How Hot Wings Helped Sasha Banks Join The Series & More

If you are up to date on Disney + The Mandalorian, this means that you have already checked the Bryce dallas howard-directed “Chapter 11: The Heiress”, which once introduced new Mandalorians into mythology (Katee sackhoffby Bo-Katan Kryze, Mercedes varnado a.k.a Sasha banksBecause Reeves and Simon kassianides‘Ax Woves) – three new characters we already wouldn’t mind seeing in their own spinoff series. As impressive as the outing as a whole is, Banks’ performance, in particular, already impresses us – she has an onscreen “presence” even when the stage isn’t centered on her.

In an interview with Variety, Banks reveals his path to joining the show, what it feels like to be part of official “Star Wars” canon now, and what it was like working with Bryce Howard as a director.

Banks’ road to “The Mandalorian” was paved with … hot wings?!?: “So Jon Favreau came to see me because he watched an interview I did with ‘Hot Ones’. And he liked me very much and got my contact details, then on FaceTime he asked me to be a part of “The Mandalorian.” I was like, “Well, I can’t say no,” but I was incredibly nervous because I didn’t know if I was going to be able to do it with the schedule. WWE. You know, we used to travel a lot. But they made it work and it all happened, ”Banks revealed.“ And it was such an amazing episode. I still can’t get over how awesome it was. Not just being a part of ‘Star Wars’, but one of the greatest legitimate episodes in TV history like this. I could watch this all the time. It was such an introduction to the world of “Star Wars”. I’m so grateful that I saved Baby Yoda! I can’t get over it. Oh my God. “

Being part of the “Star Wars” canon is still being processed by the banks: “It was beyond. Just like the first time I saw a wrestling ring. It was like the first time I saw something so magical. I would hate to ruin it like what it looked like backstage. , but you felt like you were in another galaxy in a different world. It was so almost easy to play a Mandalorian because I was rightful in the universe, “Banks explained.” And you know, Jon Favreau, David Filoni and Bryce Howard, they’ve been so amazing to me. All the questions I had, because I was incredibly shy and nervous., They answered. But [Jon] reminded me, “Uh, you do WWE every week and you do that live. You are incredible. There’s a reason I wanted you to be on the show. It made me feel right at home and I totally won a whole new family and I’m so grateful.

Banks can’t say enough about Bryce Howard’s support as a director: “She really, really guided me and really took me by the hand because like I said, I was so nervous. She texted me to make sure everything was okay. She explained everything to me, if I had any questions. She was there It was so special to see. And I was really inspired by her and the way she treated everyone. She was so down to earth. earth, ”Banks explained – and it had a positive impact on her performance.“ I brought a lot of her energy into my job because of how she treated me incredibly. And as you can see, she gets so much praise for her work because she’s so special. “

To find out how Banks feels about his upcoming WWE Survivor Series match with Asuka as well as who would win in a war between the WWE and “Star Wars” universes, check out the full article here.

Behind the camera, Peyton reed (The ant Man), Robert rodriguez (Sin city), cast member Carl Weathers, Rick famuyiwa (Dope), Bryce dallas howard (Dads), and Sam hargrave (Extraction) will share time with the series creator Jon Favreau and executive producer Dave filoni in The Mandalorian chairman of the director. As the second season of live-action Disney + Star wars The spinoff series appear to have been relatively light compared to many productions impacted by COVID-19, Favreau was asked if new health and safety guidelines would make it difficult to start production on a hypothetical third season ( for now) and if he had any concerns. As Favreau sees, the show’s reliance on virtual sets / stages and remote production actually lends itself quite naturally to the “new standards” on sets now:

“The fact that the whole thing is much more contained is an advantage because you can limit the number of people. A lot of the people who control it do it remotely from what we call the Brain Bar, which is a bank of gaming computers, essentially. The number of people near the camera can be much less than [usual]. We also shoot outdoors a lot, which is also helpful. We’re building a filming moment more like an animated production, where we have a lot of storyboards, a lot of talking and virtual reality cueing. We’re using cinematic tools in VR the same way we did for The Lion King and The Jungle Book. Often the actors you see on screen aren’t actually on set. “