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Godzilla, the radioactive lizard dragon-dinosaur-monster, radioactive monster, is perhaps the most prolific social commentator in the history of the world. Godzilla comments on a wide variety of socio-political and environmental issues for 65 years in 35 films. These range from the proliferation of nuclear weapons to the impacts of climate change, from hyper-militarized warmongering fascism to peaceful coexistence.
The concept of using the film as a mirror for society expresses itself more particularly in the horror genre, including the monster film, which dates back to King Kong, is a major subset. In this subgenus of genres, Godzilla is the most titanic contributor. Using his massive feet, this monster king tackles some of our toughest questions so that we can better understand ourselves. Sometimes these observations are subtle and require some level of introspection to determine their meaning. On other occasions, the meaning is as subtle as a breath of radioactive breath coming from an old kaiju.
What makes Godzilla the ideal vehicle for this introspection is the fact that it is as far as possible from the human. It can, and often does, represent problems that seem too important to be addressed. We, few humans, may not know how to handle the threat of a hostile military-industrial complex, but we know how to handle Godzilla. It is about solving problems by analogy and editorial through entertainment.
Just as social criticism in the film does not reach deep levels, not all Godzilla commentators are such eloquent social commentators. For the purposes of this discussion, we can ignore everything that the 1998 Emmerich Godzilla film was trying to say. In addition, for the purposes of discussion, we will focus on the 2019 goals. Godzilla: the king of monstersand what scriptwriter and director Michael Dougherty said.
Of course, there may be minor problems for Godzilla: the king of monsters in the following descriptions of some of the social criticisms found in the film.
In Godzilla: the king of monsters Monarch, the private cryptozoological research company, has taken on the responsibility of locating and closely monitoring hibernating Titans to protect the world. As governments demand answers and accounts to deal with growing corporate secrecy, Monarch is constantly pushing government interference. This configuration is a clear comment on the inability of a private company to act in the best interest of the public. It could also be argued that there is a statement on the danger of capitalism when it comes to matters relating to the health and safety of the public.
When environmental extremists capture the way to free all sleeping titans in a poorly designed plot to bring the Earth back to its original state of biological equilibrium, the film uses Godzilla to launch his critique of the l '. extremism. This extremism, in the form of ecoterrorism, will still not reach its ultimate goals, whatever the will of these motivations.
Finally, in what may be the most profound statement, one that is a recurring theme in Godzilla's films, as well as in most monster movies. Humanity has always failed and will always try to assert its dominion over the Earth. Earth can and will defend itself and it will always win. Godzilla is the metaphorical intermediary of the Earth, and it will crush the cities of man to fight a more destructive force.
The metaphor and the analogy available on the web of a monster movie are actually limitless. Make Godzilla, and by extension, all monster movies, the perfect vehicle for honest and poignant comments from society, and they will always be.
(Last update June 5, 2019 11:42 am )
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