Warner Bros. Animation presents the short film "Looney Tunes Cartoons" – Variety



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ANNECY, France – One of the most anticipated presentations at Annecy Intl. The Animation Festival was the world premiere of a series of new short films "Looney Tunes Cartoons". To celebrate this event and include fans from around the world who could not attend the French festival, Warner Bros. Animation shared an exclusive 90-second short film with Variety.

As clbadic as it is, "Dynamite Dance" is an explosive ride featuring Bugs Bunny and Elmer Fudd, dressed in his traditional brown hunting suit and hat, in a caricatural, violent, non-verbal back and forth. clbadic.

Designed for the clbadic "Dance of the Hours" by Amilcare Ponchielli, Elmer does not get his hands on insects, but finds his hands, mouth and ears full of the iconic red sticks of Acme dynamite.

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This short film is one of more than a dozen films screened this week in Annecy, including two at the opening night – "Mummy Dummy" and "Wet Cement" – the rest at the presentation on Wednesday.

Browngardt, Alex Kirwan, director of the movie "Looney Tunes Cartoons", and the vice-president of the Audrey Diehl series of Warner Bros. , a storyboard pitching session and live recording by an orchestra of some of the most iconic music in the franchise.

"We approach each short film as its own film and not as an episode of a series," said Peter Browngardt, executive producer of restarted cartoons, in an interview with Variety before the festival. "Our motto for short films is history, comedy and reverence for the Looney Tunes clbadics of the '30s and' 40s, and the way they used a more cartoon-focused animation."

The individual nature of each short film has placed a heavy workload on Kirwan's shoulders, as he is the head of the series' design team. What this means is that each short film has a new set of backgrounds. Porky and Daffy never show up in the same house, Bugs in the same burrow or Wile E. Coyote and the Road Runner in the same desert.

"We do not make things easy ourselves; let me say it this way, "he joked. "It's a lot more work, but with something like the Looney Tunes, something that's part of the world's culture, there's a responsibility in that regard."

"We are a group of designers in a room and we draw funny drawings and fantastic scenarios," said Browngardt, explaining that they did not use scripts or writers. Each short film begins with a series of skits and gags that made the artists laugh.

"I think that's what made the Looney Tunes clbadics so fantastic," he continued. "They were not writers; they thought completely visual all the time. I think the best cartoon animation comes from this process. "

According to Browngardt, of the 200 shorts that will be produced in this batch of cartoons, 20 to 30 are already completely finished, with nearly 150 others in various stages of production, from storyboards. In the end, the studio will have created more than 1000 minutes of new content on Looney Tunes.

For now, no definitive distribution plan has been announced, but the Warner Bros. team. Animation did not exclude anything. So it seems likely that "Looney Tunes Cartoons" could end up on traditional broadcast networks, digital platforms or perhaps accompany feature films in the theater.

Before ending with "The Curse of the Fly Bird", a film being screened presented last year at Warner Bros. Studio. Animation in Annecy, Browngardt thanked his older brother for instilling his love of animation and was reminded of a trip to New York to see Chuck Jones examine a collection of shorts while he was only a child.

"It was the first time in my life that I watched cartoons with an audience, and there is nothing like it. Being here today and sharing that with a live audience was really special, "he concluded, perhaps a little smothered before starting the latest cartoon.

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