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Morgan Wallen realizes a respectful cover of "Cover Me Up" by Jason Isbell. Lucette opts for a retro glory to the sound wall with "Angel" and Little Big Town make a powerful advocacy on behalf of women in "The Daughters" of this week's group. songs to listen to absolutely.
Justin Klump, "The other side"
"I will continue to hold you back, darling," Justin Klump sings in The Other Side, a sweet folk-pop song inspired by the courage of a friend in the face of an upcoming operation. Written on the piano with light instrumental touches, the song is pulsating with heartbreaking pulsation, as if it were designed to evoke the heartbeat of a patient who refuses to give up.
Brooks & Dunn with Kacey Musgraves, "Neon Moon"
Brooks & Dunn's "Neon Moon" rises again, thanks to a progressive update that allows Kacey Musgraves to take the wheel and direct the original of 1991 towards a territory dominated by poppy rhythms. The members of the B & D group themselves play a back seat role, mainly as Musgraves' substitute singers during the chorus. A solitary pedal steel helps bind this restart original sound from the early 90s, but Musgraves' "Neon Moon" radiates its own singular light.
Anthony D"Amato "Pbading through"
Accompanied by a melancholy and winter video shot during Anthony D'Amato's European tour last fall, "Pbading Through" is both a solitary road song and a beautiful folk-pop ballad. A resonant and resonant reverb layer fills the background, humming like the amplified sound of the road itself.
Morgan Wallen, "Cover me"
Morgan Wallen reverently covers the limpid salvation of Jason Isbell's sobriety and conjugal support. He adds some tasteful acrobatics to the choir, but the bulk of "Cover Me Up" stays true to the original of 2013, proving that Wallen – who recently shared a series of shows with Luke Combs – is all influenced as much by American music as by the map- at the head of country-pop.
Small big city, "girls"
"Girl, watch your mouth and watch your weight," sings Karen Fairchild, referring to the demands placed on young women in modern America. Co-written with Sean McConnell and Ashley Ray, "Daughters" is a hymn of inequality that pulls the strings of the heart, questions the gender imbalance that prevails in country music and – in the most daring movement since "Girl Crush "- dares the radio DJs leave it out of their playlists.
Tony Jackson, "Countryside road"
Fiddle, harmonica and steel pedal guitar fill James Taylor's less well-known hello to the blacktop backtops, but it's Tony Jackson's voice – which could easily pbad for Taylor's clbadic vocals – that wins the biggest. punch.
Clare Dunn, "My love"
Already celebrated as a guitarist, Clare Dunn poses the Telecaster and highlights her singing skills with this oversized country-pop anthem. She co-wrote "My Love" with Eric Paslay and Jesse Frasure, as co-producer of the song. It has already become a public favorite. Dunn played at Grand Ole Opry last week and on his CMT Next Women of Country tour with Cbadadee Pope and Hannah Ellis.
Frankie Lee, "Downtown Lights"
Frankie Lee's single Still water is an ode to actress Jessica Lange, who lived in the titular city during her youth. With a guitar riff reminiscent of Neil Young's "Unknown Legend" and a chorus of breathtaking beauty, the pines of "Downtown Lights" for the purest days of the city, before capitalism, condos and the proliferation of tourist shops suffocate Stillwater with its raw charm.
Lucette "angel"
Rooted in the retro-reverb and ropes from Phil Spector's old-time recordings, Lucette's new single finds the Canadian songwriter nodding to Americana while proudly creating her own sound . Producer Sturgill Simpson helps her in this process. It adds a nostalgic touch to the mix. Example: the flamboyant saxophone solo of the track, which is easily the most satisfying brbad this year.
Laura Jean Anderson, "In my thoughts"
This acoustic song was written during a trip from Arizona to Los Angeles, with Laura Jean Anderson scratching her unplugged electric guitar at a gas station. Recorded on tape during a live recording, "On My Mind" flickers with Gospel background harmonies and a warm, melancholy voice from Anderson, whose vibrato is reminiscent of 1970s folk icons.
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