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Nothing raises a song quite like a gospel choir. When so many heavenly voices come together – harmonies, power and precision, all rushing – the effect can be transcendent. Kanye West knows it better than anyone. From "Jesus Walks" to "Ultralight Beam," he used choruses to emancipate himself from sin as he walked between the self-deprecation of God and his being, as he l? once said, "the guy who believes in God but still loves bad. Most often, this strategy worked. But during his Sunday performance at Coachella yesterday morning, which featured West at the top of a hill surrounded by famous collaborators, a small group and a large group of tunicked singers, none Power of this kind has not been achieved, no supernatural energy has been exploited. Sometimes the choir seemed as puzzled as the audience was often.
The Coachella ensemble crowned a series of weekly performances on Sunday service organized by Kanye and that Kanye has been organizing since January near his home in Calabasas. In the light of his notoriously self-immolating 2018, these cold prayer parts were written as atonements, or cleanings. Yet, Coachella participants and live broadcasters on YouTube, hoping to share the Holy Spirit on Easter Sunday, instead found something that shed light on Kanye and shed light on miracles. was shot through a lens, as if the viewer had an eye glued to the small end of a telescope. Led by keyboardist Philip Cornish, whose credits include R & B stars, K. Michelle and Musiq Soulchild, the band started playing instrumental interpretations of Stevie Wonder and Gap Band songs for almost 20 minutes. When Kanye finally arrived, he mostly spent time with Kid Cudi, Chance the Rapper and Ty Dolla $ ign. When he played, he seemed not to have been worried, despite the fact that many of the songs had been featured in previous Sunday services. The setlist was badembled lazily, as if it had been prepared by a DJ on Tuesday night. (The Chicago House anthem "Brighter Days" becomes the "Brighter Day" evangelical anthem? Genius!) Secular songs have been reinterpreted as spiritual, inserting themselves into the Kanye catalog and coming out of it. Bleached jerks tainting what was to be a sacred occasion.
Everything seemed incomplete. The experience reminded the casual pbadage of the auxiliary to the listening evening The Life of Pablo at Madison Square Garden, but less irreverent and fun. Even the choir, under the direction of "American Idol" vocal arranger Jason White, seemed to be participating in a rehearsal rather than a coordinated production, while a sequel of interludes and d & rsquo; Vocal warming was prolonged. When they enter a song such as Kirk Franklin's "Brighter Day," they cut it under the layer until there is nothing left.
There were moments of deep emotion during the service, although they were mostly reserved for the performers themselves: a vertigo Chance, the rapper danced on Kanye's "fade", and Kid Cudi comforted Ye after a DMX prayer moved him to tears. Teyana Taylor, the sun at the back of her back, played her song "Never Would Have Have It" as if it was a hymn. But these moments of spiritual uprising were only brief corks for what was otherwise a complete mess.
Meticulosity was once a staple of Kanye West. When he made the headlines of Coachella in 2011, he featured synchronized ballerinas and winged dummies as part of a laborious pimping vision atop Mount Olympus. The Sunday service at Coachella this year did not reveal this diligence. Nowadays, he is content to leave singers in pajamas disconcerted and sometimes gooey wander through a hill and call them gospel.
The break in praise of music star Fred Hammond, who sounded like an astonishing reintroduction of old Kanye in a two-minute sequence that had filtered off after a Sunday morning ceremony, was reduced to a mere fill in This program; the track played in a loop without the spontaneous theatricality of Kanye making beats. Eighty minutes later, when Ye decided for the first time to rapt, apparently on the fly, to the great surprise of the choir, he had to take a moment to gather after testing the words of "All Falls Down". Things That Should Have Been Easily Performed The styling points, including suites of songs that he tinkered throughout his career, seemed far from his reach when the service collapsed. He obviously wanted the choir to be in the center, but without Kanye playing God, no center of interest would be highlighted.
Those who were willing to endure the two-hour show until the end were rewarded with a new song called "Water." conducted with ye collaborator Ant Clemons. The so-called hymn had absurd lines of the type: "Take the chlorine in the conversation / I do not like these perfect discussions / But we are made up of 90% water." The song, like all the event, like a baptism, was a call to be cleansed. Even in his smallest offerings of rebirth and perfection, Kanye still does not understand well – only 60% of the adult human body is water. But there is something else that contains more than 90% water: a tomato.
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