Review of the movie Airaa: An illogical plot and a bad-quality plot push Nayanthara into the shadows

Tamil cinema has recently sunk into a dark slot. The films are repetitive, conceived without imagination and strangely written. A clbadic example of this is the kind of horror that is beaten to death. The last one here, the Nayanthara-starrer, Airaa barred by the newcomer KM Sarjun, is a long yawn with more than 140 minutes of felines lurking, people trailed or hanging from trees or jetties. roof shouting Swings and a young modern woman running away from her grandmother's house in the rural town of Pollachi, Tamil Nadu. And the grandmother is blind, but seems to have a sharper vision than most people with normal vision.
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Nayanthara is Yamuna, a journalist who is offended by her editor's refusal to let her create a YouTube channel, create one herself, and download ghost stories to catch the eye and make money. The sumptuous but strange bungalow of his grandmother seems to be the ideal place for the journalistic adventures of Yamuna. If that was not enough to make us impatient, Sarjun makes Nayanthara play a second role as a dark-skinned Bhavani, who appears as an illusion of flashback.
It is difficult to know exactly what is the reason for the director who fills his web of many unrelated incidents. A road accident, two police officers entering a deserted house in the middle of the night and a third track (except Yamuna and Bhavani) involving Amudhan (Kalaiyarasan), who stumbles upon a dead man after the 39; another.

In the end, Airaa looks like a poorly visualized puzzle, the pieces of which are not badembled. A bad scenario, a bad story and actors walking through their pieces. Yes, Nayanthara is good, but by patches (Bhavani is one) and I do not understand why someone like her, with some remarkable movies behind her, chose Airaa .

Rating: 1/5

(Gautaman Bhaskaran is an author, commentator and film critic)