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The Independent Spirit Awards often position themselves as a casual alternative to the Oscars although the ceremony, which takes place under a tent in Santa Monica in the afternoon before the Oscars, often features some of the same nominees and winners.
Nevertheless, at this year's event, some major changes were evident. On the one hand, unlike the Oscars, the Indie Spirits actually had a host in the Aubrey Plaza Spiritual.
The most notable difference, however, was the way people made the most of their acceptance speeches. More than once, while we were talking at the microphone on Saturday, I said to myself, "I bet you will not see this tomorrow."
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Part of this freshness is due to the fact that many of the Independent Spirit winners have not been victorious in other contests this season, giving them an important first chance to take the spotlight. Take Richard E. Grant, the main actor of "Can You Ever Forgive Me" (Support Actor), who lost most of the prizes to benefit the star of the "Green Book" Mahershala Ali, but conquered the Hollywood heart with its happiness of being simply named.
When he took the floor to accept his Independent Spirit Award, Grant had to restrain himself from crying. His character in the 1991 film finally succumbs to AIDS and Grant tells the audience, "This film is above all a tribute to this generation of men who have been wiped out by this disease."
"Did Rami Malek say that this season?" Asked my siege companion, referring to the 37-year-old Oscar-winning actor, who sings the singer of the Queen afflicted with AIDS, Freddie Mercury, in "Bohemian Rhapsody".
The most controversial statement came later, when the author "Sorry to Disturb You," Boots Riley, won the Independent Spirit Award for Best First Feature. He used his speech not only to discuss the class struggle, but also to launch a charge. rising tensions in Venezuela.
"I mean the CIA is trying to have a coup in Venezuela," Riley told the crowd, "We should all be making our voices heard to prevent the United States from having a change of regime for oil. "To that, even the broadcast of the Independent Spirits show cut off Riley.
Later, when Barry Jenkins took the floor to accept the best director award for his adaptation of James Baldwin, "If Beale Street can speak," he said he was worried about winning in a category in which the majority of the candidates were women. Notably, all these women – Debra Granik, who directed "Leave No Trace", Tamara Jenkins, who directed "Private Life", and Lynne Ramsay, who produced "You were never really here" – have all been neglected. by Oscar.
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"I'm not going to lie, man: I did not want to win that damn prize," Jenkins said on the podium. He noted that although women were only a tiny minority of major studio filmmakers last year, they included over 40% of the directors competing at Sundance and 60% of the nominees in its category, suggesting a pipeline of major projects. always blocked by sexism.
Jenkins urged the crowd of industry personalities to make a film over the next 18 months with a woman at the helm, echoing the challenge put forth by Time & # 39; s Industrial Group, then particularly thanked Ramsay, who 39, he met at the 2002 Telluride Film Festival. "I was a student, I did not do anything and she was so nice to me and took the time to tell me what her process was," Jenkins said. "I think this prize has your DNA in it, my dear."
Although the series was filled with heavy and contemplative moments, the most enchanting took place late in the ceremony when Glenn Close won her last trophy for best actress for "The Woman". As Close walked towards the stage, she turned around and motioned to someone to join her.
She did not call a co-star, nor the director of the film. Instead, she waved to her dog, Pippi, a Havanese who was trotting up and down the stage beside her owner.
"I hope you do not mind Pippi coming here with me," Close said, explaining, "It's my date." Pippi looked up at Close with reverence – give or take a yawn or two totally excusable, then headed to the back of the stage to sit next to presenters Javier Bardem and Yalitza Aparicio while Close had his moment.
A dog that could hit its mark and give way when it should? At Independent Independent, maybe Pippi was the biggest winner of the afternoon.
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