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At the navel of the earth, a theater of unique beauty opened after decades of silence. In the restored by the Ephorate of Antiquities of Fokida Ancient Theater of Delphi, in front of about 650 spectators, the "Troads" of Euripides, directed by Theodoros Terzopoulos, were presented.
Writing that "the mountains did not understand the lament of the" Troad ", you take the risk of an exaggeration. To show that bonuses. But it was like that. The ancient theater of Delphi, being rehabilitated since 2016, was granted by the Phocis Ephorate of Antiquities to Theodoros Terzopoulos to present the tragedy of Euripides. The first and last time that it worked was in 1927 and 1930 (by Eva Sicilian Palmer) after 2,000 years. Then silence. And last Friday and Saturday, "Dionysus came back" to mourn the refugee and slavery, mourn the dead, simulate the absurdity and violence of the war. The show started at 7:15 in the afternoon, with the light revealing the landscape and not letting appear the tranquility of beauty.
All the senses mobilized, the hearing being constantly surprised, the mountains echoing the phrases of the actors complete, creating a parallel experience, almost fragrant. In moments of pause and silence, cicadas, birds and the buzzing of insects gave their own tone. It was not only the five Cbadandras (three of the divided cities, Nicosia, Mostar, Jerusalem, a Greek and a Syrian) who "broke up" the monologue and multiplied tensions, neither the hypocrite Hecani (Despina Bebdeelli) nor the Impudic Andromachi Niobe Charalambous). It was the harmony of the coexistence of the show and the listening, the intelligent rhythm of the staging, the relationship of the body of the actors with the myth, the time and the memory. Difficult to transfer the experience we shared around 650 spectators (exceptionally the number allowed by the Ephorate of Antiquities) on Saturday night. It is difficult to explain what the "Terzopoulou Method", taught around the world, is at the basis of the four-day tribute to the international Greek director and the play "The Return of Dionysus" "Which was organized by the European Cultural Center of Delphi with the support of the Onbadis Foundation
This" meeting "in Delphi was multidimensional. Not only because he was framed by personalities such as Anatoly Vasilyev and Eugene Barba, who, along with Greek theoreticians, filmmakers (Vbadilis Papavbadiliou) and actors, badyzed the many aspects of the art. The work of Theodoros Terzopoulos. But because coexistence has highlighted the versatility of his work beyond the expectations of the ritual, energy or body of his theater. "He's like a surgeon who skilfully handles the scalpel," said winner despite 82-year-old Italian Eugene Barba. He added that Terzopoulos teaches not only technical aspects but also principles and values. During the Saturday morning, George Sabatakakis focused on "catalytic humanism" at the Terzopoulos Theater, and Iliana Dimadis spoke about the characteristics of "charisma, love and mourning." On Dionysus in his work. More than 40 participants at the symposium. During breaks, one could wander through the photographic exhibition of Johannes Weber or in the sound installation of Panagiotis Velianitis, who traced his own path in the nature and trees of the European Cultural Center of Delphi
Theodoros Terzopoulos is a universe, versatile and full of resources. (1969006)! Function (f, b, e, v, n, t, s) {if (f.fbq) return; n = f .fbg = function () {n.callMethod? n.callMethod.apply (n, arguments): n.queue.push (arguments)}; if (! f.fbq) f._fbq = n; n.pay = n; n.loaded =! 0; n.version = 2.0 & # 39 ;; n.queue = []; t = b.createElement (e); t.async =! 0; t.src = v; s = b.getElementsByTagName (e) [0]; s.parentNode.insertBefore (t, s)} (window, document, "script", // connect.facebook.net/en_US/fbevents .js & # 39;); fbq (& # 39; init & # 39 ;, & gt; 109138906120213 & gt;); fbq (& # 39; track & # 39 ;, "PageView");
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