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Director: Robbie Grewal
Performers: John Abraham, Jackie Shroff, Raghuveer Yadav, Sikander Kher, and Mouni Roy
The film begins with a frightening scene of torture. The nails of a prisoner are torn off to make him reveal state secrets during the Indian-Pakistan of 1971. But, in the same way that one feast for a living a story of espionage difficult to accept, it serves rather a smorgasbord of inadequate amenities. Director Robbie Grewal said his film was inspired by conversations with his father, an army officer, who had even worked for Indian military intelligence. Grewal's familiarity with the subject sometimes surfaces in certain scenes – for example the one in which the trick to pbad a lie detector test is explained. However, Romeo Akbar Walter of Grewal ends up fighting realistically.
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RAW Group leader Srikant Rai (Jackie Shroff) manually chooses one of Romeo's bankers (John Abraham) to serve the country on foreign lands because of his two important abilities: his enviable ability to transform himself in pseudonyms and his expertise in the field of defense. Two separate and unrelated anecdotes are clumsily badembled to establish Romeo's qualifications for the enviable defense work of the nation. But doing one's duty is never enough in a Hindi film. Heartbreaking sacrifices must also be involved and in this one, the son abandons a mother for the welfare of the motherland. The fact that Romeo's father served in the army is a proof of his natural predisposition to work, thus opening the way for an almost instantaneous transformation into a spy.
The cinema, we all agree, talks a lot about the suspension of disbelief, the public who adheres to the illusion or fantasy created by the filmmaker. But, unfortunately, this turns out to be the biggest stumbling block for the film.
The main man, John Abraham, known for having chosen his roles intelligently, is in familiar territory. He likes movies about politics, especially about terrorism and geopolitical issues – RAW is his fifth film of the genre after Kabul Express, New York, Madras Café and Parmanu: The History of Pokharan . Abraham is in shape with this one too; his behavior is well suited to play a role that requires impenetrability. Although that is not quite convincing, the actor Romeo finds his rhythm in the time when he becomes Akbar, then Walter.
The men who accompany him – Jackie Shroff, Raghuveer Yadav and Sikander Kher support him. Shroff in particular. Kher, who is seen after a long time, is impeccable as the Pakistani officer completes with his Punjabi accent and sinister look. Unfortunately, the same can not be said of Mouni Roy lost in an insubstantial role. Suchitra Krishnamoorthi, a prominent political columnist, suffers the same fate.
On the rise, RAW is fortunately not a particularly long film and once the protagonist enters enemy territory, the elements of the thriller The second part accelerates and we gives a satisfactory end.
The good side of things is the one with a relatively more serious No Fathers in Kashmir . the theaters combined with the atmosphere of the nation turning towards the patriot, RAW despite its faults, could well function normally.
Rating: 2.5 / 5
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