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"I was very happy that all the years were past because I could fill them with so much history and inner life that could empower the character," said Hamilton The Hollywood Reporter why she finally accepted the film. "I thought there were a lot of pencils in this box that I could color."
Dark destiny, of Paramount and Skydance Media, follows 1991 Terminator 2: the day of judgment and see the return of Conor, who badociates with a cyborg (played by Mackenzie Davis) to protect a young woman.
One day after his hi in Hall H, Hamilton spoke with THR About several lines, she declined to say in the script, in the early conversations with Miller and on the perceptions to be changed for older actresses to play major roles in action movies.
When you walked for the first time on the Hall H stage, what was your immediate reaction?
It was really hard to cross this step alone. I've been so overwhelmed by the crowd and the power of the room, all of these people. Everyone had said, "Wait, wait! Hold on!"
At the opening of the Hall H panel, James Cameron talked about sending you a long email explaining why you should and should not shoot the movie. What were you thinking when you first received this email? What were some of the reasons that he exposed?
It is very systematic like that – here are the advantages, here are the disadvantages. We were both worried about dropping the fans. Pros: If it's good, then we'll both be happy. And if it's bad, then we're going to look like morons. There is also money grabbing shamelessly. Then there was the question of life: do I really want to exchange my beautiful balanced life to go down again in this madness? But I'm really happy to have done it.
Did they have a script for Dark destiny that you could read before choosing to log in?
No no. And it was forever and forever. They wanted me to meet our wardrobe designer and I thought, "I can not meet the wardrobe designer!" I do not want to hear, "Well, then maybe your character is going to do that, so we'll put you in there." But we waited a long time for the script as they had trouble getting it in shape and did not want to send it until it was fit.
What was your impression of the script?
I have apparently turned to white. I was reading it and my friend came from the other side of the street and I said, "Wait. Hold on. I was on the last five pages and when I turned around, she ran, "You're white!" What is going on? I told him that I had just finished the script and that we had to put things in order because I would not be coming back. It was so daunting the amount of action. I could not even understand some things because it was so much bigger than anything I'd read or done.
When did you meet Tim Miller for the first time and imply that it was the good director to take Sarah's story back in James Cameron?
It was not mine but, according to Jim, I was in good hands. I had seen dead Pool and he is certainly a competent and fresh voice. I met him at the Shutter Hotel before there was a script. Tim is a guy from Maryland and I'm a guy from Maryland. In fact, we went to the same college, not that it made us more similar, but there was some common ground there. You have seen Tim and he is this person everywhere he goes. He remained so faithful to himself for so long. He does not play and he does nothing but "Tim Miller", and I think it's commendable in our work.
As Sarah Connor's resident expert, did you feel emboldened to say things like "Sarah would not do that" or "Sarah would not say that"?
Absolutely. And I'm not usually that actress who says, "Oh, my character!", I'm trying to do everything and get it working. I will not think about death. I have never been this actress, but I was a little on this movie because I am the authority on Sarah Connor.
There was an approach that I had to settle with Tim, who was shooting like an independent, he repeats. Since I have not seen it, I still have a hard time understanding what it means. (LaughsBut, in terms of approach, he wanted it "relatable". That was the word that he used. And I was as if Sarah Connor had never been narrated! As a friendly waitress, she was relatable in the first movie, but what do you mean "relatable"? Are you trying to make it softer? I knew that with the time that had elapsed and that her situation had changed, she could not be told anymore. .
But I would say, "No, I do not say that." And sometimes I thought, "I do not say that, it's stupid." I've always had the power to say these things, but I've never been that person. character that I had to step forward on what felt good and what was not.
Are the fans' expectations in the back of your mind as you try to continue Sarah's story? Is it a burden or is it something you can let go?
Both. I knew right away that the first thing that some longtime fans can [think] is "Oh, she looks so old" or "Her arms are not the same." I really do not want to have anything to do with that. But we understand the immediate response with be: "Fuck shit, she's so different." But in the end, I kissed that. I know internally that I have a lot more experience and a rich life to shoot for Sarah Connor, so as long as I've dug deep and highlighted all that.
I woke up one day and I said, "Okay, I'm not what I was and I'm not going to be what I was, but I'm so more than what I was. "So I explored that and everything else came out of there. . I can not work for the fans. I'm just going to dig my depths and do what seems right to me.
Before filming, how was your workout program?
I was working with a fantastic coach in New Orleans, Mackie Shilstone. He works with professional athletes, but I have a place with him because Serena Williams was pregnant. I bet Mackie Shilstone has read about two hours a day on how to get the best of science from the older body. He works with young professional athletes, not with 62-year-old women, but we worked very hard. There were pilates but there was also nutrition and physical therapy I mean, I had a village. He owned my bad for a whole year; I did not eat carbs for a year. We did our best to see how we could extract Sarah Connor from my body.
In Hall H, you talked about wanting rocker "as a woman of a certain age". We see so many male stars being able to pursue careers for decades, but women rarely have the same rights. What perceptions do you think you'll have to change in Hollywood before we start seeing more films focused on these women?
I think we have to make "skin" a four-letter word. We are talking about skin with wrinkles and the color of the skin. But the skin is such a small part of a human being, but she is so focused on it. I hate that. I've always said that I was like the velvet rabbit of the actress, where everything is worked in a very real form. And I was proud of it. As I said 30 years ago, I just do not know why we can not be authentic ourselves. Eternally young and eternally beautiful is so unreal. I spend some time thinking about Clint Eastwood and so many actors, not actresses, who continue to hurt themselves.
That's not all I want to do, be the star of the action, but I really started to understand how much I love doing action movies. For me, it is to act on a level as complete, physical, emotional, all inclusive. You must know your weapons, yourself and your way of moving, while remembering your lines.
This interview has been edited and condensed for clarity.
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