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Quentin Tarantino's latest film, Once Upon a Time in Hollywood, is packed with Hollywood nostalgia from the mid-1960s, the cult of hard-core heroes of hard-living "has almost succeeded" the hardliners of movie B, clbadic rock meticulously organized and characters that speak reference as a second language. None of this is a surprise. The surprise (one of them) comes from the magnitude of the difference that founds history in the actual time and place (ish) referred to, in that which concerns the tone and the meaning of all the anecdotes of this film buff.
This story of historical fiction speaks of two fortunes combined with a television cowboy (Leonardo DiCaprio) and his faithful stuntman (Brad Pitt) and the way they orbit (but do not "center" exactly) Sharon Tate of Margot Robbie in the weeks and months before the infamous "Manson family murders". Tarantino has found an ideal way to focus his fixations, his fantasies and his bades … and delivers his most authentically human trait to this day.
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