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There was a lot of anticipation on Ek Ladki Ko Dekha Toh Aisa Laga (ELKDTAL) shortly after the release of the first trailer. After all, it's the first mainstream movie to explore a romantic relationship between two women. Bollywood films, if in very rare cases, have portrayed WLW (women who love women) in an over-badualized way and tend to refer only to men, with a few exceptions. Fire and . Margarita with a straw and the Web series The other love story . There were also references to a relationship between two women in Dedh Ishqiya although this was not explicitly addressed.
So, to get a film like ELKDTAL, which is packed with a cast of stars and was promoted much like any other Bollywood movie Masala was a memorable occasion for the community desi LGBTQIA +, which has long lacked representation.
The film begins with a cliche where a boy meets a girl, a boy falls in love with a girl's trope, but Sweety (Sonam Kapoor) conceals a secret of her own. The first half of the film is that of Sahil (Rajkumar Rao). It is in the second half that things resume.
Ek Ladki Ko Dekha Toh Aisa Laga is a memorable occasion for the desi LGBTQIA + community, long hungry to be represented.
Most, if not all of us, in the LGBTQIA + community, may be related to the Sweety test. For a (relatively) small client like me, who, until now, was looking to be portrayed in international television series and films, I never really saw myself. The struggles of the LGBTQIA + community in South Asia are very different, and finally, to see women with whom I can speak is an exuberant experience.
Sweety's story gives me the right tone. Sweety wise who is holding a silent storm in it can be any of us who have time and again repressed our baduality for fear of prejudice and being ostracized. One scene that particularly touched me was Sweety who was talking about being reconciled with her baduality. The character explained what each pervert person feels growing up, the pinch of guilt, the exclusion and homophobia we face and the inner conflict raging within us because we are not perceived as "Normal" in society. The term "compromise," repeated many times by Sweety, who so desperately wants to conform to the norm, is a regrettable reality for many of us.
Knowing well Bury Your Gays (BYG) and the deceitful cheater, I headed for the theater without any wait and I was pleasantly surprised. Almost all my homobadual friends asked the following question: " Is this a happy ending? "reflects the low representation to which the community is accustomed. Lexa in The 100 in Poussey Washington in Orange is the new black bad characters are victims of BYG trope. Even in romance-based movies, half of the couple cheat on their wives or break up because of external factors such as their family, and so on. Ek Ladki Ko Dekha Toh Aisa Laga is broken. free from all these stereotypes. The film also breaks with the myth that homobaduality is a "phenomenon" derived from the West and occurs only in large cities.
At first it seemed like a cis heterobadual man was going to be the agent of change, but Sweety took the reign in his hands and stood up for herself and all the lonely children who grew up in thinking that there is something wrong. their. Sweety, at first, so desperately wants to be "normal", sacrifice her happiness so as not to shame her family.
Ek Ladki Ko Dekha Toh Aisa Laga also breaks with a widespread myth. homobaduality is a "phenomenon" derived from the west and occurs only in large cities.
The focus on the relationship between Sweety and Kuhu (Cbadandra Regina) was a bit brief and other scenes of their flourishing relationship could have been used to public how two women may also fall in love and to be mutual partners. The hesitation in pronouncing the word "bad" may have been partly due to the irritation of the censorship committee or marginal groups. But it is necessary to get rid of the negative and lesbophobic connotations attached to the word. The film may have helped to get rid of the stigma if they chose to say the word gay or bad.
Nevertheless, Ek Ladki Ko Dekha Toh Aisa Laga is nothing short of a rainbow revolution. The glimpse of Sweety and Kuhu's carefree and gentle love was a beautifully wrapped ribbon placed at the top of the gift that was to remove section from section 377 for the strange community. The message that gender should not be an obstacle in love will resonate with the public and bring positivity and inclusiveness to alternative baduality.
The nuance and care with which Sweety's story was told comes from a place of reality. Gazal Dhaliwal a transgender woman has lived experiences in her own life writing the screenplay. Gazal, who also wrote the pioneering scenario of Lipstick Under My Burkha revived the anxiety, the grief, the confusion that prevailed growing up unlike the norm by his thoughtful and moving scenario .
Ek Ladki Ko Dekha Toh Aisa Laga brought a glimmer of hope that alternative badualities would be accepted not only on the screen but also in people's minds.
Read also: My non-binary partner and we were told that our relationship would never work | #UnsanskariLove
Selected picture source: Times Now News
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