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Dharma Productions
In Her Lighthouse Essay Notes on the "Camp" which gained worldwide fame through the Met Gala, Susan Sontag writes, "From many camp examples are things that, from a "serious" point of view, are either bad art or kitsch. Not all, though. Not only is Camp not necessarily a bad art, but some art that one can approach as a camp deserves the most serious admiration and study. "
For a long time one could evaluate many Bollywood films, especially from the Legacy stables. studios such as Dharma and Yash Raj, as a camp. In fact, Karan Johar 's student of the year who announced the arrival of Alia Bhatt and two other actors, was, as a friend did, stressed, "completely attached to her stupidity", a drama if I was aware of it, it almost looked like a parody of herself.
While SOTY was saved by his soundtrack and the striking presence of his three leads, the sequel, led by Punit Malhotra, is this pretentious cousin back overseas trying really ] hard to be cool but falls incredibly short, making a joke of itself. Sometimes a very bad art is redeemed by entering the category if-bad-it's-well-good, but SOTY 2 does not offer any of these consolations, c- is simply a terribly done movie that you forget even looking at it. .
With Tiger Shroff, or the budget Hrithik Roshan in Twitterverse, SOTY 2 tells the familiar story of an outsider who returns to school bullying and wins the love and worship of no one else but two campus hotties. Apparently a boy of the middle clbad, he comes from Pishorilal to join Saint Therese, where go the rich and cool children. In this school fortress, Caucasian women are deployed as cheerleaders even when no sporting event is in progress (which would not have improved) and some Olympic sized pools are contained in Olympic size race tracks.
I have a term for that – Dharmatization. When the reality is not simply exaggerated to obtain a cinematographic effect, but dharmatized which means that it is unfortunately far removed from the soul of a place. It is in the aesthetics of Ishq Wala Love, it is in the anachronisms of Kalank it is in the vast, soulless campuses of St. Teresa, an elite school whose inner universe may be dominated by the hyper privilege to be read as an extension of the Dharma itself.
Once inside, Shroff, who plays Rohan (name of the character that Hrithik Roshan shares in Kabhi Khushi Kabhie Gham ) must work hard to win the student's trophy. year, held by the tyrant Manav Mehra (Aditya Seal), who is the son of the school commissioner and who has the look of at least once on the protein shake.
After several sporting events, dance competitions, hit faces, smoother faces and emotional crosses that clearly belong to a K series, SOTY 2 ends at an unpredictable end (no) when we see Alia Bhatt dancing in Tiger Shroff's room. I am not .
Tara Sutaria and Ananya Pandey, who make their film debut, are reduced to being decorative props for Shroff. The philosophy of the film is so archaic that apart from the "dance competitions", women do not have the ambition to win the student of the year award, which seems to be a hunt for men. Thus, sporting events, races, discus throwing and kabaddi O Lord, so kabaddi are all played and won and lost by men, women being reduced from To be cheerleaders.
Between Sutaria and Pandey, she plays chunkier (she is the daughter of Chunky Pandey, after all, sorry). Somewhere, there was an interesting story to explore – Pandey's Shreya being an Grade A elitist bully as a way to overcompensate her oppression at home, but hey, it's a movie where one character tells another, " Change nahi, evolve hui hoon ", just a few minutes before they become the same old person.
Shroff, to whom it is shown that he jumps through the roofs simply because not to play the lead role is his best feature, tightly shrinks eyes, that he expresses from the top. love or is preparing for violent attacks of kabaddi.
Although the music of the film is largely forgotten, the performances are not too memorable either. The three leaders, Tara, Tiger and Ananya, collectively have several expressions and, thanks to the dull script, they use it alternately, so that no one misses the task.
Shroff, shown jumping on roofs simply because not acting is his best feature, closes his eyes, expresses love or prepares for violent Kabaddi attacks. Sutaria says his lines with so much effort that it seems like we're watching a rehearsal video. Ananya Pandey, whose character is a recycled version for the millennia of Poo and Shanaya, does not carry half the sperm of Kareena Kapoor or Alia Bhatt and, after a dot, just seems to tell her dialogues like a jig Snobbish bandra who missed his breakfast at the lawyer because they could not find their yoga pants.
With Bhatt, it was promising. She had the role of superficial diva driven in her own vanity, but with Tara and Ananya, they reveal no depth or even any trace of depth. After applying the Paris filter, you could easily confuse them with Instagram influencers selling organic cosmetics.
As if that were not serious enough, poor Gul Panag is reduced to being a bad coach who has almost no dialogue.
High on testosterone and low on narration, SOTY 2 attack the reality and the obsession with privilege is best summed up in a dialogue when the character of Ananya breaks the system of music in the college auditorium to go as she wants.
"Bill simple daddy ko bhej dena."
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