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TIn this film by screenwriter Nicole Taylor and director Tom Harper, Rose Buckley talks about a wonderful country singer and ex-convict from Glasgow, Rose-Lynn, who is desperate to travel to Grand Ole Opry in Nashville, Tennessee . But how will she find money for the plane ticket? And who will take care of his children?
Buckley had already shown the public how much she was a great actress with Maria Bolkonskaya in the drama War and Peace (also directed by Harper) and in the film Beast by Michael Pearce. Wild Rose now presents us with a picture of her wonderful singing voice. A soundtrack album for this could be a big seller.
My reservation is that the story itself is a bit forced and artificial, with a soft center overcooked. I was never really sure how far away we are supposed to be from Rose's persistent childish naivety in the music business. She says things like, "Who heard of a Glasgow country singer?" Well, the country scene is very flourishing in Glasgow; The film itself stars Glasgow's Grand Ole Opry on Govan Road.
Rose is someone with a provocative self-confidence. Barely out of prison with a license and an electronic tag at her ankle that prevents her from leaving her apartment at night – which greatly limits her gambling opportunities – she has to face a painful national reality. Buckley has a very good relationship on the screen with Julie Walters, in which she plays her mother, Marion, who has been suffering for a long time, who has been taking care of Rose 's young son and daughter ever since. she is inside.
Almost immediately, Rose begins to make Marion her dream to travel to the mecca of country music in the United States. But then, she gets a cleaning job in the posh house owned by Susannah, played by Sophie Okonedo. (This is the only job that Rose should do, apparently.) Susannah is seduced by her talent as a singer and offers to put her in touch with a very big cheese at the BBC.
In fact, Susannah goes a long way in helping Rose and, considering the public gesture of friendship and support that she is supposed to make, it is disconcerting to see how easily her character moves away from the screenplay. .
However, Buckley provides a supply of vitamins in every scene and a very entertaining conversation with his lawyer, who is supposed to organize Rose's call for etiquette. After listening to Rose's account, "Yes, but no, but no," who explained how she had been in trouble with the law, he asked who the fault was. She responds intelligently that it was the judge who sentenced her. A rare moment of cynicism. Otherwise, it is a sentimental story, slightly unreal: very well sung.
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