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(Welcome to Road to Endgame where we revisit the first 22 films of the Marvel film universe and ask: "How did we get here?" In the game 1 of our look at Avengers: Endgame : How the film organizes its breathtaking finale.)
It's never too late to correct the course.
While Marvel went through popular culture, his failures seem less and less important. For each mediocre entrance as Thor: The dark world there is a wild sequel of the genus Thor: Ragnarok whose series is hatched • Tropes, remixes his themes and removes existing characters with which he does not know what to do, thus removing the old Canon. To borrow the language of sister-franchise Star Wars "Let the past die. Kill him if you must. However, what Star Wars: The Last Jedi Understood about this approach (spoken and acted by the wicked Kylo Ren) was, ironically, something [19659003] Ragnarok well understood, despite the ratatism of its predecessor: this failure may come back to haunt you and real growth and catharsis mean learning from the past before continuing.
Spoilers for Avengers: Endgame begin here.
The Avengers are chained in the past. The horrors they saw, the ones they could not prevent, and even the ones they committed. A few weeks after the events of The Avengers: The War of the Infinite they desperately seek a way to repair the devastation of Thanos – a universal genocide that wipes out half of all life – but they fail in their quest. In the framework of what is lacking in the third deed of Infinity War the remaining heroes track down the mad Titan to discover that the Infinity Stones, which could have served to bring back their dead comrades, are not anymore. Thor, in his anger at not having managed to stop Thanos before, decapitates him without mercy, thus ending the story. The following is a film that oscillates between silent contemplations and flashy eruptions that have been lacking in these films for far too long. The result is often messy, unbalanced and inflated, but it's finally satisfying despite all this, as it recovers the pieces of a series that has lasted for a decade without departing from what was before.
This is Avengers: Endgame.
Reintroducing the Avengers
An entire hour pbades before a major fight scene – a welcome respite and a surprising title – as [19659027] Avengers: Endgame s & # It is as concerned with fan service as it is with the repayment of a decade of history. Rightly, these two things end up being the same on more than one occasion. The conclusion of some character stories is far from ideal, but first and foremost the fun and fireworks, every original Avenger pulls out of the game because the film describes them as the product of their failures.
Black Widow / Natasha Romanoff now leads the Avengers, or what's left of them. It is constantly recording, monitoring both Earth-related and space-related problems, and even asking Okoye, the de facto leader of Wakandan, what they can do to end natural disasters. She threw herself into her work in desperation, hoping to find a way to make up for the death of half of her people. she still tries to erase the red from her book although despite Tony Stark's obsessive disposition, she lacks the tools and the know-how to take radical measures.
Captain America / Steve Rogers also badumed the role of an avenger: The Falcon / Sam Wilson who, in Captain America: The Soldier of the Winter [19659004] was introduced as a counselor for returning veterans. Rogers is now leading group therapy sessions in New Jersey, where he helps citizens in distress overcome global devastation. Although his optimism is impractical. Apparently, Rogers has gone (or pretended) to cringe like Romanoff, who can not bring himself to do the same. Although he's now talking about seeing whales in the Hudson River, that's not what happens to Rogers after a defeat – as the rest of the movie shows when he returns to his "birthplace," Camp Lehigh . This is what his grief and abandonment look like, since he has nothing left to avenge.
Tony Stark / Iron Man has also given up, but for him, burying the past means choosing a selfish future. A respite he deserves more than anything, given his work since 2008 – he chooses his wife and daughter to help the world – but at the same time, it's the ultimate sign of his failure. In all his appearances between Iron Man and Avengers: Age of Ultron The series appeared to press the reset button on Stark, although This narrative stagnation has finally become the cornerstone of the character, who has tinkered with newer and more dangerous ways to protect the world as a whole, even at the cost of his relationships. Now he has everything he can wish for in his personal life, even if it is done to the detriment of the greater good. In a sense, it had to be; Tony Stark would never have been able to have everything when the world was still in danger.
Clint Barton / Hawkeye, after being revealed to be the beating heart of the team in The Avengers: Age of Ultron became a stubborn ruthless. A man who once fought for his wife, his children and his protégé Wanda Maximoff, he was ripped off. He is now fighting against a pure, blinding and nihilistic rage, killing organized criminals spared by Thanos – as if to put himself in Thanos' place, adopting a distorted view of universal equilibrium (even though it is not the same thing). is only for people of color, in our opinion a weird optical choice). When Romanoff tells him that there might be a way out, the mere thought of hope looks like despair.
Thor, despite the sometimes shameful look of the camera, feels tragically tragic after getting lost in a pit of food and drink. He is more like his comrade Volstagg (Ray Stevenson) than the god of thunder, although what gives life to this new Thor lies in the devastating performance of Chris Hemsworth, as a man burying his sorrows under the hair through video games. When the camera does not focus on Thor's intestines for cheap laughter (in contrast, Tony Stark's weight loss is treated with the required seriousness), Hemsworth's eyes betray the pain behind his cheerful smile. Up until now, each of his films was meant to meet his father's expectations of leadership. But now, he has even left "New Asgard" alone, because the mere mention of Thanos fills him with a paralyzing fear.
Reintroducing the Remainder
Bruce Banner / The Hulk is an enchantment in its hybrid form, but what separates him from his teammates, is he does not feel like a product of a world where half of the population has been removed; it's as if it had been drawn from another film prior to Marvel, like a concept of remains. He even refers to feeling lost and then finding his balance – the most important development possible for this character takes place on the screen! – and after his arc of character abandoned in Avengers: Infinity War his reintroduction here serves no purpose beyond comic relief.
Nevertheless, the subversion of the Hulk group, which is now the group's happiest and most successful group, is sufficiently pleasant not to seriously affect the situation, especially when compared to Scott Lang / Ant-Man who is otherwise very happy. Lang, having returned to a world where his friends died suddenly for five years, is invaded by an inexplicable sense of anguish as he tries to figure out what Hope Van Dyne / The Wasp meant to him. His point of view becomes essential to understanding this new and dark world, a realization that allows Paul Rudd to impregnate the character in a more urgent and faster way.
Among the remaining characters, Nebula is in the most interesting position, at least in the initial scenes. Once a ruthless murderer who has paid off the pain she has been inflicted on, she is now a caregiver, like Tony Stark's, who seems to be living his last days while both are stranded in space, and Rocket, with whom she sympathizes for the Death of the Guardians when she arrives on Earth. Even if, once the plot has started and is moving forward five years, she and Rocket are essentially absent, protecting the distant quadrants until the reunification of the team. In such a large film, not all characters can be handled with such agility, but it's a disappointment considering how this same team of creators – directors Joe & Anthony Russo, and screenwriters Christopher Markus and Stephen McFeely – were able to give almost a dozen characters History consistent bows in Captain America: Civil War .
Okoye also ends up being dismissed, despite one of the most powerful reactions following a death in . Avengers: Infinity War . Carol Danvers, who has barely had the opportunity to interact with the main characters, even announces his departure from the film very early. The increased attention that she brought to the film's climax therefore makes no sense, given the weakness of her relationship with people. and events on the screen. Rhodey / War Machine, too, ends up as usual in the center of the field, still playing a supporting role for the other heroes
While cast members often feel on the bench, the arches of the The remaining Avengers are for the most part. , pay the stories set up by the first hour of the film. And the result, although tucked in the middle of the usual bomb, is wonderful.
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