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Few active musicians sound as balanced on the phone as long ago Alice chained singer / guitarist Jerry Cantrell does it. When you have experienced so many things that he has experienced, two epochs of Alice In Chains, one with Layne Staley, the first singer who died today, and the other with current singer William DuVall; a brief solo career; and countless collaborations with rock / metal royalty like Danzig, Ozzy OsbourneDuff McKagan, to name a few: you come out on the other side under one of two conditions: a disorder or a very wise one.
Cantrell, fortunately, embodies the latter.
For more than three decades in her career, Cantrell has won nine GRAMMY nominations for her work with Alice In Chains, beginning in the early '90s with the gnawed metal alternative "Man In A Box" Rock Album is a nod for the group's sixth studio album, Rainier fog. The lack of group rewards does not bother Cantrell. He is just happy to be here.
On the contrary, he finds his status as always a funny maid of honor; The last time AIC attended GRAMMY nine years ago, Cantrell explained that the group was wearing Susan Lucci buttons as a joke. we are losing, we are going to put our buttons Susan Lucci ", he laughs." And we did it; we lost and we put our buttons when we went out. "
Gramophone gilded or not, Cantrell says it has never been so well located. He is on the road with Alice In Chains and takes full advantage of the fans to enjoy life. Below, the iconic guitarist continues to laugh at his GRAMMY status (or lack thereof) and talks about his former rock'n'roll status. roll, a sober lifestyle and the next step for Alice In Chains.
Congratulations on the appointment to GRAMMY! Of course, I know it's not your first.
Oh thank you.
To return to the first year of Alice In Chains' nomination, in '90 for "Man In The Box", what struck you at that time?
Oh my God. It was so long ago that I could not remember it clearly. I mean everything was going so fast. Most of us, the [Mother] Love Bone guys who have turned into Pearl Jam, and the usual to be, some of them were Green River, and Soundgarden. These guys have been around for a number of years. But I think Nirvanaand we were a little younger.
But it happened very quickly for all of us. And each step that each of us did helped the other. It was really cool to be part of it all. The thing that most likely means is the music. Because the music is still playing. It always means something for people. You turn on any rock radio station and you hear it no matter when.
OK, that's something I've always wanted to know: is it strange that this representative group of groups is now called "clbadic rock"? And spun on the clbadic Rock radio?
This is good. I mean, it's a big long-term goal that you set for yourself: to be one of those groups that stands the test of time. And even maybe even music can survive beyond the individuals in the group. And if it has a sufficient impact on people and speaks to them so that they take ownership of it.
All we can do is satisfy ourselves personally, as friends, musicians and artists. Try to keep making the best music possible. And from 1991 to now, every time we publish an album, we were lucky enough to be considered with our peers and draw attention to the efforts made on the tracks. And we were really lucky this way.
We did not have the chance to to win [a GRAMMY]but we have been named a group. I think this is our ninth appointment.
We have some techniques for our work and our production. As for music, it's our ninth. Yes. 0 of 9, baby.[[[[Laughs.]
I mean, Willem Dafoe is still waiting for his Oscar.
Yes of course. There are always these people. We are like the Buffalo Bills, who go to the Super Bowl four years in a row, but just can not get through.
It's an old cliché, it's an honor to be nominated, to have community members and fans concerned about your music. You can take a little validation of that. That you always operate at the top of your powers. We always feel that we are at the top of our game, musically. And our fans are always with us. We always produce a rock & n 'roll that we hold dear. And it turns out that it also counts for other people. This is f ** king great.
Yes, absolutely. As a person who has overcome the ups and downs of rock's popularity – or lack thereof – what do you do about rock's current place as a genre?
Things are always changing, right? It's just the essence of existence and life. There is always change. Nothing is f ** static king. It's going somewhere. Where does he go, who knows? But since I was alive, there has always been rock. And it always spoke to me in a very powerful and visceral way. And not just rock, just music in general. Be an artist, whatever your gender.
I think that any generation can turn into an old man screaming at kids to get rid of their lawn. "They do not understand anymore." And I remember that my parents did not really like my music, so it's perfectly normal that this is the case. I'm lucky to still have something I'm going to focus on. And that I have friends around me to make this music.
