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At the beginning of the 1973 James Bond film "Live and Let Die", a funeral march unfolds through New Orleans. People in mourning cry and a group sings a sad gospel music while a coffin is carried on a street in the French Quarter. But, in the typical fashion of 007, this turns out to be a trick.
One of the protesters quietly stabs a thirsty spectator, an enemy of his boss, Dr. Kananga. The corpse is placed in the coffin (actually empty) and the procession of tears turns into a lively parade of Mardi Gras. The music! Dancing! Murder!
This scene perfectly describes how I feel for Daniel Craig who finally said goodbye to the James Bond franchise as the production of the 25th film begins this week: it's the happiest burial of all time. After all, over the past 13 years, this guy has ruined Bond.
Since Craig first donned the spy tuxedo in "Casino Royale" in 2006, the franchise has become increasingly homogeneous, bleak and downright pedestrian. The grandfather of super spy movies is now one of the most mediocre action series on the market – and Craig is largely responsible for it.
Are there writers and directors, co-stars and stunt coordinators who also affect the final product? Duh. Are the times changing too fast for Bond's Aston Martin to follow? Questionable. But these films are primarily built around the behavior of their star. And Craig's MO is Danny Downer.
During his reign, 007 became a bitter stripper who throws around the world in pouting and thieving in all films. Uh, it sounds a bit like Craig himself.
The 51-year-old actor complains forever of the role he played in that role and that he prefers to take on more difficult roles. He has already said that he preferred to "cut his wrists" rather than receive millions of dollars to play a beloved character in the world again. Well. He is not the first Bond to express such grievances. But when the infinitely better Roger Moore wanted an increase, he did not bring the toxicity of the negotiations into the scene. Craig does, and it breaks the mood.
What separates Bond from Jason Bourne and Ethan Hunt from "Mission Impossible" is his British spirit and sense of humor. Without that, he's just a cardboard hottie with a gun.
Moore was a master of the line of striking and raising eyebrows, and Sean Connery had an infectious smile. When Timothy Dalton took over the role in "The Living Daylights" in 1987, people thought it would be too brutal. But next to Craig, it's Mr. Rogers. In the opening sequence of this film, Dalton parachutes on the yacht of a beautiful socialite dressed in a bikini and controls his huge cordless phone.
"I'm reporting in an hour," he says in the cell phone, while she hands him a glass of champagne.
"Better to do only two."
It's now a link with which you want to drink a beer. Craig, on the other hand, is a link that you want to clear on Tinder. Even in his two films worthy of the name – "Casino Royale" and "Spectrum", he continues to ruminate and be unhappy, and is unintelligent.
What drew the public 007 in the good old days – the exotic places, the Bond girls, the impossible gadgets – is unfortunately exceeded in a world more and more informed and connected. You do not go to the cinema to admire a piece of skin or an island with a volcano. A tiny tracking device is less cool in a world where you can buy a drone on Amazon. But we are always dedicated to our favorite characters and personalities.
As the search for a new title begins, producer Barbara Broccoli should get rid of the disturbing darkness of the series that turned the world's most famous spy into a sneering hitman and choose a friendly, funny and debonair actor. Let's try to slap a "cl" in front of "the ass".
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