[ad_1]
Gauravv K The saga of the Dalal Street wolf by Chawla wants to be this Zeitgeist film that reflects the times (as a result, brilliant surfaces abound). Baazaar speaks of the cult of greed, one of Mumbai's contributions to the Indian imagination. And yet, the weakening of Wall Street is in a decade. The scenario of Aseem Arora and Parveez Sheikh, on the seduction of a local Bud Fox by Gordon Gekko, a resident of Mumbai, simply can not compete with the national amorality that makes headlines every day. The moral dilemma posed by Baazaar seems picturesque and even naïve in places, and it is not because the question of whether stock trading involves a sale of the soul has become moot.
A miscalculation, like the one his rogue anti-hero would never commit, is to shoot the wrong horse. The most magnetic character of Baazaar is Shakun Kothari (Saif Ali Khan), a composer of all the great traders who made the cover of business magazines and who are expected to appear in a first report of information one day. . Saif Ali Khan, after overcoming his mid-career crisis, is in great shape as a sukic and ruthless Shakun who dreams big and who bet bigger. Shakun does not get up for less than a few crores and, even when he picks up a prostitute at a party, he pays him the equivalent of a five-year bonus.
Baazaar could have – and should have – been about Shakun, a former angadiya who has gone from shining rocks of others to making enough to buy a diamond mine. The insights of Shakun's character offer some of the best footage, including why the man used to high life regularly visits a small restaurant. He hates food, he says, but he never wants to forget his horrible taste.
Instead, Baazaar creates a parallel track and sees Shakun through the wide-eyed eyes of a young trader who believes that "Greed is good" but does not understand what that The bright spark of Allahabad, Rizwan Ahmed (Rohan Mehra) has only one dream: working with Shakun Kothari.Rizwan travels to Mumbai in a chawl facing one of the many skyscrapers that kissing the skies of Mumbai, I'll soon be at the top of this skyscraper, he says confidently, and he will, because the film is in a hurry to compress events that usually take months and years to unfold.
Rizwan joins a brokerage firm and catches the eye and heart of his colleague Priya (Radhika Apte), but the real measure of Rizwan's success comes when he impresses Shakun before he can dismiss Rakesh Jhunjhunwala from his language, Rizwan is the guest of S hakun, hanging out with his wife, Mandira (Chitrangada Singh) and his daughters, and aligning with Shakun's dubious business practices.
<figure clbad = "cms-block cms- block-embed cms-block-embed-youtube has subtext" data-iframe = " " data-embed-type = "youtube" data-thumbnail = "https://i.ytimg.com/vi/Pb7iJnIWzNk/hqdefault.jpg" data-embed-id = "Pb7iJnIWzNk" data-embed-Load = "false" data-height = "270" data-width = "480 ">
The story of morality is as old-fashioned as the outward signs are new. Too much is stuffed into the 140-minute story to create a sense of gravity. There is a voice over over the thickets of dialogue; the background music is aimed at the opera; the main events take place between the beginning and the end of a trading day. Baazaar has no new revelations about how twisted businessmen are bending the system to their advantage, and is not going anywhere where such films as Shikhar (2005 ) have not been.
The smoothness of the showcases, the solid performances and the sometimes intense dialogues ensure that, despite its absolute predictability, Baazaar is rarely monotonous. Rohan Mehra plays well the role of Rizwan, and Radhika Apte fits perfectly into the world of high value transactions. It is a film in which the rich seem to belong to their chic environment. Many scenes are bathed in golden reflections (the cinematography is from Swapnil S Sonawane) and the seduction of Rizwan is easily credible, although his naivety as to what it takes to reach the top is not .
lines, many of which were sprung by Shakun, a follower of the aphorism. "Money is not god, but it's not less than god," notes Shakun between two claims of being pious. The Hindi of Saif Ali Khan, influenced by Gujarati, is not convincing enough, but everything else about Shakun is. Accompanied by Man Friday Gagan (Deepak Gheewala), Shakun coldly mingles with regulations to protect Indian taxpayers. He could be a cousin of Gurukant Desai of Guru (2007) of Mani Ratnam, inspired by the rise of Dhirubhai Ambani towards financial celebrity. Guru recommended that greed is not just a good thing, but that it is also necessary to survive in a controlled economy. In Baazaar the capital would have been released from the paperwork and yet she would prowl in search of fresh bait. As in all films of this type, the hunter is always more interesting than the prey, but Baazaar is too busy looking for a warning to say something new and again about risk behavior .
<1945 figure clbad = "cms-block cms-block-embed cms-block-embed-youtube a-subtext" data-iframe = "" data-embed-type = "youtube" data-thumbnail = "https: // i.ytimg.com/vi/29Jn9il7QtQ/hqdefault.jpg" data-embed-id = "29Jn9il7QtQ" data-embed-Load = "false" data-height = "270" data-width = "480 ">
Source link
