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In recent years, Shia Labeouf has become well known for his wild advertising stunts, tabloid-like behavior, artistic performances, and more. But with his autobiographical film Honey Boy that he himself wrote the script, the actor illustrates not only the struggles he experienced as a child star thanks to his abusive father, alcoholic and drug addict, but also proves that he is still an actor unbelievable.
Honey Boy jump back in time. In 2005, we have Lucas Hurdles (Ben is back, Manchester by the Sea) playing Otis, a Shiite agent of LaBeouf to the glory of his film career, when trouble really began to occur in his life. In 1995, there were young people Noah Skirt (A silent place) as the childish version of Otis, dramatizing the time in LaBeouf's life when he was working on the Disney Channel show Even Stevens. The film reveals all the tragedy and sorrow provoked by those child-star years and how they fueled the flames of addiction-fueled behavior that once again drove him into rehab.
With LaBeouf scripting the film itself, it's one of the most deeply personal and cathartic films I've ever seen on the big screen. LaBeouf does not hesitate to say that this film is about his own life. From the opening sequence where Lucas Hedges is rung on a harness of cables during an explosion while shouting quickly: "No, no, no, no, no!", As did LaBeouf in the movie Transformers Frank's driving accident that brings Otis back to prison and rehab and inflicts the hand-to-hand injury that's been heavily publicized in the media is LaBeouf's film therapy. And once you see what he has endured, you'll understand why it's so important to him.
In the 1995 part, Noah Skirt made a breakthrough in the performance of Otis, 12, a child forced to grow up too fast because of his father's irresponsibility and abuse , James, an addict struggling with PTSD. Otis is sometimes rewarded with cigarettes, which he often needs to cope with his father's behavior and abrasive attitude. While it maintains a tough exterior, Skirt's performance always carries a subtle trace of the child inside who craves affection and care, hoping that one day his father will actually turn on a new sheet and will be the kind of model and parent he needs during his formative years.
Otis' father has just been played by Shia LaBeouf himself in a real emotional and emotional punch. Together, the two have an unstable connection as James pushes Otis to be better in the series by cutting him off in a totally inappropriate way, giving him rodeo-inspired comedy drills, co-animating him for his acting game, by exploding it for the most mundane actions, and a sudden explosion of anger, even slapping Otis on the face. It's a haunting performance but extremely difficult to watch.
Meanwhile, in 2005, Hedges continues to prove he is one of the best actors of his generation. He has the knack for playing tragic characters and haunted by their past, whether their own doing or forces beyond their control. In Honey Boy, the actor does a fantastic job in describing this theatrical version of Shia LaBeouf, describing his mannerisms and speech style as he struggles to get some therapeutic help.
Although it is the performances that lead this film to greatness, it would be nothing without the director Alma Har'el Behind the camera The director brings her own demons to the project since she also grew up with an alcoholic father, adding to the authentic portrayal of this abusive relationship between a father and their child. But Har'el also brings a visual look to the table and, even if it is his first film, with the help of the director of photography Natasha Braier, she creates an intimate and beautiful photographic work that only reinforces the personal character of this film.
It would be easy to criticize Honey Boy to follow the same footsteps as other tragic childhood stories like The Florida project or Dear Mum, or other festival darlings like Me, Tonya and Precious. You could even roll your eyes on the role of independent cliché attributed to the star of the trip-hop Twigs FKA, who literally plays a prostitute with a heart of gold living in one of the motel rooms opposite the parking lot, in the room where James and Otis live. She sometimes gives Otis the affection he so desires, functioning almost as his fortune sister since also has his own troubled parenting relationship that torments her every day.
Even if there are shortcomings on which we can focus to criticize this film, it is the autobiographical touch of Shia LaBeouf, both in the screenplay and in front of the camera, that makes this film work so well and hits even stronger. You can feel LaBeouf working through his demons in this film, although some moments may be perceived as too complacent or pretentious, especially when a sequence of dreams stirs the 2005 Otis telling his father that he's going to make a movie about him. But even then, this film is filled with such a tragedy that it can not be overlooked so easily, and I hope it's the beginning of a new chapter for Shia LaBeouf as an artist.
/ Movie rating: 9 out of 10
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