Rachel Brosnahan wasted in a distant SNL | TV review



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When we left Saturday Night Live, the show had found a relatively stable pace after a really chaotic 2018 season – oh, and we still had a government. However, just like our democratic standards, 2019 has begun SNL Some questions about the stability of our institutions, their first episode back as stale as a case Crave filled with old baskets a week.

It did not help that this week's host Rachel Brosnahan The wonderful Mrs Maisel, was completely wasted in another victim of the SNL editorial team. Of course, when the host is an established presence like Matt Damon or a larger-than-life character with their own tics like Jason Momoa, there is enough to feed good ideas. Here, however, the talented Brosnahan was largely sidelined in unhelpful support roles that did not give her much of a chance to show her winning spirit and quick delivery. Thus, what could have been an exceptional performance has been largely marginalized.

To his credit, Brosnahan has managed to make the most of his unpleasant roles, ranging from an exasperated candidate to a millennium game show to a social media consultant Barbie to a Ms. Maisel parody of a much more distinguished comedian (Leslie Jones). In comparison, the SNL The crew did not have much to do either, except for a few light fathoms during the government shutdown, parody some Gilette commercials this week and entertain Greta Van Fleet's Led Zeppelin carbon antics (although they are more than conscious The comparison).

Nevertheless, let's look at some of the other highlights of this episode.

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SNL S OPENS ON CLOSURE

"We were on vacation for a month, but the government was just as convenient," said Colin Jost at the top of Update of the weekend, One of the many shots that the actors took during the 29 days of the government's closure, Trump said he would own, but has, as one would expect, blamed the Democrats in recent days. The cold opening of Alec Baldwin-as-Trump, now mandatory, played relatively harmless with a Deal or No Deal The parody in which guest host Steve Harvey (Kenan Thompson, who must be fed up with playing mostly TV hosts) is trying to get Trump to stop the deal by entering into an agreement "the only way [he] knows how – a TV game show! Maxine Waters is angry, but Kate McKinnon took her out of the park as if Nancy Pelosi were energetic and thirsty for cameras, she drank. [her] his own power. Let McKinnon take every new turn and make the Mexican soap opera that is our modern political speech and offer deliciously entertaining tricks on the latest character to take the limelight.

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JOHN MULANEY AND PETE DAVIDSON SPEAK THE MULE

It can be a bit infuriating to see Pete Davidson present himself to Update of the weekend. In general, he buries the hatchet with Ariana Grande or legitimizes the grievance policy of the far-right deputies in Congress. This time, adding tour buddy John Mulaney helped ease the pain. The two men talked about their experience capturing the Clint Eastwood vehicle last year. The mule. Exciting storytelling about the death of a 90-year-old Eastwood driver unattended and engaging not in one but two both in this film, the pair is a dizzying respite from the rest of the otherwise usable segment. The film is so good that Mulaney is even ready to forgive his co-star Andy Garcia for being rude to him in a Lakers game – truly Mother Teresa of our time.

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KOOL-AID SAYS "OH NO!" TO TOXIC MALE

Some of the best sketches of the day address modern social issues such as "Millennial Millions," a skit in which millennia can make money if they can hear the uninformed bellow of arrogant baby boomers for 30 seconds. at a time. However, the most interesting and topical part was perhaps their quick commercial parody of the now famous Gilette advertisement, which tackled toxic masculinity (and then sent guys Definitely Not Mad throw their razors in the toilet). The last mark to get #Woke? Kool-Aid, whose film deconstructs the impulsive and imposing arrogance of the Kool-Aid Man's penchant for shouting "Oh Yeah!" And piercing the walls of people. As a result of obtaining # MeToo-ed by the Kool-Aid Man (or would it be a Fruit Punch Duck-ed?), The new advertisement says that "Kool-Aid boys of today" Will be the Kool-Aid Men of tomorrow. "Who said that sugar water could not come with tremendous help from social justice?

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OTHER STRONG POINTS

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