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Guava Island
Director – Hiro Murai
Actor – Donald Glover, Rihanna, Letitia Wright and Nonso Anozie
Rating – 4/5
One year on It was reported that Donald Glover and Rihanna were working together on a secret project in Cuba. The results are ready to be shown to the world. Guava Island is not a duet album that many expected, nor a documentary concert. It's a narrative film – barely 55 minutes long enough to qualify as a feature film – that adds to the aura of his alter ego, Childish Gambino, and reaffirms his stature as an artist. one of the most prominent creative artists of America.
Guava Island, on the surface, seems to be just the kind of pbadion project offered to filmmakers after a mbadive success in the beginning, but after a thorough examination it turned out to be a layered work of art superimposed.
Watch an excerpt from the island of Guava here
Glover and his director of Atlanta, Hiro Murai (who debuts feature film with Guava Island), present their unique critique of social and cultural criticism, wrapped as always in a vibrating (distracting) package. In Atlanta, they swept the superficiality generally badociated with hip-hop and told a realistic story about black life in America. Guava Island unties the layers of artifice that have obscured the worldview of the United States and reveals the vain truth that hides in it
Unexpectedly but appropriately, Guava Island is a complement to the recent film Horror of Peele Jordan, Us – Dense Symbolism. and metaphor.
It's a kind of fable about gods and mortals, about love and war. "A very long time ago, long before birds, cars and even coffee beans, the seven gods of the seven countries were the duel truths: love and war," says Rihanna's character in the animated opening segment of the film, before adding, rather wisely, "but wherever there is love, the war will follow."
The gods then decide that humans need a place far removed from these elements – "a small island in the center of the world" – and they called it "guava". ;. And it is on this mystical island that our story unfolds.
Attracted by the magical qualities of the island, the Red family seizes its resources and its inhabitants, submitting them to a life of servitude. Everyone on the island is forced to work in some capacity for the evil society and forced to wear a red uniform; their identity and culture have been cleaned up.
And then comes Deni, a sort of messiah, played by Glover. He is a musician – an artistic and creative reflection of all that the Red family represents. The film spends a day in Deni's life; His story is told with tragic parallels, almost brilliant, with the station Ryan Coogler Fruitvale.
But the island of Guava successfully conceals its darkness – a bit like the red family buries the islanders' inherent creativity – by triggering itself into a regular music number. One of the most memorable moments of the film is perhaps the one where the character of Glover embarks on a provocative attempt to dismantle his country.
"America is a concept," he says to an employee of the factory who aspires to emigrate to this country one day; "To become rich, you have to enrich someone else." And then, Glover launches in retaliation for its revolutionary song of 2018, This is America, confronted with the beats of the factory equipment, its iconic dance exhaling an almost warlike intensity. .
That made me think of the scene "We are Americans". Like Peele's film, Guava Island also uses high-quality visual motifs – especially the red and blue colors, perhaps signifying the duality of American politics – and a deep symbolism – the viciousness of Nonso Anozie surrounds caged birds, while Deni is often compared to a free spirit. Both films deal with the idea of freedom – while Us used the powerful image of Lupita Nyong's chained to invoke images of slavery, the inhabitants of Guava Island were often seen in queue, sequestered and controlled in mbad.
"We live in paradise," says Deni, "but none of us really has the means to live here." Great humanistic ideas are at work here, conveyed with irony with the help of Amazon Prime.
Although it's the same thing. in the ambition of Beyonce's Lemonade – an amazing visual album released as a 65-minute film on HBO – the summer mood of Guava Island is more like Tropico's Lana Del Rey, an allegorical film 30 minutes on "sin and redemption". This is the kind of dark jewel that must be defended.
Follow @htshowbiz to learn more
The author tweets @RohanNaahar
First publication:
April 17, 2019 4:32 PM IST
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