[ad_1]
Review of the movie Aisa Laga by Lk Ko Dekha Toh ” width=”759″ height=”422″/> : This movie needed more sharpness, more sharpness, honesty. [19659004] Ek Ladki Ko Dekha Toh casting of the film Aisa Laga: Anil Kapoor, Sonam K Ahuja, Rajkummar Rao, Abhishek Duhan, Juhi Chawla, Brijendra Kala, Regina Cbadandra, Seema Pahwa, Kanwaljeet, Kwokhong Kaki Director Laga: Shelly Chopra Ek Ladki Ko Dekha Toh Aisa Note of the movie Laga: A star and a half
This film could have had a better title.
It's the "mukhda" of a song made wildly popular more than 30 years ago when a boy ("ek ladka") saw a girl ("ek ladki") and broke into a song. This film was called 1942: A Love Story, and this "ladka", who grew up now, plays the role of the grizzled father (Kapoor) in this movie, with his real daughter (Ahuja), a charming bond that alone the film can make 1965.
More importantly, it can not be more subversive, for a movie that promises to upset the "ladka-ladki" binary that Bollywood has been producing for decades. Here, the heart of 'ek ladki beats for another' ladki '. The problem is that there are more subversions in the title of a line than in the whole film, because, after having stated its objective, it does not know exactly how to approach it and develop it, and pbades a lot too much time to stammer to get
Sweety lives in Moga, Punjab, with an awesome "papaji" who runs a garment factory, a "veerji" (Duhan) who is a full-fledged punjabi puttar and in love hard, and a loving grandmother, who has the firm intention of looking for a boy who suits his granddaughter 'sundar susheel & # 39 ;.
The beautiful Sahil Mirza (Rao) appears, but Sweety, immersed in her dreams of her true love, wins not bites. And the film is stuck in awkward and tense pbadages during which we receive lectures on "the unsuitability" of Muslims, the big hearts of small towns in Punjabis, which also includes their modesty in orientation. badual. [19659007] By the time Sweety and Kuhu (Cbadandra) meet in the same frame as the two "lovers" who have strong feelings for each other but who happen to be a woman, "ki kariye ", almost the entire film is over. Why so scared? Why not have more between the two young women, what were we waiting for? Why so much clenching in the hands, so much talk about not being "normal" and wanting to "be like the others"?
What we get are ephemeral scenes in which we get some glowing glances that are dispensed from any eagerness. the film pbades in the safe flirting zone between Papaji Kapoor and Chaky (Chawla) who plays essentially the role of the hero's best friend.
What we also get is a paternalistic speech with permission from the man. from the house: another version of "jaa jee apni zindagi", except for the fact that Simran belonged to 1995. The problem is: yes, we want to make a progressive movie, but we must show our women that they are released only after obtaining the approval and help of men.
The idea is brilliant and solid. The two people who stand out are Duhan as an impetuous brother and Cbadandra, who shows the spark. Damage to flabby writing that obscures the idea and intention. This film needed more sharpness, more sharpness and more honesty. One could then rightly call '2019: A Love Story'.
[ad_2]
Source link
