Sego – Sego sucks | Critical Album



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The lowdown: Most of the time, when an angry public member feels the need to make his or her opinion heard, he will tweet in the ether, get two or three "I like" and that would be all. . But when "#SegoSucks" appeared on the Internet, the band ended up adopting this mentality for its release in the second year, the appropriate title Sego Sucks. Three years after the group's debut, Sego returns with two other members and a narrower and smarter sound.

(Read: Sego Talk New album, avoid iPhone addiction and apathy)

Good: Sego is particularly attractive when it combines elements of dance, punk and alternative. The first albums cut, "Give Me", are a highlight thanks to Alyssa Davey's bbad work, deliciously noisey guitar picks and a strangely disturbing song from "U.S.A. !! USA.! "As a main component. However, it's finally when Sego is at its most chaotic Sego Sucks shines with its brilliance. The flickering bbad line of the first "Neon Me Out" opus could probably give someone a boost if it's played at the right volume, and the synergy between drums and bbad in "Whatever Forever" really raises these nonchalant vocal lines.

The bad: Sego Sucks does not calm down as he progresses, but begins to get rid of his leaning punk and instead looks into a grunge and alternative mood. "Anvil Hands" and "Buy Time" give the tempo and energy needed to allow the listener to breathe and enjoy a good guitar job ("Slide the razor blade into a sea of ​​lemonade", sings the leader Spencer Petersen). While Sego Sucks is a solid offer throughout, the flow on the second half is clearly distinct from the first, for the better and for the worse. There is something in the album's title and in the debut of the mood that seems more appropriate to be 10 consecutive pieces of gut-punchers.

(Buy: Tickets for upcoming Sego shows)

The verdict: An irritating trend of music criticism is when the term "mature" is likened to dark sounds and slower tempo choices. This type of mentality would completely discredit a group such as Sego's obvious ability to build a truly aggressive trajectory with intelligent decisions made at every turn. The "ah-ya-yas" of "Heart Attack" and the swirling furrows of "Shame" seem to be engaging decisions of a group that obviously does not want to inflate its material. Self-awareness not only in the title of the album, but also in its production choices and lyrical material proves that Sego knows exactly what they are doing. In the choice of words the least surprising in this review, Sego Sucks do not fear. In fact, it's very nice.

Essential tracks: "Give Me", "Anything Forever" and "Shame"

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