‘Godzilla vs Kong’ review: Battle of the ‘Alpha Titans’ becomes a C-level show

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To be fair, the movie was watched on a TV screen, which sure isn’t the way Warner Bros. (like CNN, a unit of WarnerMedia) and Legendary Pictures originally wanted it.

The movie lands simultaneously on HBO Max and in theaters in the United States – having already roared from the starting gate in some international markets – but frankly, it’s not like an Imax screen can fix the plot and the dialogue in a credited script and story. to five writers, directed by Adam Wingard.
Following a pair of Godzilla films that reserved the dreary “Kong: Skull Island,” the film begins with the idea that the title monsters are “alpha titans” and “ancient enemies,” making a showdown inevitable. Yet Godzilla’s sudden antisocial behavior presents a mystery to those who have witnessed his previous outings, leading them to seek out the underlying cause.

As for Kong, he is under the care and supervision of Dr Ilene Andrews (Rebecca Hall) on his island, accompanied by a deaf girl (Kaylee Hottle), who joins a fairly long tradition of children who have improbably bonded to each other. friendship with giant monsters. They reluctantly find themselves in the company of an academic (Alexander Skarsgard) who is convinced he can locate Kong’s historic home in the bowels of the Earth, a mission funded by the CEO of a company called Apex Cybernetics, played out. by Demián Bichir.

`` Godzilla vs. Kong '' debuts in theaters and on HBO Max (courtesy Warner Bros. Pictures and Legendary Pictures).

It does not give much in our time to say that one should beware of people who become entangled with forces beyond their control, and these towering titans surely fit that description. The rambling plot also brings together former players like Millie Bobby Brown and Kyle Chandler, but the cast in this drill feel even more incidental to the main event.

Given the relatively short amount of time the ‘vs.’ part kicks in, ‘Godzilla vs. Kong’ tries to flesh out the story, in a way that – like previous films – contains callbacks to old, cheesy films. , while telegraphing virtually every beat.

The sheer size and level of destruction these gargantuan fighters unleash is at times awe-inspiring, albeit a bit numbing before the end. Yet even admitting that the goal is simply to provide some silly great fun, some of the action sequences are sadly murky, to the point that it would be nice to let the beasts fight for a few minutes in an open plain. in broad daylight.

Movies like “Godzilla vs. Kong” were made to be shared with audiences – maybe especially the ridiculous parts – but even those perks don’t go far. Tasked with creating a show around two of the biggest (literally) movie stars, “Godzilla vs Kong” turns this battle of the “alpha titans” into a C-level attraction at best.

“Godzilla vs. Kong” will be released March 31 on HBO Max and in theaters in the United States. It is classified PG-13.

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