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Established in 1969 at the intersection of a changing film industry and social upheaval, Quentin Tarantino's ninth film is, it seems, the closest to his director, and he also happens to be his best.
Ultimately, Once upon a time in Hollywood speaks of friendship and loyalty, a film full of bittersweet truths with a certain nostalgia that is really Tarantino's love letter to Los Angeles, that he remembers being six years old. He is the most influential director of his generation (if you look at how many films have been nicknamed "Tarantinoesque" in recent years), it's from the bottom of his heart and, without going into details, it's perhaps not be what you expect. . But the less you know, the better.
Of course, there is the violence that hits the head which is a trademark of QT in its highly rated filmography, but I can not say that the use of this violence in this film is quite satisfactory. It may seem odd in a film that portrays the horrific murders perpetrated at Manson in August 1969 as a mix between a brilliant scenario that manages to fuse characters and real and fictional events into a complicated network that should surprise and thrill the audience. . At the base, however, is the story of a friendship and a loyal partnership between actor Rick Dalton (Leonardo DiCaprio) and his stuntman and now the pilot and repairman Cliff Booth ( Brad Pitt).
Dalton is a guy who had a hit television series in the late '50s and early' 60s and then tried unsuccessfully to transfer that popularity to a major film career at Clint Eastwood or Steve McQueen (played here with a strange disinterestedness of Damian Lewis). While we are focusing on a week of February 1969, Dalton is a staple as a villain in many TV shows of the day. No stranger to the bottle, and starting to forget the lines because of this, we see him trying to fight his way through a guest role as a villain in an episode of a real show, Lancer. DiCaprio was applauded Monday night by the Hollywood crowd after a heartbreaking scene in which he struggled to find his role as comedian. It is simply a work of bravery that the public filled with many actors could certainly identify.
Tarantino alternates between this story and Booth, a whispered guy who killed his wife and got away with it, to whom Dalton is extremely loyal and who keeps him at his job. We see Booth taking him to the KHJ radio station, which is very familiar to him (at least to anyone who grew up in this city like me), then alone, where he falls in a hippie town – where Manson followers are now camped in George Spahn's ranch. Spahn is interpreted briefly but beautifully by Bruce Dern, who plays the role after the death of Burt Reynolds, his first employee.
The third story concerns Sharon Tate (Margot Robbie), who, along with Roman Polanski, rents the mansion next to Rick's house on Cielo Drive. We follow Tate happily, especially at the Bruin Theater in Westwood, where she looks with great satisfaction the audience attending a morning would clearly appreciate her performance in the film Dean Martin. The demolition crew. She also spends time with her friends, including Jay Sebring (Emile Hirsch). It's a great performance by Robbie and a much softer vision of Tate and her talents than the media badociation we have with her brutal murder while she was eight months pregnant. The story then continues six months later.
There is no doubt that Tarantino knows how to start a movie. Like many of his films, this one is filled with good actors in more modest roles, including Al Pacino as an agent wishing to help Rick revive his career, Mike Moh as Bruce Lee, the late Luke Perry as an actor of the television series Dakota Fanning and Austin Butler in the Manson group, Kurt Russell and Zoe Bell as husband and wife disagree on the set of their series (Russell also tells) and especially the thief of scenes Julia Butters as co-star in the TV episode with Rick. Cliff's dog, Brandy, still plays a crucial role and plays a crucial role.
Pitt and DiCaprio are both Oscar-nominated, Newman and Redford for a new age and play roles in the same year as Butch Cbadidy and the Sundance Kid took back the cinema screens. None of the two stars was better. Hope this is not their last team.
Among the stars off screen scenographer Barbara Ling and decorator Nancy Haigh, whose meticulous reconstruction of a L.A. long lost 50 years ago is a marvel to see; The superb cinematography of the winner of an Oscar, Robert Richardson; and the 60's designs by costume designer Arianne Phillips. The eclectic musical choices of Tarantino and his songs of the time come to mind.
Producers are Tarantino, Shannon McIntosh and David Heyman. Sony publishes Friday the movie Columbia Pictures. Watch my video review with scenes from the movie by clicking on the link above.
Do you plan to see Once upon a time in Hollywood? Tell us what you think.
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