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You travel through another dimension, a dimension not only visual and sound, but also mental. A trip to a wonderful country whose limits are those of the imagination. This is the next signpost: your next stop, The twilight zone, restarted by Jordan Peele.
Leading a wave of success left by his talented get outand reinforced by its recent We, Peele brings Rod Serling"The brilliant series of science fiction infused parable in the twenty-first century. And what a perfect time is for this show. Despite what some might have you believe, blurred area always been political, and Peele and his company are not afraid to rely on it. The end result is something exciting and vibrant, charged with a cavalcade of stellar actors in colorful and memorable roles. It does not always work, but when it works, The twilight zone is exquisite.
Jordan Peele was reluctant to enter The twilight zone. The acclaimed producer-director-producer-writer may have an Oscar to his credit, but the prospect of following in Rod Serling's footsteps was daunting. Peele finally told a Paleyfest audience how much new blurred area would be at this particular moment. "One of the things we always came back to was timing," said the filmmaker, "because this is one of the phrases you often hear once a week over the past two years:" We have the impression of living in the bad blurred area. That was the signal. "
Work with other executive producers Simon Kinberg, Win Rosenfeld, Audrey Chon, Glen Morgan, Carol Serling and Rick Berg, Peele brings viewers a blurred area which fits perfectly with the original vision of Serling. The presence of the original master is still felt, and indeed, the new series gives Serling his due by always indicating it as creator. The 2019 blurred area often tackles painfully relevant topics today, but the real tragedy is that they were just as prevalent in Serling's day. Our progress has been minimal. "I think the particular evil of our time is a prejudice," Serling said. "In almost everything I've written, there is a common thread: the seemingly palpable need of a man not to love someone other than himself."
This does not mean that the new Zoned is a non-stop trip through courses. Peele comes from the middle of comedy and Serling himself adored flashing humor. The twilight zone waiting for new viewers still has plenty of room to entertain – but that always comes with a price. Of the four episodes available to critics, three are full of humor, while one is incredibly tense. Yet, oddly enough, humorous episodes are those that tend to have a less than happy ending.
Speaking of purposes, the new blurred area has a problem with them. The original show was often famous for its endings, accompanied by shocking big revelations that made viewers shit and let them reflect on what they had just watched. This incarnation of the series never quite arrives there. This can often be frustrating because everything that preceded works so well.
Do not be discouraged, however: the new blurred area is a must. Led brilliantly and finding intelligent ways to mix social topics with sci-fi scenarios, the new take on Peele truly looks like the series we need right now. A series that perfectly sums up the odd nightmare in which we find ourselves as a society and asks us to take a deep and hard look. Among all this is an overwhelming number of Easter eggs that make use of iconic series. These help to make the new Zoned to be warm and welcoming – like going home to a familiar place. And it's hard not to have goose bumps at the first appearance of the camera to reveal Peele, dressed in a suit-tie, offering a flowery yet disturbing intro to the story that we are about to see, just as Rod Serling has done for so many years since.
In "The Comedian", Kumail Nanjiani is a stand-up in trouble who can not catch a break. Night after night, he walks on the stage and tells the same tired and unspeakable jokes about gun control and other hot topics. While his career seems to be at its lowest, Nanjiani is visited by a legendary comedian played by Tracy Morgan. Morgan's frightening and cheerful character offers Nanjiani advice and advice that Nanjiani will follow the next time he goes on stage. The results are astounding: the crowd eats, much to the surprise and pleasant surprise of Nanjiani. But when he leaves the scene, he discovers that his life has changed considerably in a strange way. Whenever he makes a set, things change again, in a shocking and more disturbing way. Although Nanjiani is a comedian, and has played in difficult situations in the past, he has never played such a role before. He takes her to dark places and reveals a fan that few filmmakers have exploited so far. Morgan is a special badet here, playing his diabolical character with a constant and disturbing smile.
"Nightmare at 30,000 feet" gets its name from a clbadic Zoned Episode – "Nightmare at 20,000 Feet", in which William Shatner spots a gremlin on the wing of his plane. But this is not a remake. Right here, Adam Scott is a journalist embarking on a long commercial flight and discovers an MP3 player at his seat. The player has a pre-loaded and curious podcast, Scott begins to listen. The host (expressed by bad story podcast host Dan Carlin, in a brilliant piece of waterfall) depicts the true story of an airplane that disappeared from the surface of the earth. If you have guessed that the plane in question is the same one that Scott is on, you know your position. blurred area. "Nightmare" is the most entertaining of the four episodes I've screened. Scott presented a fun performance as a man who was slowly deflating. The only drawback is the conclusion, which makes no sense, even for an episode unfolding in the universe of The twilight zone.
If there is a rotten apple in the pack, it's "The Traveler", an upsetting episode that never settles on what it wants to be. The story takes place on Christmas Eve and features employees from a small local police station in the middle of a Christmas party when an uninvited guest arrives. This guest is a man literally called A. Traveler, played by a Steven Yeun. The manner in which A. Traveler apparently materialized in the police station and what he does there, remains a mystery. But it's finally a mystery with an unsatisfactory solution. The tone of the "traveler" is offbeat and the performances are much too wide – especially Greg Kinnear, playing the local sheriff. Yuen's work is sound, but he belongs to a better episode. There are traces here of clbadic blurred area Episodes such as "The real Martian, do you like, get up?" And "The monsters are due to Maple Street," but "The Traveler" never come to match them. If you are not a fullist, I would advise you not to watch this episode. Unless you want to see Steven Yuen in an elegant suit, which, I admit, is a pretty good stimulant.
The best of the first four episodes is "Rewind", a perfect synthesis of what this modern take on the series can do. Sanaa Lathan, interpreting a painful, serious and often hypnotic performance, plays a woman who finds a way back a certain amount of time – what she continues to do over and over again to save her son (Damson Idris) having met a racist policeman (Glenn Fleshler). Faced with a kind of marmot day Scenario of having to do things again and again, Lathan's character is constantly trying to find new ways to protect his boy – but nothing seems to work. Even when we thought Lathan's character finally reached his goal and found a way to straighten a fake, the fake gets up again. The specter of racism is impossible to surpbad, to exceed, even to reason. It is a stupid and heavy big animal that is constantly heading towards the underprivileged. "Rewind" is the embodiment of Serling's idea that "a man seems to have a palpable need not to love anyone other than himself."
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The premiere of the Twilight Zone takes place Monday, April first on CBS All Access with two episodes. After the first, additional episodes will be published each week. Thursday from April 11.
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