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Vasan Bala, filmmaker and writer, has written and directed films, short films and commercials for years. His first feature film, "Peddlers & # 39; has toured international festivals but has never had any commercial output in India. In his first commercial release, "Mard Ko Dard Nahi Hota", the filmmaker looks back on his childhood, an era of VHS and VCP, and makes a crazy, fun and offbeat tribute to Fu movies of yore. The movie may not make sense in some parts, but ultimately gives you an adrenaline rush and lots of laughs.
With the newcomer Abhimanyu Dbadani as Surya, the film is a joyous world tour with hilarious lines, 80s music and good old karate. The film tells the story of Surya, a child born of a rare conbad insensitivity to pain, which means he feels no pain. Wanted to get hurt and dehydrated quickly, he led a very protected life with his overly protective father and overly indulgent grandfather who fed him stories from far and beyond and made him a fanatical movies. Angry to be separated from his best childhood friend Supri because of his drunken father, he agrees to learn karate and fight evil when he grows up. Over the years, Surya follows karate lessons by watching a video of a 100-player knockout tournament that a certain Karate Mani (Gulshan Devaiah) holds each year in the suburbs of Mumbai.
With Surya growing up and exposed to the outside world, her first encounter was with her long-time friend, Supri. (what are the chances!) and Karate Mani, whose precious chain has been stolen by her evil twin Jimmy, now belongs to Surya to recover the chain, to make Supri (Radhika Madan) fall in love with him and win the title of Karate Mani aka Karate confidence.
Charlie Chaplin, Buster Keaton to Bruce Lee, Vasan Bala, who is also the author of the film, takes many references of clichés and not actors as clichés. The result is a film-fed Surya that even an adult uses dialogues to interact with people, which is a lot of fun for them, with movies like "Enter The Dragon", "Karate Kid", "Aaj Ka Gunda Raj" and even "Kesari" the same day.
The first half appears a bit stretched and the action sequences after a point seem a bit repetitive but the actual action takes place in the second part with the l '. introduction of the vicious psychotic Jimmy cliche. The film 's rhythm accelerates after the interval with a hilarious edge of the seat' s climax.
The newcomer Abhimanyu Dbadani impresses in his first film. It is 4 months to adapt the role and it shows on the screen. His stunts are impressive and Dbadani brings a childish innocence to his character, Surya, who is usually devoid of all emotion.
It's also awesome to see a movie. Radhika Madan, who impressed both during her first performance in "Patakha" solid punch with his role as Supri. Vasan Bala is also to be congratulated for creating such a strong character, able to fight the henchmen, but aware of how the world works. In a poignant scene, we can see Supri telling her mother how she lacks ambition in life and that money is an important factor in life. It is a first for an Indian heroine to talk about career, ambition (or lack thereof) and the importance of money. In general, Bollywood does not give work to his female characters and does not bother to treat it in his films.
The film clearly belongs to Gulshan Devaiah, who has two characters difficult to represent on the screen. One is Karate Mani one-legged, gentle, guilty and loyal to his work and the other Jimmy crazy, psychotic and evil. Two extremely contrasted characters but Deviah completely has the screen every time he is there. I hope the creators will make a spin-off on Jimmy Deviah in a few years. I would like to watch more of Jimmy's story on screen. Deviah, who collaborates frequently with Bala, gets both characters perfectly and is perfectly perfect as Mani and outrageous as Jimmy – tied.
It is also good to see Mahesh Manjrekar in an important role after centuries. Manjrekar as Surya's grandfather is endearing. You would like a fun grandparent like his character Ajoba.
Mard Ko Dard Nahi Hota & # 39; is experimental in the way the story is told. The music is a mix of rap, 80s music and contemporary sounds, which greatly enhances the story. Some may find the story impractical or childish, but that certainly makes an appropriate tribute to the action movies of that era that we all consumed to a large extent, much like Surya.
The film does not make us suffer, it "breaks" some clichés, gives us a new villain to hate and love and introduces us two new talents to watch: Vasan Bala and Abhimanyu Dbadani.
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