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Barun Sobti, a television actor, brings his casual charm to the role of Ron Sen (real name Rononjoy), an elegant agent from Kolkata who married his pbadion for cricket with his talent for trading. Ron is at the intersection of big game and those who keep his cricketers well oiled. When Ron begins to convince sports journalist Shonali (Panchi Bora), he seems to conclude another transaction, which involves information.
Shonali is, of course, loving. It's hard to resist Ron, who has been described as "easy" by a former girlfriend. Mitali Ghoshal's first film makes sure to capitalize on the intensity of Sobti's slow combustion and its rocky appeal (Sobti's warning of Barun on his vast audience: many shots to the naked body!) . and photos of solitary dinners in his luxury apartment perfume his identity as a maverick among the mercenaries.
Ron's fall after being falsely accused of being involved in a betting scandal is as predictable as his healthy strike rate. Ron loses his customers overnight and targets a wounded cricket player to get back to the top.
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Samrat's English-Hindi-Bengali scenario barely explores the impact of Ron's momentarily scandalous pedestal. The setback turns out to be a way to introduce the film's secondary hero – the talented drummer Shome (Amartya Ray, who also composed the soundtrack). Shome's promising career was interrupted by injuries and collapsed self-confidence. However, like the scandal that suddenly engulfs Ron's career, Shome's return to the limelight, helped by Rajit Kapur's sports psychologist, is too fast to be credible.
Director Mitali Ghoshal has 134 minutes to develop her theme of redemption, but she spends too much time traveling over too familiar ground. 22 Yards boasts handsomely etched characters and a taste for cricket dwellers who are sometimes forgotten as the game gets too big for its own good. A T-20 trot becomes a chore of a day, but one can not underestimate the relief of a movie about cricket that does not involve nationalism.
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