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Note: 1.5
Here is the basics about large-scale blockbusters. You must have the right balance between building a gigantic world filled with variables and staying within the protagonist's intimate boundaries so that the focus stays on him. The relations between Yin and Yang must be related, as in The Matrix for example
Alita: Battle Angel strives to find a balance, but never completely stabilizes . down to achieve what he wants. Even in the hands of Robert Rodriguez, it's a big disappointment for all who follow the development of this project since the commitment of James Cameron. He has all the technical expertise and a cyberpunk environment to amaze you, but he fails at every turn.
A photo of Alita: Battle Angel. 20th Century Fox
This is the typical framework of cyberpunk: we are introduced to Earth in 500 years, full of robots and the utopian city of Zalem floats in the sky, limiting entry to non-elites. Things change when Dr. Ido (Waltz) discovers a robot in a garbage dump and sets out to build Alita, a humanoid whose thought process is that of a teenage girl. Ido and Alita become a father and a surrogate, much to the curiosity of Dr. Chiren (Connelly), a former friend of Ido, who now works for Shady Vector (Mahershala Ali). Alita, with her vacillating memory, explores the world in which she has just "born" and, of course, as in all films like this, discovers that she is destined for greater things and that she is not the only one. she is a chosen species.
The problem with Alita: Battle Angel is not a cliché, but it is dull. There is a lot of world building in the film, but it's not cinematic, but verbally. Characters come in and out of scenes to explain to us, through Alita's eyes, what this world is, how dangerous it is and what it must do to change the order of the world. .
Exposure dumps are found at every turn. but the excitement does not generate because drooling information is not quite what you want to see in a movie about the robots that give bad kicks. The action sequences look like pockets of thrills used to fill in the holes in the story, to prevent it from being a boring getaway. And as Cameron is not behind the camera, you do not get enough memorable action to forgive the weakness that surrounds them.
Then comes the problem of lack of concentration on the protagonist's adventure.
When she does not plow Through the buildings and discovering her own hidden abilities, the development of Alita's character is relegated to the rank of young adults and the love story here is as warm as a bucket of ice cream. The boyfriend in this case is Keean Johnson, whose character and performance exude less flesh and blood than the robots found in the film. The rest does not do much better, because Ed Skrein, who was delightful in Deadpool holds the stick as the enemy of Alita. There is no personality in any of the characters or in their actions, they are all placeholders for the next big action show with synthetic green screen.
And there is nothing around Alita's eyes – there was no reason for the visual pattern to just make her look like an anime character, unless Rodriguez has opted for a lighter tone in the vein of the movies Spy Kids .
As the last shot in the coffin, the film ends on an extra bait, not to give you a pretty satisfying conclusion to this story, which is really disappointing given the patience that has to be shown to see what happens at the end. Double charge this one with Jupiter Ascending for an exercise in overwriting dissatisfaction.
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Release Date: Feb. 08, 2009 2019, 14:38
| Last updated: February 08, 2019, 2:40 pm
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Date Updated: February 08, 2019 2:40:40 PM HIST
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