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The first season of Big little lies makes the show a sensation for very clear reasons. His story, which unfolds as a long film, combines an attentive look at the victims of physical and badual abuse with a mystery of murder. Between the two, spectators could feast on juicy melodrama of small towns.
With Nicole Kidman and Reese Witherspoon featured in the lead roles, the supposedly limited series has even exceeded HBO's expectations. That's why the show ended the "limit" and came back for a second season.
In the second installment, Big little lies went even further by bringing Meryl Streep aboard as the mother-in-law of Perry. Streep had the task of searching Monterey for answers and generally putting the ladies in town uncomfortable.
This proved to be great, but with the murder resolved and the violent kid identified, the show lacked the attention he had during the first season. In fact, you may have noticed that the series was taking a decisive turn telenovela territory. It all started with a slap in the face of a living screen legend.
The "slap heard" around the world was a pure magic of Latin soap opera.
Although I have never been a big fan of Brazilian and Colombian soap operas, you can not help but notice (and digest) much of the genre if you spend time in Latin America. The characteristic trait of soaps here (called telenovelas) is the intensity, or what reality television viewers often call "drama".
As telenovelas Keep raising the stakes over the last decade, you have noticed that the subject is incredibly complex. Shows like Las Muñecas of the Mafia ("Mafia Dolls") and Sat Senos No Hay Paraíso ("Without bads, there is no paradise") pushed the form to a new level of trash.
In a memorable promo from this era (circa 2010), the viewer was supposed to be hooked by the clip of a young woman slapping violently at an elegant older lady. On the episode four of Big little lies, HBO viewers have a memorable equivalent.
Certainly, this season has featured a lot more people, paranoia and conversations around the table than in the first season. But the slap took the series to a new place. (The mother-in-law's character is a clbadic Colombian soap.)
In the second season, things have to change and you have to expect these changes to a certain extent. But let's recognize that the show is complete telenovela.
"Big Little Lies" works very well in "novela" mode – but we were cheated by Reese's ice cream toss.
Although Big little lies season two has changed a lot, there has been no problem with the pbadage. After all, you'll always compromise when moving from a limited series to an unexpected new place.
With Perry killed and his threat removed from the Monterey Five world, writers needed material to fill the void. Even a bad mother-in-law has not quite succeeded.
As entertainment, there is still no better show to watch than the prestigious HBO prestige drama on Sunday nights. But was season two necessary?
This was not the case, and it was a risk that everyone knew they were taking. But we must give credit to producers and writers for not going quietly. The only complaint I will make is this: in its current version telenovela glory, how could you cut the ice cream cone from Reese to Streep? This is wrong in many ways.
Look also: How much was Meryl Streep paid for her "big little lies"?
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