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Maren Morris, Gangstagrbad, Jared Deck and Patty Griffin are some of the 10 songs to listen to this week.
Yola, "Far look"
Produced by Dan Auerbach, this country-soul showcase is cut from the same stuff as Petula Clark's "Downtown", with fading orchestral strings and a retro-style chorus that would have probably earned a standing ovation from the studio audience. Ed Sullivan. Associated with the previous album "Ride Out in the Country", the song helps to create even more buzz for Yola's first album, Walking through the fire.
Vandoliers, "Cigarettes in the rain"
"Keeping those good old days is like smoking cigarettes in the rain," Joshua Fleming sings in this breakaway-inspired ballad. "Cigarettes in the Rain", a popular anthem for the heartbroken and addicted to nicotine, will be released officially in stores next month as part of the premiere of Vandoliers with Blooshot Records, Forever.
Amelia White, "The rhythm of the rain"
"Rhythm of the Rain," the title song of Amelia White's latest release, was written in the midst of a European tour that prevented her from staying overseas for much of of the race for the American presidency. This is the attempt of the songwriter to find a zen moment in maddening world. The central image of the song brings us back to the constant speed of a drum loop, which is not out of place on a first Sheryl Crow album.
Jared Deck, "Great American Breakdown"
Is the American dream turned into a modern nightmare? Raised in the small town of Oklahoma, Jared Deck channels the edgy and politicized fist of John Mellencamp, Steve Earle and other great Heartland-Rock artists on this track, which explores the dark underbelly of the American dream in rural America.
Maren Morris, "Girl"
A year after breaking Billboard's dance chart with "The Middle", Maren Morris continues to organize the country-cross-over party with "Girl". The single of his next opus, the title, reveals that Morris gave himself the floor. It's a power-building anthem, not only for its creator, but for women around the world, with a melody in the R & B accent worthy of Alicia Keys and a bridge that makes a blink look at Beyoncé's "Halo".
Gangstagrbad, "Keep talking"
Hip-hop percussion meets bluegrbad instrumentation on this live track, recorded at a Gangstagrbad concert in St. Louis. Arpeggios of banjo and violin notes are hidden between the verses of the song, thus creating a bridge between two seemingly disparate genres. The collective will release their live album Pocket full of fire February 15th.
Patty Griffin, "River"
On her first album since the fight against bad cancer, Patty Griffin looks back on a life filled with charms and challenges. "River," the first single from the eponymous album, reveals that Griffin is highlighting his own determination to continue flowing downstream. Crossing bluesy vocal tracks and a southern soul, this is Griffin at his best: morose, melodic and proudly uninterrupted.
Caroline Spence, "new state"
A member of Nashville's underground indie-folk for many years, Caroline Spence is a professional Mint condition, his first album for Rounder Records. The title track of the album finds its creator tired of the road, promising his partner a kind of pure and unblemished love, accompanied by the backup voices of Emmylou Harris.
Jade Bird, "I do not get any joy"
It's been two years since Jade Bird released her EP, which launched her career. Something Americanand the raucous Brit is ready for her debut in full. "I Get No Joy" – with her deafening chorus and easy bounce – is the first release of her next self-titled album, which will be released in stores a month after the kickoff of her US tour with Hozier in March. For a song about dissatisfaction, "I Get No Joy" is remarkably brilliant.
Caleb Elliott, "Make me wonder"
For years, Caleb Elliott has built her reputation as one of Belt Belt's favorite artists, touring with artists such as Nicole Atkins, while writing string arrangements for the Single Lock Records label, based on at Muscle Shoals. Here, he doubles his solo career with a song that combines the cool sound of a 1970s soundtrack with orchestral flourishes and a steady, unhurried groove.
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