature films (uncredited producers), producers and co-authors, but it's ultimately his own work, the one that defines his career the most so far.
29/40 12. Troye Sivan – Bloom
Bloom captures modern queer love from A to Z with unmatched precision
30/40 11. Ben Howard – The Midday Dream
Howard's music has always, above all, reflected the changes and moods of nature, while he sings poetic lyrics in his low, warm signature. In Noonday Dream, he develops the landscape of Cornwall that marked his previous work and introduces sounds and instruments that awaken the imagination for more distant places, in the most exquisite way.
31/40 10. Shame – Songs of Praise
Distinguishing hordes of other groups of white and independent guitars appeared in the summer of 2017, Shame, a native of South London, manages to create a raw and bloody anger on the sound of his first album.
32/40 9. Gaika – Basic Volume
Gaika has pioneered the British music scene and has affirmed himself as one of the most challenging and versatile young artists of this generation with his debut album, Basic Volume.
33/40 8. Tamino – Amir
Tamino's early music, Amir, is inspired by the old world romance of her grandfather, a famous Arabian musician and actor, but she also embodies the genre-free quality of modern pop. The musical legacy that is so essential to the 22-year-old sound comes alive in the dramatic and fast instrumentation of a song like "So It Goes"; graceful, bewitching violins, daring drum beats and shimmering of a tambourine completely carry the listener.
34/40 7. Mac Miller – Swimming
Mac Miller turned his anguish into one of the most disarming records of the year.
35/40 6. Colter Wall – The song of the plains
The writing of Wall's song is as cruel as it comes: his manner of speaking is clear and melancholy and describes him as a solitary cowboy – the last man in the West, as he describes it in the terms more factual, how a bullet touched the "poor wild Bill". The instrumentation does not make any noise, whether it's mostly sweet picking or vivid and deep thrums on Wall's acoustic guitar, which are enhanced by ice-cold steel pedal turns and occasional harmonica . It is effective in the simplest way and lets the listener's imagination do the rest.
36/40 5. Black Panther's soundtrack (various artists)
Kendrick Lamar co-directed the Black Panther soundtrack, wrote credits on 14 tracks, and appeared in various sketches and feature films. But his most essential work on this album is that of curator, because it brings an impressive number of talents – from Anderson .Paak, SZA and Future to South African Gqom artist (EDM), Babes Wodumo, and from alternative rapper Yungen Blakrok.
Not all of the songs are among the most important moments in the film, but Lamar successfully tackles his most important themes – responsibility, darkness, heroism, family dynamics and loyalty – and integrates them with music. It's an exciting and deeply immersive journey. (RO)
37/40 4. Kacey Musgraves – Time of Gold
Kacey Musgraves' third album switches between wide-eyed pop country and disco-electronica. Aidé des co-auteurs et producteurs Daniel Tashian et Ian Fitchuk – tous deux fidèles à Nashville – Musgraves évoque un sentiment de légèreté alors qu’elle allie tradition et futurisme.
À l’heure où les artistes grand public semblent obligés de s’attarder à toute la morosité que nous entendons aux nouvelles, Golden Hour rappelle que parfois – souvent, si vous regardez aux bons endroits – la vie est belle. Et vous avez le sentiment que Musgraves pourrait trouver la beauté dans n'importe quoi. (RO)
38/40 3. Janelle Monae – ordinateur sale
Dirty Computer est le cadeau de Monáe à la communauté LGBT +, aux non-binaires, aux hommes et aux femmes noirs… à tous ceux qui font face à la stigmatisation et à la maltraitance juste pour s’être embrbadés. C’est un message d’amour et d’espoir pour tous ceux qui craignent ce qui est différent, mais qui ont la capacité d’apprendre et de mieux connaître. Et c’est apparemment un cadeau pour elle aussi. (RO)
39/40 2. Arctic Monkeys – Tranquillity Base Hotel & Casino
Tranquillity Base Hotel & Casino ressemble plus à un interlude entre AM et un septième album d'Arctic Monkeys – une plongée dans l'étrange, où même le piano Steinway a son propre caractère. Sur «The Ultracheese», les accords de piano descendants symbolisent une sorte d'archet final. dernier soliloque de la nuit précédant la fermeture du rideau. Peu de groupes aujourd'hui sont aussi courageux que cela.
40/40 1. Christine et les reines – Chris
Letissier rend ses synthés vintage claquer, craquer, pop, fizz, freeze, squelch, shimmer and soar. Il y a même un effet de verre brisé (sur «Stranger») qui complète la carte de bingo Old Skool Electronica. Les notes aiguës résonnent sur les semelles à coussin d'air. Les lignes de bbade lbado vos hanches. Des couches de chiffons de la voix anglo-française de Letissier glissent autour de votre cou et de vos épaules et les roulent vers l’arrière. C'est ridiculement dansant.
Les appels lyriques insolites pour comprendre les premiers tubes comme «Tilted» ont été remplacés par la séduction habilitée de «Girlfriend», sur laquelle «Ne vous sentez pas comme une petite amie / Mais vous êtes un amoureux / Bon Dieu, je serais votre amour» simmer sur les flammes vacillantes de la guitare funk.
Dans le monde merveilleux de Christine et des reines, les frontières linguistiques sont aussi poreuses que celles entre genre, époque et genre. Vive la fluidité!
Le dernier album solo de Cole, KOD, est sorti en avril dernier. the Vengeance Le disque n'a pas encore de date de sortie.
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