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While the 2018 edition of Sundance Film Festival may not have launched a heavy weight at the Oscars, it has been a steady stream of modest summer hits by directors for the first time (Hereditary, sorry to disturb you, Eight years), as well as three non-fiction films that have been blockbusters according to the standards of documentary (Three identical strangers, RBG, Not You are my neighbor?). In addition, countless selections in Sundance remained essential favorites that persisted in the conversation until the end of last year (Wildlife, Bridging the gap, Hale County this morning, tonight).
All this to say: never believe those who tell you that a given year at Sundance is "low". Fluctuations in programming priorities and project submissions rarely provide an ongoing trajectory for a festival. This may be even more true for the 2019 Sundance Film Festival, the first under Kim Yutani as director of programming after Trevor Groth's long reign. This year's festival seems visibly more inclusive and diverse, both in terms of the stories told and the people who tell them. Programming is less clear of festival favorites established for the provision of a platform for emerging artists who may have only a short film or a scattered function.
There will be a lot to watch from the Sundance Film Festival this year and, luckily, / Movie will have several writers on the ground in Park City to report on discoveries and important stories. But for those of us who do not go trekking in the Utah mountains for Sundance, there is still a way to be part of the festival.
The names of these directors and stars, although new to many, do not emerge from nowhere. They honed their talents under the radar to get into the spotlight of independent cinema, and much of their work is available online. So, if you want to be that person who can say without fear "I knew them before they were big" once these premieres featured on Sundance, go out to the cinema to learn about 10 exciting festival debuts and about how to refresh the filmography of the talent involved.
(All streaming availability is accurate at the time of publication and subject to change.)
Hala (American dramatic competition)
After her stint as one of last year's teenagers, blockersGeraldine Viswanathan is about to leave the table. She will certainly have the opportunity to get off the slopes of Park City as a young actress to watch with Hala. Minhal Baig's film tells the story of a Muslim high school girl in love with skateboarding who sees the eponymous protagonists fighting against both familiar pressures (a crush on a boy that she feels is of his league) and specific to their culture (his father wants to start arranging marriage).
You can not go to Sundance? Look at this at home: The Baig proof of concept film, also entitled Hala, 13 minutes are well worth your time. In a short time, the writer / director envelops us in the inner life of her protagonist – making us understand the anxiety that weighs on her to satisfy her pbadions and please her parents. (Available on Vimeo)
The Sound of Silence
Sundance is famous for its selection of movies with the kind of concepts "LOL wut?" That can make even the most adventurous festival-goers scratch their heads. Michael Tyburski's The sound of silence This could correspond to this bill for 2019. No, it does not seem to have anything to do with Simon & Garfunkel's song either. Peter Sarsgaard features a "scientist" working in New York as a "home preparer". It helps clients determine what, at home, could be the culprit for various diseases.
You can not go to Sundance? Look at this at home: While The sound of silence Tyburski made his feature film debut, and he has served in the director's chair on several excellent short films. The actor is looking for a rolewith Alex Karpovsky's girls fame, enters the free space of a New York actor in difficulty as few films of its kind can. But for the course obviously more relevant, consult PalimpsestTyburski won the Sundance Award and developed this feature. (Available on Vimeo)
Divine love (World dramatic film competition)
Spirituality has proved to be a fertile ground to explore for filmmakers in recent years. But generally, through a futuristic perspective, these films take on a more apocalyptic tone. Gabriel Mascaro's could he Divine love to find a new way of speaking about faith in these contexts? His film envisions a world in 2027 in which people will praise God through rave concerts and receive spiritual guidance while driving their cars, as in the case of McDonald's. Despite the high spirituality profile of Mascaro's fictitious future, her protagonist Joana finds herself trapped in a secular precipitator of crises of faith – infertility.
You can not go to Sundance? Look at this at home: The Brazilian director Mascaro is still relatively new on the world stage and the film that catapulted him on the radars of most people was his last feature film. Neon Bull. This drama of neorealist style, punctuated by striking flourishes, follows the course of cowboy Iremar. He is apparently doomed to work at vaquejada rodeos but dream of becoming a designer for the flourishing sector of clothing in Brazil, a tension that complicates the life of the working clbad already tenuous enough. (Available in free streaming on Kanopy and for rent on iTunes / YouTube)
We Are Little Zombies (Drama Contest of World Cinema)
Four Japanese teenagers gathered in a graveyard after the loss of their parents may seem to be the starting line of a dark drama for Hirokazu Kore-eda. But Little zombies takes a morbid situation and goes in a different direction under Makoto Nagahisa with several lines of union. The children, whose grief made them look like zombies, decide to make lemonade from lemons and form a group called The Little Zombies.
You can not go to Sundance? Look at this at home: Makoto Nagahisa is no stranger to the Sundance scene, having won the Grand Jury Short Film Award in 2016 for And so we put goldfish in the pool. The film is full of visual ideas and panache far more than many feature films four times longer. The kinetic talents of Nagahisa are a marvel to watch here, as they add a life so vibrant to a story that could easily have been a simple tale of a torn incident in Japan. (Available to watch on YouTube)
Animals (First)
Although Sundance has given us many stories about young men making their way around the world, the festival has everything to gain by offering us the same level of understanding of women's development. Animals could help the festival balance the scales. Sophie Hyde's film, based on an acclaimed novel by Emma Jane Unsworth, follows two roommates played by Holliday Grainger and Alia Shawkat as their friendship begins to erode. Shawkat, a regular MVP movie on the independent film circuit, seems to be the most remarkable here, as does Tyler, the most laid-back in the pair.
You can not go to Sundance? Look at this at home: Hyde has already proven that she was a clever observer of tense relationships. His latest film, 52 Tuesdays, illustrates the highs and lows of a teenager during her biological mother's transition to a man's life over the course of a year – showing the day of the week in which the two men interact. Hyde fully engages in stylistic play, leaving us with a fragmented but comprehensive portrait of a changing family. (Available in free streaming for Amazon Prime subscribers)
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