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Depending on the subtitle data, this may explain why the last seasons have been distinctly different from the previous ones.
Regular "Game of Thrones" fans have clearly stated all the reasons they were disappointed in the last season, but most critics boil down to a lack of narrative to give the characters their own evolution. In fact, bad writing has been cited in the online petition to redo season 8.
"David Benioff and D.B. Weiss proved that they were terribly incompetent writers when they have no source material (ie books) to turn to," the petition says. "This series deserves a last season that makes sense. Subvert my expectations and realize them, HBO!
It now seems that there is data showing that writing has changed from the beginning of the series to its end. According to data from Quart, a member of GitHub, owned by OpenSubtitles.org, the words spoken by the minute in each episode of "Game of Thrones" have experienced a decline from season to season.
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Most of the words of an episode were uttered somewhere in the middle of season 1, and the least words spoken per minute reached its lowest level of season 8. This seems to be around the # 1 39, episode 3 "The long night", when all Winterfell is engaged in a war with the army of the dead. This makes sense since many action sequences benefit from the "show, do not say" approach. Cersei Lannister (Lena Headey) Exploding the September fire in Baelor with wildfire is an effective sequence that did not require much dialogue.
Here is an overview of the table shared by Joanna Robinson:
"Game of Thrones" dialogue words per minute
Opensubtitle / GitHub / Mrquart
Of course, more words per minute does not necessarily indicate that an episode or even a season is better. But the downward trend season by season shows the evolution of storytelling. While Benioff and Weiss had the work of author George R.R. Martin in front of them, the narrative rhythm was set – one book per season – so they could focus on dialogue, often drawing pbadages directly from the novels.
The duo even found time to include other rich scenes in dialogues revealing aspects of Westerosi's characters or politics. In particular, Season 1 included a scene in which Cersei and her husband, King Robert Baratheon (Mark Addy), revealed their relationship less than love, while a scene in which Loras (Finn Jones) was shaving Renly (Gethin Anthony) revealed the opposite.
Peter Dinklage and Nikolaj Coster-Waldau, "Game of Thrones"
HBO
Season 8 was mostly devoid of those moments, except for episode 2, "Knight of the Seven Kingdoms," which takes time to sit with the characters and give them significant moments that have very little to do with the fugitive trajectory of the Iron Throne. It is perhaps not a coincidence that this episode is the highest rated by users for the season. In contrast, the final episode was the lowest rated by users. For better or for worse, it seems that viewers react better to episodes that take the time to make the character's moments feel won.
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