After 32 years, there are still millions of fans. That we have the chance to travel in front of the world and play our music. And the news is as important as anything we've published before. We have always been a group that thinks about the present moment. We do not look too far back and we do not look too far. We always try to forget what we did before.
We do not need to worry about looking like us, because that's how we sound. It's an established thing. So, really, it's just a matter of having fun. I think this album is as good as any record we've ever released.
"As a creative person, if you're lucky enough to have a creative catalog that we have, which may not be gigantic but that's powerful like f ** k."
Speaking of Rainier fog, I've read an interview you did with KEXP where you said you were grateful to see that you "could always do it". Was there a time when you were asking serious questions about yourself?
I think everyone has questions. You must question yourself from time to time. It's part of life. That's what makes you come out of fear or doubt. And if you have had some success, we can also be discouraged. Oh sh * t, we must at the top. Sh * t, there is another disc. As a creative person, if you are lucky enough to have a creative catalog that we have, which may not be gigantic, but it's powerful like f ** k. And it's really good work.
It's also in two different eras of the existence of this group. There were four guys before, and there are four guys now. This era of the band is, we have done incredible things. I think the band is playing better than ever. Everyone's work ethic is really evolved. And we continue to make music that is important to us, just like any other. As long as this is the case, we will continue our journey and see where he is going.
As a person who pushes himself repeatedly to live the present moment and, as you said, do not look back, what is your relationship with AIC's early success? Are you ready to play them at most, if not all, of your shows?
Well, they are always fun to play. And they are always very good songs. You see people turn on when you play them. There is a reason why people have connected to them. And one is not bigger than the other.
The fact that we've done it, or the fact that people are interested in it, or the fact that it's going on for so many years … For some reason, these songs these songs are what they are. I think there would be a lot of pissed off people if we did a show and we did not play "Rooster," or "Man In The Box," or "Would?" Or "No Excuses."
But it's also a challenge because we only play a certain amount every night. So we try to mix new things, or try to rip old pieces we've never played. Basically every tour, we try to get some tunes that are inserted and replaced. But there are a lot of things you know you're going to play. And at this point in the band, this is our third album, it's about half.
And everyone knows the novelties as well as the old ones. So it's cool. They care about the same way. We had already made three complete records. We made three complete records now.
At some point, I think you have to take into account that there are just special things. I remember Metallica guys, we are very good friends with these guys for a long time. I remember that they were going to do a tour on demand, right? And they received all the information from their fans, and that's ultimately what they play.[[[[Laughs.]
Give full meaning. Change speed for a moment, GQ recently spoke to musicians about their ability to creatively flourish while staying sober. As an artist who has talked publicly about the friends you've lost because of addiction – and who stays sober yourself – how would you say you're using your creativity soberly?
Having fun, it's fun, and that's why people do it. Especially when you're young. It's a part of life. This is part of the experience of many people. But this has a price. It does not usually end well.
I have been super creative. I've been super creative, not f ** ked up. It has been so many years that I do not really think about it anymore. I think that at some point it becomes an obstacle. It works until it is not. Let's say it like that.
It worked for a moment. And I think that is probably the case for most people. Maybe it takes you and places you in a different mental space, and maybe you open up your perception, but the costs are so high. You know what I mean?
And I hope to be on the other side. I do not miss it at all. But I'm not ashamed either. Nobody is perfect, and I certainly am not. You just sort of understand it as you go along. Life is pretty good right now. And has been for a while.
Do you have an idea of what to do for you and Alice In Chains?
I always try to understand what I want to do next and what the group wants to do next. At this moment, we are at the half-time of this campaign. We visited the spring of last year, until November. And then we took a few months off. We will start again in March and continue until the fall. And then it will be the end of the campaign. And we will probably take a little time to get away from the group. And then, determine where we are going from here. That's what we do. That's what we did for the last three records. And it's been 12, 13 years now. And that seems to work well.
On a lighter note, is there anything in particular that you like best to go to GRAMMY?
I have not been going for a while, so it will be a trip for me. I think the last time we went was probably on Black gives way to blue, I suppose.
I'm sure it will be a good show. I'm just happy to be named and right to make people react to the record we're really proud of, on which we have worked tirelessly. And see where we are going from here.
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