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Polar
Director – Jonas Åkerlund
throw – Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick and Matt Lucas
Evaluation – 1/5
The involvement of Swedish director Jonas Åkerlund is perhaps the only reason why one might want to go see Polar, who is easily one of the best candidates for one of the worst original Netflix films.
Based on a cult comic, Polar is a film that strangely throws the very essence of its sources in favor of Åkerlund's distinct punk-rock amorality. This is a situation similar to that where Michael Bay had endorsed the Transformers of his own sensibilities, then forced the studio to remove the property from his hands after liquefying. Åkerlund obviously operates on a much smaller scale, but in the past, in his feature films and music videos for which he is more popular, he displayed a unique visual style.
Curiously, for a comic book whose inspirations were so proudly cinematographic, the creator Victor Santos quoted everything, from Jean-Pierre Melville's Samourai to the influences of John Woo: the adaptation of the film is unlike anything you have seen before. not subversively. It seems that John Wick's films beat Polar at his own game, both in terms of literacy and style. The most obvious reference, pathetically, is that of Clive Owen-Monica Bellucci's Shive 'Em Up' movie, from 2007 – it should be a good indication of what you are going to do.
Watch Polar's trailer here
Polar tells the somewhat complicated story of the hitman, played by Mads Mikkelsen, who is about to retire and finds himself plunged back into the game when his former employer hits him. He is known as The Black Kaiser, a name not nearly as immediately emblematic as Keanu Reeves' Baba Yaga, based on John Wick's films. But within his clandestine Hitman community, he is almost as legendary. Like John Wick, Duncan Vizla – that's the real name of Black Kaiser – exists in a hyper stylized world. It is a world where women have an aversion to clothing and where men speak almost exclusively in monosyllabic grunts.
Matt Lucas, who played in Åkerlund's unusual and strange comedy, Small Apartments, plays the clever Mr. Blut in Polar. Mr. Blut is the overlord of an organization of killers (and women) known as Damocles. With the threat of bankruptcy hovering over his head, Mr. Blut – a man with the grotesque physical appearance of a Bond villain and the intellect of a character Looney Toons – concoct the most ridiculous scheme. He plans to hire employees to murder other employees, in order to qualify for their life insurance for the basics. If it's a statement about the evil companies that cheat their employees, who work hard, with the help of contingency funds and other contributions, and are made competition, this action is lost in a barrage of hyper-violent actions and boring dramas.
Polar is a disgusting job. He ignores the black-and-white visuals of the Sin City-inspired comic book and instead opts for a dark color palette, with jittery title cards that inform the viewer of everything from places to character names, all with the strength of a drill the skull. He does not even briefly consider the possibility of preserving the total absence of comic book dialogue and instead sinks the most ridiculous scenario into Mads Mikkelsen's throat.
But his greatest sin is the nihilism that overflows every pore of his being and the absence of soul that stinks every minute of his time. It has the unique and unenviable peculiarity of turning a terrestrial montage into an extremely nasty racism show, if I remember correctly. This also includes the least judicious case of glorification of an obsolete Indian custom since Padmaavat.
Polar is painful to watch, and not just in the many scenes of cruel torture he enjoys. Her lack of respect for the public can only be matched by her lack of respect for women – many of them give the impression of being trapped. act of stripping for a sleaze ball. There is nothing interesting to say about violence in films, nor about the role of women in men-centered films.
As in the first film Åkerlund, Spun, a rather nice film – a film that has little value, apart from a vague sympathy for comics, and a score of Billy Corgan. in a weird exercise that will not appeal to anyone.
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First published: January 28, 2019 at 16:40 IST
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