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Watch out, TV detectives. On January 17 at 8 p.m. EST, a new face in solving period drama mysteries will peek through the keyhole when Miss Scarlet and the Duke premieres on Masterpiece on PBS.
The series stars Kate Phillips (a veteran of Downton abbey and The crown) as Eliza Scarlet, a Victorian-era Londoner who decides – against the advice of everyone apparently she knows – to put herself in her father’s shoes and get into the business family as a private investigator.
The series is a visual riot, complete with period costumes and lavish settings (from top crust lounges to tawdry nightclubs) and is written with a delicious mix of action and wit to keep things exciting. but never procedural.
Here, Phillips talks to T&C from his London home on why the world needs another sleuth.
We’ve seen you play characters from different eras before, like Princess Mary in the Downton abbey movie or Linda Shelby on Peaky Blinders. What makes you disguise dramas?
I love period drama. The most contemporary work I have done takes place around 1952, and it was The crown. I read more contemporary scripts, but I haven’t convinced anyone to put me on these shows yet. Miss scarlet is so crisp and has a contemporary feel. I look back and think about the diversity of my work, even though it is a period drama.
What made Miss Scarlet a character you wanted to play?
I got an email from the team saying they would like me to watch the script, which has never happened to me before. I only ever had to work very hard to convince people to give me a role. This time it was like a gift. I read the script and fell in love with the play immediately; I couldn’t believe my luck. Then I met Stuart Martin, who plays William Wellington, “The Duke”, and it was a dream come true. We sat down for a read about a week before we started filming and looked at each other in fear – neither of us had said the lines out loud before, so we were a little worried that suddenly everyone would regret it. decision.
Eliza is unusual in the fact that you see her against the backdrop of Victorian London. You see this fiery woman, trying to be independent, with a tremendous amount of character. She is avant-garde and very spiritual, but has a huge vulnerability at the same time; she totally recognizes the glass ceiling that she cannot pierce. What makes her so beautiful is that she refuses to give up. As a member of the audience you are mad at her, but you are also charmed and laughing.
Speaking of punching, you had a number of stunts to do – Eliza jumps out of the windows and gets into a fight.
I was really looking forward to those days. In a later episode – one that’s much darker and more gritty – we realized we had to tinker around a bit with the length and weight of my skirts, I don’t think I could have sprinted at the rate they wanted if we hadn’t. This stuff was really fun, and I actually spoke to Rachael New, who writes the show, and we can’t wait to have more of it in season two. It’s fun going down a flight of stairs chased by someone scary.
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She is part of a great tradition of detectives – too smart for their own good, hesitant to escape danger, a bit of a pain for the local police. Did you think of other great characters when you played her?
I started to see again Sherlock. A few people have made comparisons between the show, which is understandable. He has supernatural power and thinks in a way other humans can’t, and in a way Miss Scarlet has the same – she’s a brilliant woman at a time when people don’t expect whatever it is. I watched Indiana Jones films too; I love the characters who wink at you every now and then.
While waiting to start filming the second season, do you find one of the characters that accompanies you? Are you more inclined to investigate events in your own life?
I would love if my life was filled with so much drama! What I learned from Eliza is this desire to succeed and to be heard, not to take no for an answer. Sometimes I think maybe I should be more like him at some point – but not so much that I should solve crimes.
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