Anita Ratsvelisvili: "I went to Mourets, I left Carmen" | Music



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Anita Ratsvelisvili: Carmen is not your costume or your physiognomy. More is what comes out of you and with the vehicle the voice pbades in the world.

Symbol of inexhaustible freedom, suffering from a breeze of juicy love and determined to clash with the patriarchal structure of the old world, "Carmen" remains always timely and sensual. The Opera, the most famous of the French repertoire, will have the opportunity to see the Athenian public on July 27 at the Herod Festival at the Athens Festival

This is of a series of performances under the auspices of the National Opera in the direction of Loukas Karytinos and Steven Langring

This opera was presented for the first time at Herodion in 2016 and was a great success, something that should happen now, given that the emblem Carmen embodies an opera singer who has identified his international career with this role.

She was only 25 years old, she was still a student at the famous La Scala Academy, when the famous conductor Daniel Barenboim was chosen to play the lead role.

We remember the "K" at that time who defined his career later: "I thought it was a junk joke, as this show would be released in April. And yet, he is This was an important moment for me.I remember that I went to hearing tired lessons, wearing simple jeans and sneakers to get a small role.I did not even wear makeup, In the end, instead of the role of the partridge, I found myself a protagonist. "

The Interpretation

Since then, he has interpreted this role, with wonderful success in almost everyone, masters. The karmic relationship she has with Carmen is indisputable. He says: "Carmen is more present than ever, from the first moment, I tried to find out myself, I did not want to be influenced by other important interpretations, but to catch the booklet of the first one. word and music of the first note.I wanted to understand the psychosynthesis of this free woman, full of pbadion, victim of love, but not in a despicable way.Many people think that they misbehave towards men, especially Don, but this is not the case.I would never interpret a vulgar Carmen. "

The critics that he has received up to here for this role are rigorous. Moreover, the baptism of fire, in Milan Skala always demanding, was quite impressive. This first performance is still today, although it has already been a point of reference for 19 years.

"I have tried to be honest with myself, the role and the public .. Give me everything that I have .. Carmen is not the costume or the The look you have, the more you come out of the vehicle and the voice goes around the world.This honesty and honesty that I still maintain today.The opera, like all the forms of the art, exists to bring us from our daily life to another world – different and yet enchanting.You must transfer this magic feeling to the public, take it with you to this parallel world. "

Excited by his presence in Greece, she said: "It is very important that I am in your country.All started from here.Europe has been shaped by Greece.This place is our root.I have just been here. a small country and me, from Georgia, and I know the problems in the simple world.

I know how important it is to be able to give goose and joy to the people who will come to hear you. Carmen, whom I perform, wears my own identity, and over the years, I add deeper elements to my basic idea, it does not change for the role. "

In the second cast, the role of Carmen will be performed by American Kate Oldrich.In the role of Don José, tenor Paul Chernoch and Dimitris Pachsoglou.The ELS Chorus is under the direction of Agathaggelos Georgakatos, as well as the Children's Choir of ELS, as part of its educational mission under the direction of Konstantina Pitsiakos

Georges Bize, "Carmen", Athens Festival – National Opera, Conservatory Herod Atticus, July 27, 28, 29 and 31 [F(ffbq)renvoie;n=ffbq=fonction(){ncallMethod?ncallMethodapply(narguments):nqueuepush(arguments)};if(!ffbq)f_fbq=n;npay=n;nloaded=!0;nversion='20';nqueue=[]; t = b.createElement (e); t.async =! 0; t.src = v; s = b.getElementsByTagName (e) [0]; s.parentNode.insertBefore (t, s)} (window, document, script, // connect.facebook.net/en_US/fbevents .js) ; fbq ('init', '109138906120213'); fbq ('track', 'PageView'); [ad_2]
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