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Thalía has sailed the public eye with ease and grace for most of her time on Earth. The former child prodigy first gained worldwide fame in the 1980s as a singer at Timbiriche, a teen pop supergroup also producing internationally renowned stars like Paulina Rubio. During the following decade, Thalía consolidated her representative as Queen of telenovelas for his very successful leading roles in timeless Mexican soap operas like Marimar, María la del Barrio, and Maria Mercedes. Meanwhile, her singing career exploded and songs such as "Piel Morena" of 1995 and "Amor a la Mexicana" of 1997 became hymns of Latin pop. In 2018, she added another jewel to her crown with her fourteenth studio album, Valientewhich means "brave" in Spanish.
"For me, Valiente is an opportunity to share stories of life and give [them] a new alternative universe ", tells Thalía Rolling stone – "and to make you feel happy," she adds. Valiente, who debuted at number one on the Display panel Latin Dirty Albums, sees the icon of Mexican pop embrace women's empowerment in a variety of danceable mediums. He also has many collaborations with many stars. Notable features include the Dominican urban vixen Natti Natasha in the film "No Me Acuerdo", which features on our list of the best Latin singles of 2018; Cuban Reggaetoneros Gente De Zona in the sweet single "Lento"; and Lali Espósito, actress of the Argentine telenovela become pop singer, who made a dazzling appearance alongside Thalía in their latest album, "Lindo Pero Bruto". media to make fun of the masculine inverse of the archetype bimbo – a model that many women currently disturb in Latin pop music.
"Many years ago, women believed in the myth of competition between women," says Lali. "Collaborations between men and women or between men have always been the norm. Now, we understand that power is made up of [women] uniting. "
Rolling stone he's kept up with Thalía and Lali at Sony's headquarters, where they are surrounded by a myriad of cupcakes and balloons to celebrate the video of "Lindo Pero Bruto". Thalía calls this badociation an act of "musical mischief": admired idols such as Marlene Dietrich, María Félix and Madonna, "says the Mexican star. "For me, it was always strong and intense women, like:" Here is the line and you respect me as well. "Today, I feel that this line is clearer for women."
In your last album Valiente, the theme of female empowerment is very present. What was the motive behind this?
Honesty. I want to send a message of empowerment about being yourself and respecting your happiness. It starts in you, which then creates a positive atmosphere for everyone – your family, your workplace. For me, Valiente is an opportunity to share stories of life and give [them] a new alternative universe. And to make you feel happy.
Last month, you released the video of "Lindo Pero Bruto," starring Lali. Tell me about this collaboration!
It's a musical evil, and [a collaboration] that our fans kissed. But also, [an introduction] for those who do not know Lali, or for those who do not know who Thalia is. They are people who react to visuals, music and words. It's the beauty of music, it's time to reinvent itself – to reinvent the steps already taken and start from scratch.
You have done a gracious job mastering the evolution of Latin pop since your appearance. Is the union of forces with emerging talent the key to maintaining resistance?
It's like an already seen. At the beginning of my career, some major actors have entrusted their mic throughout certain stages. For me, it comes down to following the footsteps of the big names. Still, I've always had the idea of sharing your music with other artists, as before with so many others: Prince Royce, Romeo Santos, Maluma, Fat Joe, Tony Bennett and Elvis Presley. [posthumuously]. I've always liked that.
I often see it in my children, who love music, that all we hear today is a collaboration, be it two or three artists. It's more rare when it's only a singer, and it's normal. I think [collaborations are] Dynamic and fun, it keeps things spicy. For the first time in my career, I do it with girls and it's so cool. I like that because it's a very important moment for women in history, especially for us Latinas. In a world dominated by men, in the image of urban music, which resonates everywhere, the tables are turning now.
Do you see yourself as a mentor?
I always admired women like Marlene Dietrich, María Félix and Madonna – they always said the same thing, and they ended the macho thing. For me, it was always strong and intense women's idols, like "here is the line and you respect me as well". Today, I think this line is clearer for women. They have a faster platform to communicate a social message, an environmentally friendly message, a message on women's rights, a political message. Let's raise our voices! It's like the awakening of a new generation who wants to see more practical solutions.
You've been in the spotlight since a young age and you had a taste of glory when you first joined Timbiriche.
C & # 39; was before that! I started at the age of 7 years old. I was doing TV shows, and then I was part of another band and, before that, another band. It was such a great thing, and totally another world. My grandchildren do not understand that there was a world without it![[[[Points on his iPhone]They have no idea that there was a world without YouTube. It's crazy!
Do you think your career would have been different if there had been Internet at the time?
There certainly would have been an overall impact. My trip cost me more work, traveling to the Philippines, Indonesia, Brazil, Colombia, Canada, the United States and Mexico. [to promote my work]. It was a physical world, IRL. Now you can just download a video and you are everywhere in seconds.
Social media also allows you to take control of your own story. Yet before the Web, the media often talked about the rivalry between Thalia and Paulina Rubio, even until now. If you had Twitter or Instagram at the time, would you have expressed your perspectives?
I never clung to what the media had to say in that regard. I've always followed the example of a very intelligent and important woman who, in her day, was fighting an empire led by men. This person is my mother. She has lived as a businesswoman and as a brain to break that stereotype that her daughter will become someone. My brain is always in the positive, the creator … never about, "Oh, they say that" or "Oh, they say that to take me." I never became addicted to this.
Do you want to become the queen of serials again?
I like to play. [Lali and I] were talking about how it was our second pbadion. Playing is fantastic because it allows you to be another being and it's amazing. I am ready to return to a perfect role, a role in which I feel comfortable, productive and happy. [I want to] leave a work of art that makes sense to people.
To return to "Lindo Pero Bruto", it was important for both [Lali and I] do some small actions there, and tell a story. Viewers understand that they [we, the protagonists] are two thinkers who are in a lab creating a futuristic machine to build a male prototype – in other words, the perfect man. But they are the ones who become dolls! It's amazing because it once again allowed us to incorporate one of our other pbadions into the hands of music.
You have awarded the prize for the best album of the year at the festival 2018 Latin Grammys, and the winner, Luis Miguel, did not show. What was going on in your head at that time?
All I could think of was my dress. He was flying everywhere. Like, "Oh my god, my leg is totally out!"
This interview was originally done in spanglish.
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