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Yesterday, the long awaited trailer of It: Chapter Two is out and, without trying to sound too hyperbolic, it is masterful. The sequel to the hugely successful 2017 box office and the most profitable horror film of all time (not taking inflation into account), Il: Chapter Two follows the Loser's Club 27 years after the events that brought them closer together. Now adults, they return to Derry, Maine, to complete what they've started and defeat the evil entity that likes to present Pennywise the dancing clown.
What makes the trailer so great is that it has no problem using patience and tension during the day -3 minutes. Normally, a long trailer that could, and very often would ruin the entire movie. But this trailer opts instead to devote more than two minutes to the next scene: the return of Beverly in his childhood home.
Remember that has a duration of 135 minutes. Horror movies, in general, aim for the mark of 90 minutes. They have therefore adopted this standard and added an additional 50%, thus allowing the story to grow considerably. We spent more time with the children. We ventured into the streets of Derry. We saw the world in which they lived and we got to know him.
There is no reason to think that It: Chapter Two will not run as long, if not longer. The first film proved that long-term horror films could attract audiences (as evidenced by the success of a worldwide box office of more than $ 700 million for He ) invested and ready to spend their time. In addition, Stephen King's novel on which these two films are based is the second longest book he has written, with The Stand as the first. With more than 1,100 pages, it would be impossible to adapt everything to the big screen. Normally, a page of a script corresponds to a screen page. Therefore, 1,100 pages would be 1,100 minutes, well over 18 hours.
The trailer of It: Chapter Two shows that there is no point in giving us a full sequel to crack. Methodical patience is the main ingredient and allows us to remember what we saw and felt during the first part of director Andy Muschietti's adaptation.
almost all being "out of the way" in their own way. The librarian did not want Ben to stay around. Eddie's mother is ready to lie and manipulate her son to establish parental control. Stanley's father shows only disappointment in the little we see of him. Mike's father is pushing his son to slaughter animals, which he clearly does not want to do. Henry Bowers' father does not discipline his son, but prefers to reprimand and reprimand him. There is not one adult who makes fun of children.
And then there is Beverly. A father who mistreats her regularly and a pharmacist who mouths and praises her openly. A provider and a caregiver, both using their power to treat it as an object, as a person who does not deserve the slightest respect. It's heartbreaking, no matter how you cut it, and Beverly's story could well be the most painful of all Loser's Club. childhood home, a place where she endured so much misery. After being warmly invited, she tries to sit with an elderly woman of her grandmother, Mrs. Kersh, who offers tea and biscuits. What could have been a picturesque sequence turns more and more sour over the seconds. The sweet and soft music on the piano literally turns into discordance. The old woman moves like an insect with Beverly completely unconscious, lost in the memory of a poem that never left her heart. An afternoon tea session is stained with flies, disturbing pauses, morose conversations and open, oozing wounds. Bob Gray's revelation, Pennywise, is quickly eclipsed by Ms. Kersh's waving footsteps toward Beverly, the first scare offered by the trailer. I have never experienced a sincere warmth and affection between these walls. She does not have to wear a mask. She did not need to keep her guard. She did not have to live in constant fear. Except that she does. Pennywise poisoned that moment, playing against her deep fears by building her only to viciously bring her back. He knew his sore point and pushed him manic with a perverse joy. That's what he does and he does it incredibly well.
From there, the teaser takes a more standard approach, giving us quick excerpts and scenes from the rest of the film. The red balloons float by the thousands. Pennywise rises above the statue of Paul Bunyan. Georgie's arms wave to Mike from the sewer. We can see the tank where the Pennywise trolley used to reside. Only now, it's almost empty, the pile of clothes and toys is barely there. Pennywise is the culmination of our experience. He welcomes us for a new wave of terror and his mocking laughter makes us hear.
When a film lasts 90 minutes, spending two minutes of a trailer on a stage gives rise to a very dangerous and risky game. When a film goes well beyond two hours, it's a stroke of potential genius. It: Chapter Two is the most anticipated horror film of the year and this teaser gives the reason. belongs to Pennywise.
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