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First participation: Thursday, July 5, 2018, 05:53
While on the scene was the Krinidon Philharmonic Orchestra, in the Between the plays, a woman approached the maestro and asked him, in a loud voice, why the German composers (he had just played a piece of Bach) and not a Greek. The lady did not stay there. He walked the conductor and left the theater accepting protests from other spectators.
The conductor and the event coordinator both noted that the music is universal and belongs to no people.
Shortly after, another incident of nationalist uprising occurred when a spectator protested against the reporter's report on the site of Krinides, Platanolefkes, with his Turkish name, namely Kavakia. The gentleman did not stay there. In a daring style, he was referring to the new Macedonian party, finally receiving the discontent of many of the other spectators who were at his side.
These two incidents were not able to stigmatize the wonderful event. However, they added worries to Democrats who see nationalist hysteria invading, albeit roughly, the "sacred" space of civilization, especially the ancient Philippi Theater
Source: kokkinokavalas.gr
Last updated: Thursday, July 5, 2018, 05:54
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