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Review of Mary Queen of Scots: Given the strength of Saoirse Ronan and Margot Robbie, the film lets them down while trying to paint them as victims. Cast of Mary Queen of Scots: Saoirse Ronan, Margot Robbie, Jack Lowden, James McArdle, Guy Pearce, Joe Alwyn
Director Mary Queen of Scots: Josie Rourke [19659005] Mary Queen of Scots movie rating: 3.5 stars
The author-producer of Ides of March, Beau Willimon knows a little or two about the functioning of power and politics. Writer and producer of House of Cards, he knows much more about diversity. Mary Queen of Scots, whose screenplay was written by Willimon from a novel about this king, is ambitious and perfectly harmonious.
Most of the time, this film is about two women bypbading the definitions and labels that are intended for them. , bound by them and their restraint, and accepting the fluidity of the bades, could belong to today. It goes further than that. Mary Stuart and Elizabeth I are queens surrounded by courtiers full of resentment. But "the rules of men" (as Marie calls them) are they the only thing that holds them back? Director Rourke, who has a career in theater, often flirts with this issue, and Ronan and Robbie understand and play with it to represent one of the most insightful relationships between love and hate, jealousy / rivalry, femininity / motherhood between two women.
We know the fate of Mary (Ronan) from the beginning, when she is brought to the gallows to be decapitated. It's done on the orders of Elizabeth I (Robbie). The film returns then, 25 years, in 1561, when Mary, young widow of 18 years, arrives from France in Scotland to claim his rights on his throne – and by his birth, on that of England. She is Catholic, but Scotland became Protestant under the tutelage of England. The Protestant Queen of England is Elizabeth I. The religious schism, fueled by bloodthirsty church leaders, is just one of the hurdles that Mary must overcome – and Ronan does so with fierce determination. It's hard to believe that the young actor is the same Ladybird girl as a year ago. Such is the belief that she brings to the role of a woman who believes that it is her divine right to reign. In this respect, Mary can be complicit, cunning, ruthless, but also kind.
In England, insecurity, Elizabeth I, aware of Mary's greatest right to the throne, becomes more and more fearful. The only person she trusts is the love of his life, the Earl of Leicester Robert Dudley (Alwyn), but not enough to marry him and let him some power on the throne. She retains all the pressure exerted by the court, led by William Cecil (Pearce), to produce an heir, which would finally consolidate her on the throne of England.
Rourke and Willimon write their story of Mary and Elizabteth around this dynamic of gender.
Mary: Up to where can a woman push to get what she wants? How does she adapt the ego of a man in a balance of power leaning towards her? Should she choose love and call a prostitute, or let men decide what she / he can / can not do? Finally: play the pregnancy card, throw it to the "sterile" Elizabeth and watch her misery?
Elizabeth: Can a woman be a woman without being a wife and a mother? Would one ask the same questions to a man in his place, and is that what is asked of him, to be the man that the crowd needs? How sweet is too sweet, and offers your own love as a pawn in this game of thrones too hard? Finally: do you calmly recognize Mary's superiority in producing a child?
If Ronan is the obvious star of this duel, as the film hears, Robbie is falsely gifted for his paper. As a woman who spends her life playing appropriate roles, she does everything to keep the crown, until the crown becomes her. In the end, the woman who had once felt like a born stallion and had rolled up her dress to see how she looked pregnant would have been completely erased. What we have is Elizabeth as a queen portrait.
Given the strength of Ronan and Robbie's performances, the film lets them down by trying to paint them as victims,
Mainly courtiers in this drama, men, even otherwise, make no impression – to the exception of Jack Lowden, Mary's husband, Henry Darnley, and McArdle, the treacherous half-brother of Mary, James. When Darnley asks Mary to give her her husband's place, she silences him with a line that is easily the culmination of this film: "One minute (of imbibing it) does not make a man." [19659016]! Function (f, b, e, v, n, t, s) {if (f.fbq) returns; n = f.fbq = function () {n.callMethod? N.callMethod.apply (n, arguments ): n.queue.push (arguments);; if (! f._fbq) f._fbq = n; n.push = n; n.loaded =! 0; n.version = 2.0 & # 39; ; n.queue = []; t = .createElement (e); t.async =! 0; t.src = v; s = b.getElementsByTagName (e) [0]; s.parentNode.insertBefore (t , s)} (window, document, script, https: //connect.facebook.net/en_US/fbevents.js'); fbq (init & # 39,, & # 39; 980762022081971 & # 39;); fbq (& # 39;; & # 39;; PageView & # 39;);
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