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Conceived (sorry) that you wake up after an accident to discover not that you have lost your memory, but that everyone has done it. You are the only person who has recalled some bbad objects that have mysteriously disappeared from everyone's experience, as well as a transcendent element: the Beatles and their music. Jack Malik, a musician for whom the term "struggle" overestimates his status, suddenly becomes the sole steward of the most valuable badets in the history of popular music. Can he achieve the greatest ambitions of his life – and how much would it cost?
Yesterday discusses a number of major issues in a charming, touching and effective film that could have been wrong in many ways. What is the inherent value of art? Does the celebrity improve or degrade Who does he really belong to at the end and where does he come from? More importantly – how do we define success? Himesh Patel's Jack has to face all these questions while he's just struggling to understand the forces he's setting in motion, and there's not a moment on the way where the public is not trying to get the right answers – before it's too late.
Director Danny Boyle and Patel work a little with Jack, which allows us to connect with his humble and essential nature and the panic that reigns above his head – not just with the music. Lily James gives a great performance as her neglected friend and director, Ellie, who is the only person who is actually badociated with a Beatles song in the movie. (Jack's difficulties in mastering him are also a good parallel.) Joel Fry provides comic relief in the heaviest moments like Rocky, Jack's friend most gifted of well-being, and Ed Sheeran, a little more fun. which is significantly more than a cameo.
At another age, and maybe even another time in the calendar this year, Yesterday would be a movie that could easily wait for a video output. It's so good, though, and so captivating that it would be a shame not to reach it at the theater. Come as he does in a season where comic strip stories and Roman numeral films dominate the choices, Yesterday offers adults a choice that defies their intelligence rather than insulting or ignoring them. There are no heroes in this movie, nor even superstars – even Sheeran is down to earth here – but real people trying to make sense of their place in the world.
On the scale of warm air, Yesterday gets a qualified 5:
- 5 – Full price ticket
- 4 – Morning only
- 3 – Wait for the rental or purchase of Blu-Ray / DVD / PPV
- 2 – Watch it when it touches Netflix / cable
- 1 – To avoid at all costs
Why qualified? If you're not a fan of Beatles songs, this movie might leave you a little cold. In this case, you might consider it more like a 3. Yesterday is rated PG-13, but it's hard to remember anything. I would feel comfortable seeing my 10-year-old granddaughter, except that I'm not sure she's interested for too long.
As a bonus, here are some thoughts on two films that I watched during my vacation at the cinema (previously written on my Facebook page):
- Destroyer – I had not even heard of it before I saw it in the list of planes, but it's really worth it to be watched. Nicole Kidman offers the performance of his life as an exhausted detective trying to clean up his own mistakes in his professional and private life, and who barely clings. This one has some legitimate surprises, but it also contains a lot of realistic violence. It may be Kidman's best work since To Die For.
- Bad times at the El Royale – I liked thiIt's one more than I thought. It's violent, but it's elegant, and it lets you guess a little to the end. (The final revelation was a little too patent.) Cynthia Erivo steals the movie as Darlene Sweet, but the entire cast is good.
Watch these two videos in video, but they are both ranked R for good reasons.
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