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Poorna, a vizag girl gifted in cricket, falls in love with a beautiful northern girl, Indu, Anshu (Divyansha), but her story stops abruptly when her parents object to their relationship. At the present time: Poorna marries much Sravani (Samantha) against his will and he can not forget his past love. His devoted wife does everything to bring him back to his normal state, but he has become a convinced alcoholic, gone in his lost love life. They live together under the same roof but their relationship is not consumed.
Analysis
His first film, "Ninnu Kori", and his second-year attempt, "Majili," established the fact that director Shiva Nirvana loves to take a trip nostalgic and adore wrap old movie stories today 's audience with new emotions. In "Ninnu Kori", he repackaged "Hum Dil De Chuke Sanam". In "Majili", we see a lot of old movies such as "Mouna Ragam". of Mani Ratnam, the movie Illalu Priyuralu of Sobhan Babu 1984 and the 'Sagara Sangamam & # 39; from K Vishwanath. To make it a contemporary drama, he added cricket as a backdrop by making the hero a cricketer.
The film begins in the late 90s or early 2000s in the city of Vizag. He tells that a teenager belonging to a railroad colony fell in love with the daughter of a naval officer. Railways and naval officers … both are distinct features of Vishakapatnam. Shiva Nirvana has this right. The background is good but the problems start with the plot and the scenes. The reason why Chaitanya and the daughter of the naval officer separated is a cliché. After the interval, there is a good flashback episode of Samantha, why she married that drunkard Chaitanya who turned Devadas because of her past love. After this backtrack, the sequences of the film resume their old style.
There is a blow in the film: when Chaitanya comes to her neighbor Samantha to repair a fuse, she already loves him secretly and she touches herself. in reverence. Like the old school characterization of Samantha, the scenes from the film are also old school. If you do not see any inconvenience in seeing movies that tell nothing new, but simply hashing old movies, then the watch is decent. But if you're tired as this critic looks at fashionable dramas for her husband and wife, he'll bore you.
As the movie advances, the writing turns to a draw and the emotions seem wrong. In addition to the main actors' performances, what saves Majili is good dialogue and good music. The umbrella scene involving Samantha and Chaitanya just before the interval also recalls the iconic scene of "Sagara Sangamam".
The performances of Naga Chaitanya and Samantha are the main badet. Chaitanya showed a lot of maturity in his game, he chose the emotional quotient. Samantha in the role of Sravani shines again. His game is a huge badet. Newcomer Divyansha Kaushik makes an impressive debut. Rao Ramesh gets a great role and the main actor no longer disappoints. Posani is good in a short character.
Gopi Sundar's music leaves a trace. Thaman's background note also lent to the quality The cinematography of Vishnu Sharma is rich. The places of Vizag are well captured. The design of the production is ok. The first love story of the movie took place 15 years ago, but the old Vizag and the well – developed Vizag of today have the same appearance in the film. Throughout the film, we see "nostalgic" feelings more than contemporary
The writing of Shiva Nirvana's dialogue is good
. maudlin. The performance of Samantha and Chaitanya saves this film otherwise pbadable.
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