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Nakhane Toure was only 19 when he was rejected by his family because he was gay. Living in a small town in eastern Cape Town, South Africa, within a strict fundamentalist Christian community, the act and the musician were sent to conversion therapy, an experiment which led him to question his Christian faith and turn to him. own form of prayer for advice. Finally, after a controversial appearance in a homobadual South African film that sparked death threats, Nakhane moved to London for his own safety, where his musical career flourished. It is a life story filled with afflictions and triumphs sufficient to You will not dieThe deeply personal and painful cry of Nakhane from a first album, an instant revelation in his own way. With several breathtaking moments at the center of Nakhane's crises of faith, which gives her voice a margin of freedom to strut and fly away, You will not die is a surprisingly intimate album that succeeds despite sometimes theatrical rhythms and theatrical plays.
You will not die was released in Europe last year, and it is now reissued in the US as a luxury with five new songs, including the featured song "New Brighton". The victorious and upbeat song attacks the legacy of colonial names and monuments conferred on southern cities. Africa, with traces of brilliant synths, a rhythm guitar and choruses by ANOHNI. "I never knew them before, I do not know them now," laments proudly on the loaded bottom, "What about my mother and her sisters / Where was their name?" The song is a revealing statement that changes the recurring themes of the album's religiosity and personal history into bold new forms.
"Interloper" performed a similar trick: Nakhane explained in detail the conflict between a clandestine rendezvous and his faith: "Good God, I see him now / Tell me what happened to him?" opium sings seductively, reminiscent of Hayden Thorpe, also cunning and expressive of Wild Beasts, "let me put my finger in the cave of his mouth." Nakhane's voice in "Interloper" simmers under the surface up to what he lets them get up to. the chorus, leaving in the middle a striking clarion sound that ignites the song.
Nakhane's voice is a deep, soulful instrument that he uses both with the delicacy of a feather and the heavy drop of a hammer. Still, funerals parade You will not dieThe middle section minimizes Nakhane's talent. The Moody ballad "The Dead" mingles with "Star Red" and "Fog", both discouraged and too theatrical, to the point of becoming an Off-Broadway production. Some songs on You will not die may feel too much indebted to ANOHNI, be it the solemn dramaturgy of Antony and the Johnsons ("Presbyteria") or the typing electronics of 2016 DESPAIR ("Seeing").
Yet, Nakhane proves that he is able to create ballads while putting his influences on the stage in a more intriguing fashion, by composing a cover of New Order's 1983 single eternal Spring, "Age of Consent" . Suspended by an electric guitar, a piano and a rare choir. Chorus, this cover is an opportunity for Nakhane's voice to play a flawless central role, climbing to a falsetto and going down again while completely resuming the song. It is a maneuver that, like "New Brighton", offers exceptional prospects for Nakhane's future, wherever it is.
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