[ad_1]
After the devastating fire of Notre-Dame and the promising will of the French government to restore it as soon as possible, the reason is inevitably to experts, architects, engineers, managers of cultural works to decide the way, the method, even of a form that Our Lady should have after work.
The reason is inevitably transmitted to specialists, architects, engineers, responsible for culture to decide the method, the method and even the form that should have Notre Dame after the work.Indeed, the architectural monuments do not remain static in their history and in the fluctuations in the perceptions of the generations of the beauty and the height. Indeed, the architect Violel-Duc, who had taken charge of the radical renovation of the Virgin Mary in the mid-nineteenth century, had added the apostate demons (the known gargoyle), who apparently had no vision of Bishop Morris de Sulli in the 12th century. He also added the turret of "Velos", which had collapsed under fire and never managed to climb the hooded steeple Kouasimodos, while the literary work of Victor Hugo was published in 1831. Hugo him – even in his pages described "The big fire between the two towers", as it appears on the picture circulating in all media and on the Internet.
There is now a great debate about whether the Virgin Mary should return to its exact form, or whether it should be completed today, but it will provide her with better protection against disasters. And it is there that the first controversies are recorded.
For example, the famous architect Renzo Piano, in his commentary in the newspaper "Corriere della Sera", advocates the reconstruction of wooden roof trusses, called "forest = forest", because of the multitude of oak mudras in defenses complex. used to support his weight.
For his part, the famous Italian architect Mbadimiliano Fukasa, who also maintains his office in Paris, is in favor of a median street: "I think that we should think of an average solution with the panels lost in the fire and I 'hope will be less than those we have seen in the pictures and who can be restored.I believe in the middle between the modern extreme and the restoration of the old elements'.
When asked if he wanted to see on the roof of the Virgin Mary a crystalline vault of the type "Pharos" that he had designed for an old palace of Rome, Foukas replied: "I do not see so much lighthouse, but the The first idea that came to my mind was this one of an imposing crystal baccarat tower, which is French and will be illuminated at night and fill the light. "
Referring to the likelihood of obtaining Notre Dame's rehabilitation, he said: "I do not pretend to apply and I do not have a plan in hand, because I repeat that it It is important that we embrace this international symbol that is lost in the flames.But I know one thing: I would like to think of a work like the Middle Ages, a collective work.The majority of cathedrals have were built by a number of masters, all equal, whether it is stonemasons, marble painters or architects. "
Carmel Lorenzo, director of the University of Galicia for the conservation and restoration of cultural monuments (responsible for the famous cathedral of Santiago de Compostela, the largest sample of Romanesque rhythms). She mentioned that what should be done first is the process that the experts call "restoration", namely the restoration of the original form of the building with its exact materials that were saved from the flames. "However, we must make visible the new techniques and new materials used, by choosing different colors and tones.The only thing not to do is to pretend that nothing has happened", underlines he.
The Spanish Deputy Director, Javier Riviera Blanco, said that he would personally choose "fire-resistant materials, such as iron, but it makes no sense to make faithful copies of the statues that were destroyed The news that will take their place should have a modern style, it should not be the "cleanliness" of old.
This opinion is not shared by François DAROCCA, Foundation for Contemporary Architecture, noting that "the iconography of Notre Dame is so strong" that the most appropriate is to restore "as faithfully as possible", in leaving it as it is. the day before the disaster. "The cathedral of Paris attaches a particular weight to the personality of the city.It is the power of collective memory that invalidates any possible conversion.The miserable way of death makes every attempt to make a variation unacceptable: it must be the same as before the disaster. "In support of his argument, Darocca cites the example of St. Mark's steeple in Venice, which had collapsed in 1902." Nobody would not accept anything else. "
For his part, Giuseppe Ferrando, of the Catalan Association of Architecture, says that it is not necessary to restore the shape of the cathedral, but rather to "preserve the spirit of the same innovative spirit of Violet-Duc" when he formed the building. "He presented to the temple the techniques and models of his time.Of course, the most affected fire was his own renovation, but what we need to do now, is what? he did at the time. "
The same argument is supported by Cristina Arranza from the Alava Relief Service (where one of the best examples of cathedrals, a UNESCO World Heritage Site), which states that she would not even restore Our Lady to its "original form". Carlo Santambarbara of the Professional Association of Conservators and Reconstructors of Spain (ACRE) also invoked the moral factor to express his opposition to "false history".
But it is Victor Hugo who emphasized for the first time in his work "The Notre-Dame of Paris" in 1831 the great wear of the majestic temple of his time. Today, there is no need for another major book to denounce the decline of the temple, which is the "universe" of Quasimodus, that the brilliant writer with his pen has semantically exploded for all the peoples of the world . The only thing to decide is whether Kouasimodos will continue to climb into the old 12th century building or into a state-of-the-art 21st century building in its restored universe.
Sources: El Pais, Huffington Post, Corriere della Sera, RES-ICU
Source link
