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"Has it been that long?" Kevin Parker echoes what we all think with his first words on Tame Impala's single, "Patience". The four years since The currents The longest period of time between his albums, and yet, this album, the Australian psy-rocker plunging completely into autism in the studio, still feels fresh, the sparkling opus of a producer obsessed with optimizing his vision. The currents made Tame Impala a well-known name, turning them into Coachella's star status and inspiring covers and superstar collaborations. The last track of the group sends a clear signal: the change is incremental.
"Patience" is a yacht-rock cruiser that opens with a piano riff worthy of Hall & Oates and the congas on the cover make a great appearance. The band still seems a little allergic to guitars at the moment – most of the song is driven by a rotating set of rumbling bbad slides and arpeggiated synths – but other well-worn Tame Impala tricks prevail. Their phaser effects mark the outputs and inputs of couplets and choruses, and the drums remain crisp (although less polished than the last round.)
Parker remains enamored with universal notions – personal growth, man, the endless pbadage of time, much like he did for their single "Let It Happen". But unlike The currents'Open,' Patience 'is no longer Carpe Diem than it's life. When Parker sings: "I should fly right, do not delay, because time is getting everyone," he says in his tenor charged with reverberations, so impressive that it's as bland to watch a Magic Eye poster that never reveals anything. That said, Tame Impala manages to gracefully cross the dividing line between maintaining his style and falling into auto parody. Returning with a nearly five-minute keyboard excursion is what makes Kevin Parker the brain, the purveyor of atmospheres, so intoxicating – even though we have already heard all that.
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