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For Sunidhi Chauhan, “Ruki Ruki Thi Zindagi” and “Main Mast” have changed the game for good. The versatile singer, who has given us some of the best songs of all genres and styles over the past 25 years, calls each of her numbers her “babies.” As the talented artist turns 38 today, we remind her of the first time she recorded a song as a playback singer at the age of 11, her most difficult recording experience and of many other milestones in his career.
“When I sang ‘Kaisi Paheli Zindagani’ for Parineeta, Raima Sen, who is part of the film, came to the studio just to hear me sing. I thought I was singing for her, and that’s why she was in the studio. But, when it came out, I saw it on Rekha ji, and I was blown away. Rekha ji probably knew who was singing for her, but I had no idea who I was singing for. She moved like a goddess, she made me sound even better because of her expressions, ”recalls Sunidhi of the hit number which had a jazz texture with a touch of Geeta Dutt’s style.
Sunidhi claims that most of the time she doesn’t know who she’s singing for or what the situation is in the movie. All she needs to understand is the melody. She told indianexpress.com: “The lyrics are also very important because they give me the full picture, the emotions. I don’t need to know what face it’s going to be on, or what happened before the song appeared in the movie. It’s not the tone of your voice that matches. It is the expression of the actor and the performer who is behind the microphone, which must correspond.
Sunidhi was spotted by the late music director Aadesh Shrivastava among a group of singers. He made her sing his first song at the age of 11, “Ladki Deewani Dekho” by Shastra (1996) with Udit Narayan. She also won the Meri Awaz Suno reality show on DD National. She was then roped by Sandeep Chowta for Mast (1999). So began the journey of Sunidhi who quickly made her the reigning queen of playback song.
“I was 11 when I sang ‘Ladki Deewani’. Aadesh Shrivastava said to me ‘Do you know who you are going to sing for? It’s for the main heroine. I said how is that possible, I’m only 11 years old. How will my voice match? ‘ He told me not to worry.
Sunidhi shares that after recording the song, she was so happy that she had a fever for two days. “These things were valuable. I don’t think you struggle so much today to feel the importance of such things. You are happy today, but you also know that if it hadn’t worked that way, it would have been another way. There are many ways to try new things. It used to be just a way to impress the music director with your vocals and you might get a chance to pick up the mic.
Sunidhi has sung nearly 2,500 songs to date, including the ever popular numbers “Sheila Ki Jawani”, “Deedar De”, “Beedi”, “Mehbooba Mehbooba”, “Bhaage Re Mann”, “Dhoom Machaale”, “Saaki “,” Sajnaaji Vaari “,” Kamli “,” Mere Haath Mein “,” Mehboob Mere “and” Ae Watan “to name a few.
In fact, one of Sunidhi’s most popular acts, “Mehboob Mere” was recorded in 25 minutes. According to the singer, it is enough to “grab the on (note) of the song” because the musicians try for hours to improve it.
Sharing an interesting anecdote about the song, Sunidhi shares, “The novelty with ‘Mehboob Mere’ was that for the first time, I was doing a double track. We mainly sing as a single track, but Anu Malik said he wanted it on a double track. So I had to hear it, then sing it. This process could have taken longer, but I think I was so good (laughs) that we were able to wrap the song up in 25 minutes.
But the double track can also be performed on a mixer. So why did she need to sing it instead? “The beauty of the double track is that you sing the second track trying to match the first track, but it can never be exactly the same. The tone is always different. So this slight difference that you hear in the two tracks makes for a different kind of sound. (On the mixer) you can place multiple tracks, but everything will sound the same, one voice because the main track is one track, ”she explained.
Sunidhi places Sur’s “Dil Mein Jaagi Dhadkan Aise” as his most difficult song. “I had to sing the whole mukhda with one breath. MM Keeravani (Music Director) said: ‘You take an hour if you need it, but practice it right and sing it with one breath.’ I did and finally we got somewhere.
Given that many of her songs were groundbreaking for their on-screen talent, is she the one to whom credit is due for their image makeover? Calling it a team effort, she said, “I know how much people love ‘Kamli’. I did it with my heart and it’s beautiful, but you can’t take anything away from what Katrina did in the song as a performer. Likewise, in ‘Sheila Ki Jawani’, if it was a game-changer for Katrina, it was also for me because the song had such a big impact. Plus, given the way Katrina moved, I don’t think she’s done belly dancing before. So you make your own brand and set your own trend. No one is because of someone.
Sunidhi describes itself as a “film music product” since it started very early in life. But would things be different if she had entered the industry a little later with more experience or training? Stating that she would have learned from the music industry anyway, Sunidhi shares, “I love being the student. I keep learning. But I certainly would have had more opportunities if I had come 10 years later. I might have explored the YouTube space, put my music there. We can’t take away the fact that for 5-10 years, there have been more opportunities, it’s easier to show yourself. There is less fear of acceptance. You just have to take out your product. There is an audience for everyone. So it would have been a little easier. Today, you don’t need a label to be famous. You can make original content and independent music, ”she concludes.
Happy birthday, Sunidhi!
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