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Bollywood does not do well war movies.
We are so hungry for film that restores important chapters of our military history, which even makes jokes about looking again Border on Independence Day and the day of the Republic. have aged. JP Dutta's play, both cute and characteristic of popular culture, had breadth and heart, but not much else.
It was poorly edited, completely crushed and filled with martial performance. And besides Border, another Indian war movie comes to mind immediately? In this respect, Bollywood finally seems to succeed, with Uri: The Aditya Dhar Surgical Strike .
Vicky Kaushal in Uri: The surgical strike. Image via Twitter / @ Sohanbir5
Do not get me wrong: Uri is above all a smart product that exploits the atmosphere in the nation, optimizes its limited budget to tell a living story and News and get started. a bit of melodrama and a feminine representation as a bonus. Needless to say, India wins in the film making sure the film exceeds 200 crores (with the probability of adding a little more to the total by the end of theatrical shooting.)
Yet , Uri rarely exceeds the status of emotionally charged artist, preferring to swim comfortably with the current instead of flip-flopping and attacking your belly like the big war movies do.
After Stanley Kubrick's scandalous film ] Francis Ford Coppola's Full Metal Jacket Apocalypse Now even Steven Spielberg, masterful Save Private Ryan in the midst of all violence, destruction, death and / or victory The most important point about the most memorable war films is that, in the end, nobody wins.
The best war movies are not anti-enemies; they are anti-war.
They remind us of the uselessness of large-scale violence, the human cost of maintaining the honor of the state. They kindly transmit that nations do not go to war, not governments, armed forces merely pawn the game.
Of course, the best of them also had the ability to carry you to the heart carnage. For example, saving Private Ryan begins with a short prologue, before taking you to Omaha Beach, Normandy, for a sequence lasting about half an hour; a difficult and hard to see sample of what the war really needs to feel. The visual vessel seen in this extended sequence resembles everything you've seen of Spielberg, with a style that seemed to have been fundamentally inspired by the cold brutality of war.
A photo of the recording of Private Ryan. Image via Twitter / @ clbadicsman70
Ridley Scott's Black Hawk Down is even harder to watch. You are in the midst of the American intrusion into an African civil war for two and a half hours, jumping from one character to another, from one situation to another, each one of them steeped in battle. Taking place in 1993, during the civil war in Somalia, American soldiers almost died in the film, the film only taking place for the tragedy only when the chain of command insisted that no man be left behind, dead or alive.
The weaknesses of Uri & # 39; in relation to the major cinematographic works on the war depend largely on its budgetary constraints, although they are also closely related to the conception of his story.
India's secret retaliation strikes in Pakistan-occupied Kashmir are in the public domain, but in Uri, in the film, which we get in the construction of the l 39; military operation of the same name is a melodrama with high octane number. So, you have a brother-in-law killed in action during the shameful attack of Pakistan against the military base of Uri a pregnant widow sister of it, a relative suffering from the disease of Alzheimer's,
. When Major Vihaan Shergill of Vicky Kaushal made the promise to his senior officer that he would bring back each of his men unscathed from the operation, it sounds like a Hindi movie hero who is talking, not to a soldier; Because in the real world, before a complex military operation, can anyone ever make such a promise?
In this sense, he borrows from the book of Michael Bay of Pearl Harbor . In this World War II film, Schmaltzy's love triangle sprinkled with bromance was an attempt to raise the stakes and add drama to battle scenes. It's almost an admission that your portions of war will simply not be separated. Pearl Harbor had the advantage of its budget and scale; Uri does not have that.
Perhaps this is why the pbadages describing the planning of the surgical strike are neglected by the song. The tactical aspect of the war is almost completely eliminated, replaced by Paresh Rawal, who extinguishes his role as national advisor on doval-esque security with an involuntary smarm.
One might think that a cinematic representation of the surgical strike would make a biting watch, but what you get instead is just an idea of revenge and victory, not an outstanding decisive battle. In this sense, the decisive battle sequence in Farhan Akhtar's Lakshya seems much smaller than that of Uri, but it still works better because it gave us a clear idea of tactics, strategy, geographical distribution and global issues in the first. Even the totally underestimated 2007 film directed by Amrit Sagar 1971, a few years after the war between India and Pakistan in 1971 on the liberation of Bangladesh, truly offered multiple layers to the horrors of military action.
A photo of Uri. Image via Twitter / @ vaibhsanand
Uri is perhaps one of the best Bollywood war dramas to date, but it is still hardly comparable to works such as Apocalypse Now or even Dunkirk's Christopher Nolan which remains an unparalleled film in narrative and visual technique, regardless of our retreat into the annals of film history. With such a large craft, sometimes a low or uninspiring scenario can still be turned into a masterpiece.
Uri's true victory lies in the fact that he found his way into the jargon of pop culture without effort. With the help of the highest Indian politicians Uri the most prominent line of public gatherings, Vicky Kaushal, "How the the Josh", is the cinematographic equivalent of Virat Kohli pumping the men in blue of his irresistible energy while driving them on the ground. (Mood of the nation, indeed.)
The line appears three times in the film, at three key moments of the plot. And these are the only times the film manages to show a semblance of depth that goes beyond the obvious. The context of each of these three scenes being different, the emotion that is expressed is also different. Yet, they are united by the energy and intent behind the cry of appeal.
The three moments "how are the josh" easily the highlight of Uri. Too bad that the same nuance was not applied to the film in its entirety. A great military movie should leave you shaking; Uri: The surgical strike may have to be content to change the television program on the day of independence.
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Publication date: Feb 05, 2019 at 11:41 am
| Last Updated: February 05, 2019 11:41
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Date Updated: February 05, 2019 11:41:25 AM HIST
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